Songs from the Eden Cycle, Vol 5 (Under Construction)

What’s that, you say?  Is this an official follow-up to the original four compilation volumes from 1997-98?  Didn’t I make a bunch of semi-official compilations for the trilogy over the next decade and a half?  Am I just recycling the same damn mixes over and over again at this point?

What’s the diff, anyway?

Well, the original Songs from the Eden Cycle mixes were made when I was writing The Phoenix Effect and were used to get me inspired, rather than songs that were assigned to specific scenes (with a few exceptions).  The follow-up mixes, on the other hand, were when I wrote and revised the Bridgetown Trilogy and were specifically focused on those stories.

Thus, this new “Volume 5” is a return to the original reason for the series: music to get me inspired to write the new Mendaihu Universe book(s).  Like the original four, these will be mixes that will be made over an extended stretch of time, as certain tracks pop up.

Here are a few that I’ve gathered so far…

Blonde Redhead, “23”. This song popped up on my radar in 2015 when I was playing around with MU story ideas, and caught me at the right moment with its unrelenting, twisting power. Beauty and tension at the same time.

Kasabian, “Club Foot”. I’m surprised I never put this song anywhere on any of my major compilations other than a half-assed one I threw together in 2005, because it’s one of my favorite badass bass lines. Also surprised I never used it in any Mendaihu Universe stories, either. Admittedly the video (again, one of my favorites) did give me a bit of inspiration as well.

U2, “The Blackout”. Say what you will about U2’s last two albums, personally I still think they’re the best and strongest albums they’ve had in years. Pretty sure they’re both going to get a lot of play when I start writing the new stuff.

Editors, “No Harm”. These guys consistently blow my mind with each release. In Dream was quite the dark affair — not as creepy as In This Light and On This Evening, but emotionally raw — and got a hell of a lot of play when I was revising the original trilogy. Pretty sure it’s gonna get play here as well.

Dot Allison, “Message Personnel”. This track actually dates back to the original TPE/trilogy sessions and popped up on one of the “Mendaihu Universe” mixes, but I’ve chosen to add it to this one because it’s the soundtrack to one of the first scenes I’d come up with for the new story.  This is one of the few exceptions where I had a perfect song in mind for a specific scene.

The Horrors, “I See You”. I think I need to look into this band more, because they totally slipped under my radar until I heard their Luminous album a few years back. I love their dark post-punk sound, which fits in quite nicely with what I’m trying to achieve with the new story.

I’m still working on this one right now, and it is in fact a mix of newer and older songs (note: the original four volumes did in fact have the same type of content as well).  With the exception of maybe one or two songs, the rest of these haven’t been put on an official Eden Cycle mix as of yet.

Yes, I know…I’ve got two other novels I have to finish first before I can get anywhere serious with this new Mendaihu Universe novels, but it doesn’t hurt to get an early start with the notes and the soundtrack, right?

Writing Time

As I’d mentioned elsewhere, I’ll be quite busy this month working on revision for In My Blue World I’ll do my best to continue posting here regularly, though!  The entries might not be as intensive as normal, but never fear, I’ll always provide you with some fun tunage!

For now, I’ve got a bit of revision prep work to do these first few days of the month that’s gonna keep me occupied, so I’ll leave you with a few ELO tracks that inspired my new novel.

I’ll be doing my usual month-in-review post of June’s releases on Thursday and the Twenty/Thirty Years On series next week.  Thanks for waiting!

Songs from the Apartment Complex

garden of words apartment

from Makoto Shinkai’s The Garden of Words

New mixtape/mp3 playlist!  This one’s Songs from the Apartment Complex, and I have to say this is probably one of the quirkiest mixes I’ve made in a while.  The Apartment Complex story (still working on the title, folks) has evolved into an unexpected direction for me.  Unlike previous book-centric playlists where most of the songs are there to set a mood, many of these tracks here are aimed at specific characters and what kind of person or being they are.  Hope you enjoy it!

  1. The Sound of Arrows, “Stay Free”
  2. U2, “Get Out of Your Own Way”
  3. Ra Ra Riot, “Water”
  4. Beck, “Dreams”
  5. Elbow, “Firebrand & Angel”
  6. Gang of Youths, “What Can I Do If the Fire Goes Out?”
  7. The Naked and Famous, “A Still Heart”
  8. U2, “13 (There Is a Light)”
  9. Embrace, “Love Is a Basic Need”
  10. The Sound of Arrows, “Don’t Worry”
  11. Shame, “Friction”
  12. Elbow, “One Day Like This”
  13. GoGo Penguin, “Strid”
  14. Eels, “There I Said It”
  15. U2, “You’re the Best Thing About Me”
  16. The Sound of Arrows, “Beautiful Life”
  17. Love Tractor, “We All Loved Each Other So Much”

EDIT: As you may have seen over at Welcome to Bridgetown, I’ve put the Apartment Complex story on hiatus as I’m having even more problems with it than I thought, and need to put it aside for a while. Frustrating, yes. VERY frustrating. But I’m still keeping this up, because I think it’s a pretty interesting mix, and something I’ll listen to when I come back to the project. [And I *am* coming back to it — I just don’t know when.]

