Ends in Two: Favorite songs and albums of 2022 (Part VII)

July’s playlist shows that my tastes in music have definitely changed and evolved over the years. For every band I’d followed for years releasing an unexpectedly laid back record (Interpol), there’s a new group that captures my attention with its bubblegummy goodness (beabadoobee), with the occasional sideline into the bizarre (Ty Segall). This is what listening to non-commercial radio will do to you, I suppose…

Metric, Formentera, released 8 July. Another band that chose to focus on the effects of the pandemic. Metric has always had a tinge of darkness to their music, but this one leans heavily on it with songs like “Doomscroller” and the single “All Comes Crashing.”

beabadoobee, Beatopia, released 15 July. This is such a super fun band to listen to! Catchy melodies and irresistible guitar pop make them a band I return to whenever I’m in a good mood. Their latest is just as great as their previous, if not more so!

Working Men’s Club, Fear Fear, released 15 July. I’m loving the fact that more new bands have been giving an extended nod to the dark sounds of 80s post-punk, especially when synths are involved. This new album sounds just like something I’d have listened to as a teen!

Superorganism, World Wide Pop, released 15 July. A very apt album title for this band, as this one’s full of perky, slightly off-kilter tunes that are just this side of sugary goodness.

Interpol, The Other Side of Make-Believe, released 15 July. An extremely understated album for this band, which definitely threw me for a loop for a bit. This one’s very muted and moody, unlike several of their last few albums. Well worth checking out, though.

You Shriek, “Dead Pilots” single, released 19 July. I add this as I actually knew this guy in college! He was a friend of a friend and his sound was much more goth/synthwave back in the early 90s, but he’s come along way since then with a brand spankin’ new single.

Ty Segall, “Hello, Hi”, released 22 July. This SoCal weirdo is someone I never would have followed if not for the fact that KEXP loves him and his music (and the fact that he released an EP two years ago featuring all Nilsson covers). The album is full of fuzzed-out guitars and oddball lyrics and it’s all great.

Jack White, Entering Heaven Alive, released 22 July. The second of two albums he dropped this year and the quieter half, leaning somewhat towards psychedelic country-folk (if there’s such a thing). It also features a tongue-in-cheek take of the previous album’s “Taking Me Back” single as if done by the Carter Family.

Bananarama, Masquerade, released 22 July. Yes, this band is still around! After reading their memoir a while back, I finally gave them another listen and came to appreciate them a lot more.

ODESZA, The Last Goodbye, released 22 July. Another KEXP find, they’re very much set in that curious indietronica universe where it’s obviously dance music but it’s also beautifully crafted and full of emotion.

Sun’s Signature, Sun’s Signature EP, released 29 July. One of my top ten releases this year, Elizabeth Fraser’s return (after thirteen years) finds her working with her partner Damon Reece (of Lupine Howl) to create something beautiful and strange. That might be stock in trade, but this is definitely not Cocteau Twins. This album made me realize I don’t relisten to albums nearly as much as I used to, and that I really needed to do something about that.


Coming next Tuesday…August tunes!

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