At the moment, I’m focusing almost completely on the revision of Diwa and Kaffi (yes, that’s the Apartment Complex book title now), which means that my writing session playlist has shifted accordingly. Right now it’s focusing mostly on lighter fare, to fit the mood of the novel. In particular, I find myself listening to a lot of synthpop and light alt-rock. Here’s a few albums that have been spinning lately here in Spare Oom…
White Lies, Five. This album kind of reminds me of the modern pop sound of the late 80s/early 90s that I used to listen to back in the day. It’s light but has just enough heft and emotion to it that it’s not throwaway.
The Cinematic Orchestra, To Believe. Great mood music I can get lost in. It’s quiet and lovely and just kind of floats everywhere, and I love it. This is the kind of stuff I listen to when I just need background but not exactly a specific mood.
UNKLE, The Road Part 2: Lost Highway. I can never go wrong with James Lavelle’s brilliant work. It’s dark and brooding, but it’s also quite expansive. (Having Tom Smith from Editors singing a few tunes is also really cool.) I usually reserve UNKLE for my Epic Novel sessions, but I’m such a huge fan of the band that they fit in quite nicely for any book I’m writing.
American Football, American Football (LP3). This is an AMAZING album, and it’s absolutely gorgeous and dreamy. This one’s been getting some heavy replays, almost on a daily basis, since it came out a little over a week ago. It’s just enough for me to get lost in the mood of the record without it interfering with the book proper.
The Sound of Arrows, Stay Free. This one’s a few years old but it’s been a huge influence on the book since I started writing it last year. (So much so that the title track plays during the ending credit sequence for the anime version in my head. Heh.) It’s a lovely and quite positive album to listen to, and it fits the mood of D&K perfectly.
I’m still on the first couple of chapters of this novel right now, and I’ve purposely not given myself a deadline; I’m already damn proud of this book and think it’s one of the best I’ve written (even better than the trilogy!), so I want to give this one as much TLC as I can before I decide whether I want to self-publish it or submit it to a professional house. I’m not even focusing on that right now, to be honest — I just want to give this one my all. Establishing a writing soundtrack, then, becomes an important part of my process; writing with music helps me focus on the work at hand, and it also mutes out any background noise that might distract. Creating this kind of playlist is one of my favorite parts of the process, as the music helps me achieve the mood of the story.