OH HEY I HAVE A BOOK OUT

Meet the Lidwells Cover F Outside 2

MEET THE LIDWELLS! A Rock n’ Roll Family Memoir

“Rule number one in the music business: never start a band with any members of your family. 

Sure, it’ll start off just fine, everyone having fun, with big dreams of success and gold records, but then you realize you’re stuck in a stinking, too-small tour bus with your siblings for the fifth year running, and your brother hates you. Next thing you know, the band implodes just as it’s reaching its highest success, your family won’t talk to you anymore, the press is having a field day ripping you to shreds, and you’ll need to start your career all over again as a solo act. If you dare to at that point.

Rule number two in the music business: rules were made to be broken.” — Thomas Lidwell

Meet the Lidwells! is the story of four siblings and two cousins who start a band as teenagers and achieve success beyond their wildest dreams. But while they consistently top the charts with their irresistibly catchy tunes, they’re also fighting their own demons: perfectionism, disenchantment, addiction, exhaustion, sexism…and figuring out how to become an adult in front of millions of fans.

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NOW AVAILABLE AT SMASHWORDS!
ON SALE ALL THIS WEEK FOR ONLY $1.50!

Come check it out!

 

Con Panel Idea: next-gen SF/F in music

This past weekend I had this grand idea of creating a panel for the three SF/F conventions that we’ll be going to this year, provisionally entitled ‘The Next Generations of Science Fiction and Fantasy in Music’. I mean, come on — me, a genre writer and a music obsessive? I’d be a perfect moderator for this one. [Mind you, part of the reason why I called it ‘the next generations…’ is because I’ve been to many of these music-themed panels in the past, but alas, they’re always focused on filk, Canterbury folk, and 60s-70s prog rock. I’m not dismissing those, but it’s high time we updated the playlist on this panel idea.]

Which means that between now and early March when FOGcon happens, I’ll need to do some playlist making. Radiohead will of course make an appearance… who else should I include? NOTE: I know my list below so far isn’t all that inclusive (considering I threw this together off the top of my head in a half hour), so if you can think of any music from women/PoC that I can add to the list, it would be most excellent. Thanks!


(Yeah, I know this one’s an instrumental, but I’m tempted to play this one as an excellent example of SF in music video.)

Meet the Lidwells: Musical Inspiration

I’m thrilled to report that in the span of one month, I’ve already hit over 13,000 words for the Meet the Lidwells project, averaging around 500 to 700 words day. I’m still on track for a fall release at this point, as I think I’m about a fifth of the way done already!

Meanwhile, here’s a few songs I’ve used for inspiration and reference so far. As you can see, there’s definitely a deep Britpop influence going on.

The Stone Roses, “I Am the Resurrection”: The four-to-the-floor beat of this track was part of the inspiration for the Lidwells’ first major hit, “Grapevine”.  Theirs is a catchy track that captures the interest of not just their younger teen fans but also the older ones, thanks to their ability to cleverly mix pop stylings and creative alternative rock. The Lidwells were known for stretching out “Grapevine” live, much like how The Stone Roses did with this song.

The Charlatans UK, “Opportunity”: Keyboardist Danny Lidwell wrote a groovy deep track called “Trust” for their debut album inspired by the keyboard-heavy Manchester bands like The Charlatans and Inspiral Carpets. He claims that “Trust” was when he deliberately decided to stop being self-conscious about his playing and just powered through it, revealing his own unique style in the process.

The Real People, “Window Pane”: I’m using this song as a sort of template as to what the early Lidwells sound like aurally: a lot of harmony, a positive and funky vibe, and definitely catchy and fun to dance to.

The House of Love, “You Don’t Understand”: This would be a good example of the type of song they would write, especially eldest member and band leader Jason. In fact, Jason will end up writing a song similar-sounding to this one by their third album.

Veruca Salt, “Volcano Girls”: This is definitely a great example of how I picture the two women in the band, Hannah and Amy, rocking out. Hannah is a badass drummer with no fear, and Amy is one hell of a shredder. They’re both solid songwriters with no filter at all.

The La’s, “Looking Glass”: If A Division of Souls had Failure’s “Daylight” as the soundtrack for the final scene, this is the one for MtL‘s finale. This would be Thomas, the youngest Lidwell, singing this as the final song on their final show on their last tour, going out on one hell of a high.

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More to come when I have more written! 🙂