Spare Oom Playlist, March 2022 Edition

It’s the end of the month, so it’s time to feature What I’m Currently Listening To once again! More good stuff from bands old and new — this year is definitely turning out to be a great one, just as I’d hoped!

Letting Up Despite Great Faults, IV, released 4 March. This band returns from its hiatus with more fun jangly, shoegazey indie pop that feels so relaxing and joyful. This is definitely a record that’ll show up on my writing session playlist!

Stereophonics, Oochya!, released 4 March. This Welsh band is still going strong after twenty-plus years with moody and melodic tunes that don’t quite fit into just one style.

Nilüfer Yanya, Painless, released 4 March. I discovered this singer on KEXP and I am totally in love with this record, especially the single “Stabilise”. One of my favorite records of the year so far.

Bob Moses, The Silence in Between, released 4 March. These guys come back with yet another great indie-synth hybrid record that I know I will constantly replay. So many great songs on this one!

(G)I-DLE, I Never Die, released 14 March. This K-Pop band returns with a full album of tunes that don’t always rely on their regular dance-pop style, even sliding into snarky rock such as on “Tomboy”.

Stabbing Westward, Chasing Ghosts, released 18 March. After an extremely long break, Christopher Hall resurrects his band and it truly sounds like he picked up where he left off, with their signature gothy alt-metal aural attack. Well worth the wait.

Charli XCX, Crash, released 18 March. Smooth synthy dance-pop similar to Robyn, full of catchy tracks including the single “New Shapes”.

The Clockworks, “Endgame” single, released 18 March. NEW CLOCKWORKS WOOOO! And they’re coming out with an EP on April first!!! My favorite new band!

Pinch Points, Process, released 18 March. Another one of those ‘never heard of them, let’s give them a listen’ bands that’s totally in my wheelhouse: twitchy angular punk that sounds like they’ve been listening to X’s Los Angeles. Good stuff.

PLOSIVS, PLOSIVS, released 18 March. Another favorite of the year, REALLY digging this record. I recently described them as a sort of bouncier, punkier Interpol, with really interesting melodies. “Broken Eyes” is a huge favorite of mine at the moment. Also, my favorite band name of the moment!

Bauhaus, “Drink the New Wine” single, released 25 March. The original goth foursome return with a new Exquisite Corpse-style song, each member providing their own segment with only a drum loop tying them together. (Just like their b-side “1-2-3-4”, actually.)

Placebo, Never Let Me Go, released 25 March. This band may have mellowed a little over the years, but their songs are still strong and vibrant.

Sevdaliza, Raving Dahlia EP, released 25 March. Following up from 2020’s delightfully odd yet catchy Shabrang is an EP further expanding on the singer’s electro dance grooves and disturbing visions.

Wallows, Tell Me That It’s Over, released 25 March. Fun SoCal low-energy indie pop similar to Cayucas.

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Next Up: April promises to be full of stellar new releases as well from the Chili Peppers, Jack White, Lucius, Fontaines DC, Wet Leg, Hatchie and more!

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