Meanwhile, 40 years ago…

Yesterday afternoon, A and I headed to the Alamo Drafthouse to see the 40th Anniversary of Close Encounters of the Third Kind. I barely remember going to see it the first time out, considering I was six years old (I either saw it at the drive-in or in Gardner, the same place I saw Star Wars), though I do remember bits of it when watching it on TV in later years.

Of course, this made me think of all the music that I’d heard about that time, mostly on the little crackly radio that was in the kitchen for years. I remember the above ‘disco version’ of the Close Encounters theme, as we owned the album and the single.

So let’s see…what other songs do I remember from that era? [This obviously doesn’t include the classic punk from that era, which was way off my radar for quite a few more years.] A lot of these were singles my sisters bought, or tunes that we’d hear on the radio. This of course was back when AM was still the preferred listening band, so most of these I associate with either listening on my cheapo record player or on the car radio whenever we went for a ride. [Or in some cases, the jukebox at Bellinger’s!]

…hey, what can I say? I was six years old. I loved this stuff. :p

Fly-by: N do I need apostrophe T need this torture

Remember when I said that various systems at my Day Job usually go all kerflooey when I go away on vacation? Well, surprisingly enough none did.

But as of yesterday, our email server has decided to flush all the many and intertwining sorting rules down the loo so everything, from requests to reports to auto-replies and everything else lands in our main Inbox.

Which means that my particular job, which happens to be quite email-heavy, is currently now twice as slow and twice as much of a pain in the ass. Which means I’ve been working straight out all day long.

So this means a fly-by. I happen to be listening to a bunch of albums from 1986 at the moment (currently playing as I write this: The Mighty Lemon Drops’ Happy Head) and of course the most excellent debut from They Might Be Giants was part of this listening experience. The video above sold me on them from the start and I’ve been a big fan since.

Hopefully I’ll have something of more substance next week. Sorry about that!

Recent Purchases, July Edition

More new and reissued tunage from 2017, for your perusal…an interesting mix of old and new, loud and soft, ambient and danceable this time out.

Tory y Moi, Boo Boo, released 7 July.

Public Service Broadcasting, Every Valley, released 7 July.

Broken Social Scene, Hug of Thunder, released 7 July.

HAIM, Something to Tell You, released 7 July.

Yoko Ono, Fly, Approximately Infinite Universe and Feeling the Space reissues, released 14 July.

The Dears, Times Infinity Volume Two, released 14 July.

Valerian and the City of a Thousand Planets OST, released 20 July.

Dunkirk OST, released 21 July.

Nine Inch Nails, Add Violence EP, released 21 July.

Cornelius, Mellow Waves, released 21 July.

Declan McKenna, What Do You Think About the Car?, released 21 July.

Arcade Fire, Everything Now, released 28 July.

People Like You, Verse, released 28 July.

New Vacation Compilations

anime music listening

As always, when we’re going on vacation, I always create a new compilation or two to listen to during the flights.  I’m a little behind in creating these, so they contain tunes from most of the spring and summer of 2017 (including a few reissues).

Here’s the playlists, with the YouTube links where available.  Enjoy!

Walk in Silence XIX

Side 1
1. Cold War Kids, ‘Love is Mystical’
2. The Drums, ‘Blood Under My Belt’
3. Overlake, ‘Winter Is Why’
4. Spoon, ‘Can I Sit Next to You’
5. Mutemath, ‘Hit Parade’
6. The Charlatans UK, ‘Different Days’
7. Sylvan Esso, ‘Die Young’
8. Dishwalla, ‘Give Me a Sign’
9. The New Pornographers, ‘Avalanche Alley’
10. LCD Soundsystem, ‘American Dream’

Side 2
1. Radwimps, ‘Zenzenzense [Movie Version]’
2. Lydia Ainsworth, ‘What Is It?’
3. Wire, ‘Short Elevated Period’
4. Imagine Dragons, ‘Believer’
5. 311, ‘Too Much to Think’
6. The Charlatans UK, ‘There Will Be Chances’
7. Day Wave, ‘Wasting Time’
8. Bush, ‘Mad Love’
9. Future Islands, ‘Ran’
10. Slowdive, ‘Falling Ashes’
11. Gorillaz, ‘We Got the Power’

 

Untitled XXIII

Side 1
1. Ride, ‘All I Want’
2. Future Islands, ‘Cave’
3. Liam Gallagher, ‘Wall of Glass’
4. Lydia Ainsworth, ‘Ricochet’
5. Wire, ‘Brio’
6. Royal Blood, ‘Lights Out’
7. Alt-J, ‘In Cold Blood’
8. U2, ‘One Tree Hill’
9. Alexiane, ‘A Million On My Soul [Radio Edit]’
10. Maximo Park, ‘Get High (No, I Don’t)’
11. Big Wreck, ‘Skybunk Marché’

Side 2
1. Radiohead, ‘I Promise’
2. Cold War Kids, ‘Can We Hang On?’
3. Phoenix, ‘J-Boy’
4. Toro y Moi, ‘Girl Like You’
5. 311, ‘The Night Is Young’
6. Panda Riot, ‘Ghosting’
7. Au.Ra, ‘Above the Triangle (ii)’
8. Sylvan Esso, ‘Just Dancing’
9. Slowdive, ‘Sugar for the Pill’
10. LCD Soundsystem, ‘Call the Police’

Yet More On Making Mixtapes

memorex dbs gif

Yes, I know I’ve gone on about making mixtapes how many times here?  Bear with me, I’m about to go on just a bit more.

Every now and again I return to my catalog of mixtapes — that is, the mp3 recreations — and give them another listen.  By now I can tell which ones worked for me and which could probably have used a bit more planning.  Not that I’m going to change any of them, though…they’re a specific part of my past, and changing them now would only turn them into something different.  [Case in point, when I remade a few of them in 1999 and 2000, I was missing a few songs on each and replaced them with different tracks from the same era.  The mix worked just as well, but it didn’t feel like a true recreation…it felt like a ‘remastered reissue’ instead.]

As I’ve mentioned before, around 2014 I chose to reinstate the mixtape rules when making new mp3 mixes: double batches of roughly 45 minutes each, just as I would on one of those Memorix DBS I 90s you see above.  This forces me to think further about the flow of the music and the balance of the mix.  The upside to this is that the end result is a pretty solid and well-flowing mix.

The downside?  Well, I seem to still be throwing songs that don’t quite fit into the context of the rest of the mix.  They’re good songs, they just don’t quite work with the rest.  I’m thinking the main reason for this is that I’m no longer building the mixtape the true old-fashioned way, dubbing from tape or cd or vinyl, listening all the way through the song before adding the next one.  I’m just that little bit distanced from the mix, just enough where I don’t always catch when it doesn’t sound right.

I’m making up for it with these last few mixes by taking that extra time to select the music I think will work best, and listen to a rough set list so I can get the songs in the right order.

Why do this in this digital age, you ask?  Who makes mixtapes anymore?  Well, these are for my own enjoyment.  I listen to them at the gym, on long plane rides, during my writing sessions, and during Day Job hours.  I’ve only ever shared my mixtapes with a few others, and in truth I’ve only made maybe four or five tops specifically for other people.  I’m merely continuing the art of mixtape making as I know it.