Thirty Years On, October 1988, Part II

Continuing with more great music from October 1988!

Compilation: Walk in Silence…, created mid-October. Way before it was the title of my music blog, it was the title of an ongoing mixtape series, starting with this one. The focus of this one was similar to my Listen in Silence mixtape in which it featured my favorite songs both old and new, but this one contained more emotional favorites and ones connected to my writing projects, such as tracks form Depeche Mode, Morrissey, Wire, Cocteau Twins, Siouxsie & the Banshees, and of course Joy Division. This past June I created the twenty-first volume.

REM, Eponymous, released 8 October. REM’s first greatest hits record may in fact be a contractual obligation album — it’s their last for IRS — but it’s a great mix that contains both popular hits and rarities. It’s not exactly essential, as all the rarities are easily available in later best-of mixes, but at the time it was a perfect retrospective for the band.

John Lennon: Imagine soundtrack, released 10 October. This is the soundtrack to the documentary of the same name, featuring the story of John (and Yoko) post-Beatles. It’s a touching tribute and a great mix. It also features the first official appearance of “Real Love”, which would be rerecorded eight years later by the surviving Beatles for the Anthology 2 album.

U2, Rattle & Hum, released 10 October. While some people think of this album as too long with too many throwaways (and the documentary as too self-important and navel-gazey), it really is a fantastic album, and contains some of their best late-80s tracks. The documentary, by the way, holds up surprisingly well!

Ministry, The Land of Rape and Honey, released 10 October. After Ministry’s change from synthpop to aggressive industrial with 1986’s Twitch, they followed up with one of their loudest and most powerful albums to date. It’s a hybrid of industrial, speed metal, and unrestrained punk, and it’s a trip.

Duran Duran, Big Thing, released 18 October. While I wasn’t the biggest fan of the slick Europop of 1986’s Notorious I really enjoyed the straightforward rock of this particular album. It’s got a lot of really great tracks on it, even though it tends to be overshadowed by 1993’s Wedding Album.

Various Artists, Stay Awake: Various Interpretations of Music from Vintage Disney Films, released 18 October. A curious tribute album to songs from the House of Mouse, it contains some of the most interesting and/or odd covers from Los Lobos (a goofy “I Wanna Be Like You”), The Replacements (a wonderfully drunken “Cruella De Ville”), Suzanne Vega (the lovely “Stay Awake”), Tom Waits (a fantastically creepy version of “Heigh Ho”), and more.  Definitely worth checking out.

The Traveling Wilburys, The Traveling Wilburys Vol 1, released 24 October. What was originally supposed to be a b-side project for a George Harrison single became a supergroup that not just wrote and recorded a great classic rock album but reignited the careers of all five of its members.

The Fall, I Am Kurious Oranj, released 31 October. This band had evolved from atonal punk to noise-rock and beyond, so it was only a matter of time before they joined forces with UK dancer Michael Clarke to create a rock opera about…William of Orange? Sure, why not? It’s actually one of their most accessible and melodic records of this era, and a personal favorite of mine.

Ultra Vivid Scene, Ultra Vivid Scene, released 31 October. Kurt Ralske’s sort-of one man band project took its influence from the sludgy noise of The Jesus and Mary Chain, and was one of 4AD’s first signings to break out of the label’s reverb-drenched signature sound. While it’s noisy as hell, it can also be quite beautiful. Music trivia: a very young Moby was once its bassist!

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Next Up: Coming close to the end of the year, but there’s still a lot of great music to come!

Thirty Years On: October 1988, Part I

October 1988:  Switching between multiple writing projects and the occasional poetry or Flying Bohemian lyric, while digging through my last year in high school.  Amherst College’s WAMH returns to the airwaves, much to my delight, and I begin recording things off the radio in earnest when I’m not buying albums (mostly on cassette) at Al Bum’s or Main Street Music.  A surprisingly large assortment of great tunage is released this month, so much that I have to split it up into two posts!

Buffalo Tom, Buffalo Tom, released ?? October. A new wave of bands with a distinctly Boston sound had started making a noise in the mid to late 80s, and Buffalo Tom was a huge favorite of everyone. They weren’t just loud and raucous, they wrote amazing melodies and smart lyrics. One of my favorite Boston bands, their entire discography is worth checking out.

Dinosaur Jr, Bug, released ?? October. Meanwhile, out in the Pioneer Valley of western MA, stoner rock dudes Dino Jr made a hell of a loud noise and released their second album, which the Five College area stations played incessantly. Such was their fanbase that they’d eventually become one of the highlights of the 90s alt-rock scene.

