March 1988! I always think of March as being one of the longest months of the year back when I was in school, because that was the only month that didn’t have a holiday or a break. It was when our teachers would assign the term paper or the class project that we’d have to finish around spring break in April. On the plus side, it was also the time the weather started clearing up a bit. A few lingering snowfalls, but it would eventually start getting warmer, and the roads would finally start to clear.
Here’s a handful of albums that arrived sometime in March.
Stump, A Fierce Pancake. I was drawn to this Irish band simply for its utter daftness; lyrics filled with puns and odd references, strange samples, guitar riffs deliberately played to sound off-key (see “Buffalo”, which showed up on the US version of this album), and a look that made you think they weren’t the actual band, but the guys at the bar coming to heckle them.
Big Pig, Bonk. An Australian collective with heavy percussion, they had a minor hit in the US with “Breakaway” (which would get a second life in 1989 as the opening credits song for Bill & Ted’s Excellent Adventure), they had a much bigger following back home and in the UK, thanks to their unique sound that mixed drums, blues and funk.
The Mission UK, Children. Wayne Hussey and Craig Adams had parted ways with their previous band (The Sisters of Mercy) and created their style by fusing goth and spaghetti western (similar to other bands of the time like Fields of the Nephilim), and they finally hit their stride with their second album. “Tower of Strength” remains a fan favorite.
REM, “Finest Worksong” single. The last of three singles from their stellar Document album from 1987 and its opening track, it was a rare single of theirs that would get a remix, complete with a horn section. It would also be their next-to-last release on IRS Records, moving to Warner Bros later that year and onto much larger success.
Shriekback, Go Bang!. The alt-funksters who had quite the cult following in the UK had been pressured by their label to come up with a hit, and provided a much dancier, more commercial sound with this album. It’s not their strongest, but it’s definitely catchy. [Check out Wayne Casey, he of KC and the Sunshine Band, checking out the crowd in the above video!]
Peter Murphy, Love Hysteria. Murphy’s second solo album is a gorgeous classic with lush, complex compositions that would become his stock in trade for future releases. It’s an album for listening and paying attention to, especially with headphones. Highly suggested to add to your collection.
The Jesus & Mary Chain, “Sidewalking” single. A new track to supplement their upcoming b-sides and rarities album Barbed Wire Kisses, this hinted at a much tighter band, turning down the reverb and the feedback creating a heavier, groovier sound that would bring them an even wider audience.
Felt, The Pictorial Jackson Review. A band that defined quiet jangle-pop in the 80s, their eighth album was an interesting mix of styles, with the first side of the album featuring singer Lawrence’s signature meandering sound, and the flip side featuring an amazing jazz piano journey played by keyboardist Martin Duffy (who would go on to join Primal Scream the next year).
Coming soon: More March 1988!