Listening to Alt-pop stations

Another downside to having to commute again is that I’m stuck listening to local terrestrial radio stations in the car. Now, before you get all het up about that statement, let me explain: I’m all for local terrestrial stations! They’re good for the community, they keep me updated on when the highway I’m currently driving on might be all sorts of borked a few miles up the road; they do in fact keep me entertained on an otherwise uneventful and sort of boring drive* in their own way. In fact, I just recently found a Bollywood-themed station out of San Jose!

[* – The one non-boring bit of the commute I will never tire of is coming across the western span of the Bay Bridge and back into San Francisco just as the sun is setting. It’s a glorious view and I still have moments where I’m amazed I live in such a ridiculously photogenic city.]

No, the issue I have is the commerciality of most of these stations. Sure, I totally understand that these stations need advertising and numbers and set rotations to keep them going nowadays, as freeform radio is pretty much relegated to college and non-profit stations. But what has always made me tire of these stations is that the playlist can be so…predicatable. When you listen to the radio as much as I do, the playlist patterns start getting more and more obvious. I’ve worked at both college and commercial stations so I know what rotations are and why they’re a thing… I guess I just tire of them a lot quicker than other people do.

There’s only so many times I can hear classic mainstays like Red Hot Chili Peppers’ “Can’t Stop” or Green Day’s “Longview” in a week (at least four to six) or new songs like Tones & I’s “Dance Monkey” (same, if not more, and the song kind of similar to Crazy Frog’s “Axel F” in that I find it quite annoying and yet somehow ridiculously popular). There’s certain songs that are like playing bingo: the day isn’t complete without hearing That Particular Classic Track.

I mean, I hate to sound like an old and aging hipster yelling at clouds here, but sometimes these “alternative” stations feel more like… “alternapop” stations, playing it safe with the same bands that feel more pop than alternative. They aren’t nearly as adventurous as they make themselves out to be. This is especially notable when I’m listening to a non-profit station like KEXP, which is far more adventurous in its playlist…and inclusive. It occurred to me recently that our local alternative station rarely plays bands of color (at least that I know of), and rarely any women aside from “Dance Monkey”, Billie Eilish, Shaed’s “Trampoline” and Meg Myers’ cover of Kate Bush’s “Running Up that Hill”. Maybe a Lana Del Rey track now and again, but it’s almost all men. That tells me it’s almost all about the numbers, and the numbers state that the listeners are mostly the “males 18 – 44” group. Everyone else gets the short shrift, even if that station is one of the very few in the area that plays the style and genre they like the most.

I’ll make do, but it’s really uninspiring after a while and I find myself spending most of my commute hitting the surf button for something different. I’m this close to giving up on these stations and ordering a headphone-to-USB cable so I can listen to my mp3 players in the car.

Thankfully, most of the terrestrial stations I do listen to, ones that appeal to my tastes and don’t bore me, also stream online where I can listen to them on my phone. Kind of tricky to do when your traveling, though.

2020 New Releases So Far

Hey there! It’s been far too long since I’ve posted one of these, and I’m trying to be good and keep up this time out. There promises to be some interesting new albums coming out this year, some from new bands and some from old favorites. And now that I’m able to listen to my favorite station at work via a phone app, I’m going to try to stay on top of this again!

Here’s a few new releases worth checking out:

Stabbing Westward, Dead and Gone EP, released 3 January. Well, this was unexpected! I had no idea they’d gotten back together (their last record was their self-titled fourth album waaaaay back in 2001), but their new record is a banger. They’re still loud and noisy as hell, and that’s just how I like them.

Field Music, Making a New World, released 10 January. On the other end of the spectrum we have a band steeped in that quirky angular sound that feels and sounds very much like Eno, Belew and Byrne. A bit odd but still catchy.

Beach Slang, The Deadbeat Bang of Heartbreak City, released 10 January. Not as frenetic as their previous albums, they seem to have embraced that 80s new wave guitar group sound, and they wear it really well. I’m really digging this one a lot.

