Ends in Two: Favorite songs and albums of 2022 (Part I)

As promised, I’m about to go through my music library to check out what came out this past year and shake the dustbunnies out of my brain to remind myself how many great songs and albums came out in 2022. Like the last couple of pandemic years, the music scene has kind of been all over the place — not necessarily in a bad way, but it’s definitely shaken things up to the point where the unexpected is the norm. Let’s take a listen…

The Smile, “You Will Never Work in Television Again” single, released 5 January. Radiohead members Thom Yorke and Jonny Greenwood joined up with their drummer friend Tom Skinner from Sons of Kemet as a creative outlet during the pandemic and surprised everyone with a decidedly punkish sound that might be Radiohead at its most frantic. They’d eventually release a full album later in the year.

The Weeknd, Dawn FM, released 7 January. His latest is kind of…weird? Yet really fun and funky? And features in-between smooth-jazz-DJ voice-overs by…Jim Carrey? I’m still not entirely sure what he was trying to say with this record, but it’s a great listen nonetheless. “Sacrifice” in particular is my favorite off the album.

Cat Power, Covers, released 14 January. Chan Marshall has been known to record unique and fascinating covers of other people’s music, and this latest batch is full of gems. Her take on Frank Ocean’s “Bad Religion” got quite a bit of airplay on KEXP at the beginning of the year and it’s a wonderful take on an already quirky track.

Miles Kane, Change the Show, released 21 January. Kane, also known as part of the supergroup The Last Shadow Puppets, takes the classic British soul swing sound and tweaks it with humor and maybe a bit of strangeness and the result is earwormy fun.

Kids On a Crime Spree, Fall in Love Not in Line, released 21 January. I’ve been intrigued by Slumberland Records these days for several reasons: much of their roster is super-local (one or two coming from my own neighborhood!), and much of that same roster often records in a semi lo-fi way, providing a very loose ‘bedroom recording’ feel that reminds me of…well, my own band The Flying Bohemians, actually! Extra props for this particular Oakland band for naming themselves after a newspaper story headline about problem youths in Foster City on the peninsula…which became the inspiration for the movie Over the Edge.

Yard Act, The Overload, released 21 January. This goofy punk band from Leeds provided probably my first favorite track of the year with the title song from their debut album. I kind of see them as what The Fall would sound like if they played twice as fast and Mark E Smith hadn’t been so damn grumpy all the time, but they have a really fun and hilarious charm all their own. The whole album’s well worth checking out.

The Smile, “The Smoke” single, released 27 January. The band followed up with another new single leaning ever so slightly more towards Radiohead but remaining unique to their own style. This one definitely showcases Greenwood’s penchant for increasingly complex riffs and musical phrases and Yorke’s unnatural ability to easily shoehorn vocals within them.

Paul Draper, Cult Leader Tactics, released 28 January. The second solo album from the ex-lead singer of Mansun continues his foray into tension-filled alternative rock, this time featuring friend and Porcupine Tree singer Steven Wilson on the lead single “Omega Man”. Props to Draper for filming this video in the exclusion zone in Chernobyl to really drive the theme of isolation home.

The Beatles, Get Back: The Rooftop Performance, released 28 January. Tying in with the utterly amazing Peter Jackson miniseries, this release finally provides fans with the full rooftop show that ended up being the band’s final live show (of sorts). We got to see it on the (very!) big screen on IMAX and it was so much fun!

Our Lady Peace, Spiritual Machines II, released 28 January. A sequel to an underrated and fascinating record about Ray Kurzweil’s book about artificial intelligence, The Age of Spiritual Machines, this one revisits the predictions he’d made in the book to see what has come to pass and what has not.

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Next Up: February tunage!

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