In true Q4 fashion, November contained some new releases but far more box sets and rereleases: Ride’s 4 EPs, Spice Girls’ Spiceworld, Michael Jackson’s Thriller, The Fall’s 1970s, David Bowie’s Divine Symmetry, Erasure’s Erasure, Sparks’ No 1 in Heaven, and the Flaming Lips’ Yoshimi Battles the Pink Robots just to name a few. I’ve only mentioned a few here that were of deep personal interest.
SAULT, 11, AIIR, Earth, Today & Tomorrow, and Untitled (God), released 1 November. The mercurial British collective surprises everyone with not just one but five new albums, full of spiritualism, faith and positivity.
Phoenix, Alpha Zulu, released 4 November. I didn’t even know they were coming out with a new record until I heard “Tonight” popping up on satellite radio during our last vacation! I haven’t quite had the time to listen to this too much, but what I have heard I really like.
Seal, Seal [Deluxe Edition], released 4 November. I’ve mentioned this before that this feels more like a Trevor Horn-featuring-Seal album (I prefer his second album to this one), but “Crazy” remains one of my all-time favorite 90s songs. The remaster gives this record a much-needed warmth that was lacking in the original mix.
Fitz & the Tantrums, Let Yourself Free, released 11 November. Another band best heard (and seen) live, they’ve weathered the pandemic and are back with a new and fun album that gets you moving. We’ll be seeing them early next year!
Various Artists, Life Moves Pretty Fast: The John Hughes Mixtapes box set, released 11 November. The most enduring part of nearly every movie Hughes made in the 80s was the eclectic soundtrack. Why lean on big names and commercial sheen when you can introduce your audience to New Order, Sigue Sigue Sputnik, Yello, Love and Rockets, Simple Minds, Oingo Boingo and more? His soundtracks were a big part of my youth and introduced me to many ‘college rock’ bands I may not have ever discovered elsewhere. This one’s a surprisingly detailed mix of 74 tracks from eleven different films and worth searching out.
Royksopp, Profound Mysteries III, released 18 November. The electronic band completes the trilogy of introspective thoughts about the unknown. It’s quite the achievement as the albums sound great on their own but also work seamlessly as an extended whole. One of my favorite projects of the year.
bis, Systems Music for Home Defence, released 18 November. This Glaswegian band is still going strong with its unique brand of bubblegummy technopop full of fun and humor.
Soundtrack, The Guardians of the Galaxy Holiday Special, released 25 November. While most of this record is incidental music by John Murphy, it’s the two Old 97’s tracks that make this one such a treat, full of the same silly humor as the Christmas special.
The Cure, Wish [30th Anniversary Edition], released 25 November. released nearly four years after their previous deluxe edition rerelease (2018’s Mixed Up), my favorite 90s Cure album gets not only an extended review but a fantastic remaster that gives it so much more depth and warmth.
Metallica, “Lux Aeterna” single, released 28 November. The band’s first studio release since 2016’s Hardwired…to Self-Destruct album sees them older and more contemplative but still in full-throttle. Written and recorded during the pandemic along with their upcoming album 72 Seasons, the new track feels like a new direction for them.
Coming tomorrow: December brings the last few weeks of new music for 2022.