Deserta, Black Aura My Sun, released 17 January. I know I’ve posted this track earlier, but I just cannot stop listening to it! The entire album is full of that soaring guitar reverb slicing its way through tracks, gorgeous spacey passages and dreamy vocals. This one’s been getting the most play on my mp3 player lately!

Holy Fuck, Deleter, released 17 January. Another band I knew of (due to its, er, distinctive name, of course), but I hadn’t expected them to be so groovy! And bonus points for having Hot Chip’s Alexis Taylor on the vocals on this excellent track.

Wire, Mind Hive, released 24 January. I’m intrigued by the last few Wire records, as they feel like hybrids of both old and new sounds. This one in particular sounds a lot like their early 00s Read & Burn / Send output but also is quite similar to the darker melodies of 154 and Chairs Missing, and I love it. Great to see they’re still consistently amazing after all these years.

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More to come!

Fly-by: Going to Dizz Knee Land

It’s been a crazy week here, trying to get all sorts of things done before the long weekend. And yes, we are in fact going to Disneyland, because it’s my birthday next Wednesday and why the hell not? I’m hoping to score a Hondo Ohnaka collectible if there are any!

Normal programming will assume next week! Also, watching the above video a) makes me feel old, and b) is quite the sterling example of 90s male fashion in the rock world. Hee!

Why do I not have…?

I know I often go on about how stupidly huge my mp3 collection is (and it is), but quite often I find myself reading a music biography or hear a tune on the radio and realize…why do I not have more of this band’s music? Most embarrassingly, these are often well-known bands that I just never got around to picking up, most likely because I was too busy focusing on completing someone else’s discography, or being distracted by all the shiny new releases.

So, without further ado, I am about to embarrass myself by providing you with a bit of a selection of bands and singers whose songs I am sorely lacking from my library. I really should do something

I have exactly two Sly & the Family Stone songs — the above one and ‘Hot Fun in the Summertime’. I really need to rectify that. Especially since they’re a local band!

I’m also woefully missing out on a lot of Tamla/Motown stuff too. I grew up on a lot of this stuff playing on the radio and I love it, but I guess I’ve just been so distracted by alternative rock all these years that I keep forgetting to make good on adding it.

I have maybe five or six Byrds songs, and that’s it. They pretty much kickstarted the folk rock scene of the 60s and only now am I starting to appreciate that genre and its history.

Robert Palmer’s “Addicted to Love” was one of my favorite mid-80s pop-rock songs, and I loved his work with The Power Station…so why do I only have Riptide, a few singles, and absolutely nothing else of his?

I was far too broke to catch up on a lot of early 90s music at the time it all came out — and there was a lot I had to catch up on — so I’m sadly missing a lot of the classic riot grrl/grunge scene. [As mentioned in a previous post, I was too busy focusing on the shoegaze stuff from the same era.]

Yes, even current bands are missing from my collection! I came to appreciate bands like Against Me! only recently, so I’ve been pretty much gathering those titles when and where I can.

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Now that I have the time and the wherewithal (and now that I’ve caught up with so many other discographies), I’ve been slowly making my way through the histories of popular music and making mental notes. Many of these are songs and albums I can stream, or find in the dollar bins at Amoeba, or borrow from the library or elsewhere.

A Bit of Bowie

I’ll admit, it took me years to actually grok what David Bowie’s music was all about. I was of course familiar with all the tunes you hear on classic rock radio: Rebel Rebel, Fame, Ziggy Stardust, Space Oddity, and so on… I was also familiar with his early 80s output, thanks to MTV: Let’s Dance, Modern Love, Ashes to Ashes, Fashion… all those poppy songs and weird videos. But I didn’t even own a Bowie album until high school when I found The Rise and Fall of Ziggy Stardust in a Salvation Army bin for fifty cents.

I was a huge fan of his Tin Machine project, especially since I’d felt 1987’s Never Let Me Down was, to put it bluntly, quite dull and lifeless. Tin Machine revealed a much-needed energy that was lacking in most of his 80s output.

And it really wasn’t until 1997’s Earthling that I finally decided to actively start checking out his back catalogue, and figured out why he had such a huge following.

