Taking a break from my mixtape posting shenanigans to bring you a bunch of the tasty new goodness I’ve been listening to over the previous month.
Ty Segall, Harmonizer, released 2 August. Ty is a fascinating musician that pulls off being weird and poppy at the same time. This was an unannounced surprise release recorded during the pandemic, so it’s definitely a bit more muted than his previous records, but just as entertaining.
BLACKPINK, THE ALBUM [JP Version], released 3 August. I don’t follow too many K-Pop bands but this is one I do, and their tunes are all full of sugary fun. This is a Japanese-language version of their 2020 debut.
George Harrison, All Things Must Pass: 50th Anniversary Edition, released 6 August. George’s third solo (and first commercial) album remains one of my top favorite post-breakup albums by the Fabs. This has been getting some sniffy reviews by some of the music blogs, but I have to respectfully disagree with them; the original had been drenched and drowned in that Phil Spector chamber sound and really dated the tracks, and I find the new 2020 Giles Martin mixes to sound infinitely better. They sound so much clearer and brighter now!
Jungle, Loving in Stereo, released 13 August. The band’s third outing is just as funky and groovy as ever. They’ve always kind of reminded me of Daft Punk by way of the Brothers Johnson, and that’s certainly a good thing.
Angel Olsen, Aisles EP, released 20 August. Olsen surprises everyone by lightening her usually rough exterior with a wild left turn into 80s nostalgia, covering five new wave classics. This could have easily been a terrible career idea, but she pulls it of wonderfully with creativity and humor.
The Joy Formidable, Into the Blue, released 20 August. The band continues their noise fest with a strong and solid record that’s been getting some decent play here in Spare Oom over the last week!
Halsey, If I Can’t Have Love, I Want Power, released 27 August. This one intrigued me as she’s teamed up with Trent Reznor and Atticus Ross, who’ve been putting out amazing (and often creepy) soundtrack scores together over the last decade or so. Halsey’s soft vocal delivery works perfectly playing off the twitchy Reznor/Ross electronics.
Supergrass, In It for the Money: Deluxe Expanded Edition, released 27 August. Yes, I will always look for a reason to post That Video With Supergrass On Pogo Sticks. I love this record because of its experimentation; they still maintain the punky goofiness of 1995’s I Should Coco but they’re already leaning towards the UK psych rock of their 1999 self-titled album.
CHVRCHES, Screen Violence, released 27 August. A welcome return after an extended hiatus, their latest further explores their darker and stronger sounds and comes up with some amazing aural landscapes. Well worth checking out.
Toad the Wet Sprocket, Starting Now, released 27 August. So wild that this dropped thirty years to the day since their breakthrough album Fear, which got a ton of play on my stereo and Walkman during my college years! They’ve returned with a lovely record and even managed to get none other than Michael McDonald on one of the tracks!
As I’ve mentioned quite often in the past, September is considered the start of Q4 in the music biz so I’m expecting some super awesome records to come out within the next couple of months. See you soon!