Sonic Youth, Daydream Nation, released ?? October. And just a little further south in NYC, a band was making an even LOUDER noise (as it had been since the beginning of the decade) and released what would be one of their biggest albums to date. While not as dissonant as previous albums, it retained the power of their relentless energetic style.

Front 242, Front by Front, released ?? October. Following up from their absolutely amazing “Headhunter” single, the album provides not just their fast-paced EBM beats, but slower diversions that are just as intriguing. While a lot of industrial music from this era could sound great but feel emotionless (often on purpose), Front 242 always gave their songs an energy that brought their songs to life. One of my favorite albums of 1988, and a great listen on headphones!

Laibach, Let It Be, released ?? October. One of the more fascinating releases of the year, the Slovenian band covered almost the entire Beatles album of the same name (leaving out the title song). Each track was given its own style (such as the military stomp of “Get Back” or the Wagnerian operatic take on “I Me Mine”) but everyone gravitated to the absolutely lovely “Across the Universe”. It’s certainly not for everyone, but it’s well worth checking out.

Julian Cope, My Nation Underground, relased ?? October. He may be a bit of a weirdo, but Julian Cope certainly knew how to write some great tunes in his 80s career. “Charlotte Anne” is a lovely bit of dreamy British pop that became a fan favorite. He also does a really fun cover of The Vogues’ “5 O’Clock World” here as well.

A House, On Our Big Fat Merry Go Round, released ?? October. A great band from Dublin that flew under nearly everyone’s radar but dropped some really fun rock tracks that paved the way for guitar-based alt-rock in the 90s. This one’s a fun listen.

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Coming Soon: More tunage from October 1988!

Recent Releases, September Edition

Wait, September is already over?  Man, that month went by WAY too fast.

Here’s some good tunage that popped up during the past month that I’m grooving to.

Paul McCartney, Egypt Station, released 7 September. He might be in his upper 70s, but he’s still rocking out, still touring, and still writing some great melodies. Like his previous record (2013’s New), while his voice isn’t as sonorous and steady as it used to be, that’s no worry, because he makes up for it by still being an amazingly creative songwriter.

Eric Bachmann, No Recover, released 7 September. The former Archers of Loaf/Crooked Fingers singer returns with his second solo album, this time full of absolutely gorgeous acoustic tracks. It’s quite a relaxing listen and its melodies go in all sorts of neat places.

Chai, Pink, released 7 September. This is a very weird and goofy J-Punk band, but they’re a hell of a lot of fun. They kind of remind me of Shonen Knife in a way, but with a more Puffy AmiYumi pop direction.

Craig Armstrong, Sun On You, released 7 September. Armstrong is more known for his film score work (including many of Baz Luhrmann’s movies), he occasionally releases an album that’s just as lovely as his scores. This one’s primarily a piano-based record but it’s a wonderful listen.

Bob Moses, Battle Lines, released 14 September. My latest music obsession, this electronic duo’s second album feels more vibrant and alive than their previous record, and sounds just awesome on headphones. Love this one.

Low, Double Negative, released 14 September. A perfect example of a band going in a completely unexpected direction, throwing you for a loop. This isn’t your quietcore Low… this is Low as filtered through electronic distortion, overmodulation, and who knows what else. It’s not for everyone, but it’s pretty damn fascinating once you get used to it.

Failure, EP3: The Furthest Thing, released 14 September. The third of four EPs scheduled for this year from this trio continues their project of releasing an album piecemeal, recording and releasing four EPs of four tracks once every quarter. Eagerly awaiting the final release in a few months!

Jungle, For Ever, released 14 September. The London collective releases their second record of 70s inspired groovy soul funk, and it’s infectious. They’re such a fun band to listen to!

Metric, Art of Doubt, released 21 September. While their previous albums were veering more towards a synth rock sound, this one pulls it all back and provides a lot of angry guitars and heavy lyrics. It’s a dark album, but it’s amazing and their best in years.

Alt-J, Reduxer, released 28 September. The alt-rock weirdos release a remix album of last year’s Relaxer, only they’ve introduced hip hop and electronica into their sound. The result is not only surprising and unexpected but it works perfectly. Definitely worth checking out.

The Joy Formidable, Aaarth, released 28 September. Noisy and often hypnotic angular rock that goes to unexpected places but sounds fantastic. An album that sounds dissonant and beautiful at the same time.

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Coming soon: October tunes!