Spare Oom Playlist, April 2022 Edition, Part I

A lot of new releases popped out last month, enough where’ I’m gonna need to split it into two parts! And not only are there a number of new bands I’m really digging, there are a few classic ones that I didn’t expect!

EMF, Go Go Sapiens, released 1 April. I’ll be honest, I did not see this one coming! They may not be as funky and sample-rific as they once were (and to be honest, they’d already shed that by the time Stigma came out in 1992), but this is a pleasant surprise and and really enjoyable album.

The Clockworks, The Clockworks EP, released 1 April. It may only be a four-song EP, but I’ll take anything from one of my favorite finds of last year. They’ve definitely got that Interpol-esque post-punk sound down perfectly and I can’t wait to hear more!

Red Hot Chili Peppers, Unlimited Love, released 1 April. These guys have been around since the early 80s and it was only a matter of time before they moved a bit away from their patented punk-funk sound. It’s long, it’s a bit meandering, and a lot of it sounds quite mellow, but it’s still quite enjoyable.

Orville Peck, Bronco, released 8 April. The masked singer of unknown origins (although the prevailing rumor is that it’s drummer Daniel Pitout of the band Nü Sensae) releases his second album of spot-on old-school country crooning and it’s absolutely fantastic.

Son Lux, Everything Everywhere All at Once soundtrack, released 8 April. This quirky band was the perfect choice to do the score for the bonkers-yet-brilliant Michelle Yeoh/Ke Huy Quan movie that everyone’s talking about. And yes, the movie really is that brilliant.

Jack White, Fear of the Dawn, released 8 April. White’s solo releases have never failed to capture my attention and impress me with its catchy tunes. I’m really digging this one.

Oceanator, Nothing’s Ever Fine, released 8 April. Super fun boppy guitar punk that kind of reminds me of the bouncier side of Throwing Muses and Breeders. Go check out her stuff on Bandcamp, it’s worth a listen!

Wet Leg, Wet Leg, released 8 April. Slightly weird and a bit off, but full of super catchy melodies and humor. Definitely worth checking out.

Sault, Air, released 15 April. Not only did this mysterious collective drop an album with almost zero pre-release promotion — other than an “oh hey, check it out” tweet — but they dropped a…symphonic album? It’s definitely not the soul/rap/r&b hybrid their fans were used to. But it’s still amazing.

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See you next Tuesday for Part II!

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