Welcome to another edition of TYO, with another batch of albums and singles released sometime in February of 1988 (as far as I can tell). After the quiet calm that usually starts Q1, we’ll start hearing more classic tracks and albums, many of which still get played to this day.
Peter Murphy, “All Night Long” single. A teaser for his upcoming second album, Love Hysteria, this one definitely set the tone for Murphy’s new sound. Where his debut record (1986’s Should the World Fail to Fall Apart) was strange, angular and reminiscent of his last few years with Bauhaus, the new album was more mature, layered, and warmer in tone. This first single hit college radio and 120 Minutes and became a mainstay for months.
Jerry Harrison, Casual Gods. The Talking Heads drummer’s second solo album was a favorite on AOR stations and featured session greats such as Robbie McIntosh and Bernie Worrell.
Robyn Hitchcock & the Egyptians, Globe of Frogs. While Robyn had always maintained a strong following since his Soft Boys days, this particular album seemed to be the turning point, in part thanks to his signing to a major label, A&M. “Balloon Man” would get heavy play on AOR and college stations, and still gets played on alternative stations now and again.
Wire, “Kidney Bingos” single. Another teaser single, this time for Wire’s second comeback album A Bell Is a Cup Until It Is Struck. Many fans who’d missed out on Wire’s original late 70s post-punk run (like myself) jumped on the bandwagon with their 1987 comeback The Ideal Copy and this album, which the band themselves called their ‘beat combo’ era. Their songs are much more melodic and straightforward this time out, but they’ve retained their inherent arty weirdness with fascinating soundscapes and off-kilter lyrics.
The Wedding Present, “Nobody’s Twisting Your Arm” single. Released as a stand-alone single after their George Best album from 1987, this track is indicative of the Weddoe’s classic jangly pop-punk sound that gathered a small but loyal following.
Abecedarians, Resin. A southern California band with a unique sound that was equal parts goth, spaghetti western, and post-punk. Not too many had ever heard of this band, but those who did swore by them religiously. Highly recommended if you search long enough for their small but excellent discography.
Various Artists, Salvation! soundtrack. A fascinating soundtrack to a rather bizarre cult movie about a skeezy televangelist that features multiple tracks from New Order, including the above. [Note: the ‘movie’ scenes in that video have nothing to do with Salvation!; in fact, the video director made the entire plot up just for the song.]
Various Artists, Sgt Pepper Knew My Father. British music mag NME created this interesting if sometimes questionable recreation of the classic Beatles album as done by numerous mostly-UK bands of the day, as a charity album for their runaway hotline Childline. For every fantastic cover (such as the above, The Wedding Present’s “Getting Better” and Billy Bragg’s “She’s Leaving Home”) there are a few stinkers in there (a half-assed rap take on the title song by The Three Wize Men and a weak “Lucy in the Sky with Diamonds” by The Christians). And then there’s the outright weird Frank Sidebottom doing “Mr Kite”. Still, it’s a curiosity worth checking out just to get a feel of what UK pop sounded like in the late 80s.
The Woodentops, Wooden Foot Cops On the Highway. A band that could conceivably be compared to Belle & Sebastian nowadays, this band played a mix of quirky folk and rock that began with the quiet but stellar Giant in 1986 and morphed into a more boisterous sound a few years later. This album sank without trace soon after, but the band has made a comeback with an excellent cd collection of their 80s output (2013’s Before During After) plus an album of new songs a year later (2014’s Granular Tales).
More soon, including THAT PARTICULAR SONG. You know which one I’m talking about…!