I started picking up the Rykodisc reissues and got myself caught up. I finally figured out why the Berlin Trilogy is so revered. I was intrigued by the numerous evolutions of his style and look in the 70s. And interestingly, I found myself really liking a lot of the less famous tunes of his! Over the years I’ve finally acquired most if not all of his discography, and I’ve really come to appreciate just how creative he was.

Shoegaze is alive and well and living in my mp3 library

Back in 1991, when I was at college in Boston and Nevermind was on superduper heavy rotation on WFNX alongside Soundgarden and Alice in Chains and all the other northwestern bands, I found myself shifting in the opposite direction, looking eastward over the ocean and listening to the sounds of roaring walls of wobbly guitar noise from My Bloody Valentine and Ride. There was just something about the otherworldly dreaminess of the sounds of the Creation, 4AD and Rough Trade labels. Grunge was alright and all, but it couldn’t hold a candle to my beloved shoegaze.

In 2019, having become a constant listener to Seattle’s KEXP, I realized that shoegaze wasn’t just experiencing a small comeback over the past few years. There were more bands out there embracing that wall-of-reverb sound than the previous years, and they were all releasing singles and albums that were absolutely fantastic. They weren’t just emulating the sounds of 1991…they were owning it and making it their own. And they weren’t just from the UK, either…they were from all over the world.

We have Dead Horse One from Valence in southern France…

We have Lo! Peninsula, from Imphal, India…

We have Tallies, from Toronto, Canada…

We have Pinkshinyultrablast from St Petersburg, Russia…

We have Deserta from Los Angeles, CA…

I never get sick of this sound. Sure, it’s essentially the MBV-tested equation of playing augmented guitar chords, fed through heavy reverb, turned way the fuck up high, and the extremely liberal use of the whammy bar to achieve that soaring wobble. But man, it’s that dreaminess the sound achieves that just hits all the right buttons for me.

And I love that it’s alive and well, and all over the world.

Best of 2019 and Singles Mix

It’s a few days late, but as promised, here’s my best-of list for 2019! I have KEXP to thank for pretty much all of my listening habits these last few years…after slipping between a few online and satellite stations, I found myself returning to a station I’d listened to briefly a few years ago, and realized just how much their playlist resonated with my musical tastes. So much so that when I moved back to the office for the Day Job, I found I truly missed listening to that station. [I’ve since found that I can stream the station on my phone, which I am doing only for a few hours a day so my phone data isn’t all screwy.]

This past year’s soundtrack and purchases also showed a significant change, in that there’s a lot more in terms of inclusivity as well as flavor. So many more albums and songs in different genres, different countries, different genders. I found myself listening less in terms of “this is a great writing soundtrack” and finally returning to “this is just a damn fine album/single” enjoyment. And I haven’t had that in a long time.

So without further ado…

TOP 15 ALBUMS
15. Hot Chip, A Bath Full of Ecstasy
14. Hatchie, Keepsake
13. Honeyblood, In Plain Sight
12. Jay Som, Anak Ko
11. American Football, American Football (LP3)
10. Lamb, The Secret of Letting Go
9. Lemolo, Swansea
8. Elbow, Giants of All Sizes
7. The Beatles, Abbey Road Anniversary Edition
6. The Cinematic Orchestra, To Believe
5. Sleater-Kinney, The Center Won’t Hold
4. White Lies, Five
3. Drab Majesty, Modern Mirror
2. Coldplay, Everyday Life
1. Haelos, Any Random Kindness

TOP 15 SONGS
15. True Damage, “GIANTS”
14. Deserta, “Hide”
13. Beck, “Saw Lightning”
12. Boy Harsher, “Face the Fire”
11. Drab Majesty, “The Other Side”
10. New Age Healers, “Satellites”
9. Hatchie, “Without a Blush”
8. Jay Som, “Superbike”
7. Toro y Moi, “Freelance”
6. Silversun Pickups, “It Doesn’t Matter Why”
5. White LIes, “Tokyo”
4. Haelos, “End of World Party”
3. Trent Reznor & Atticus Ross, “Life On Mars?”
2. DJ Shadow feat. De La Soul, “Rocket Fuel”
1. The Quivers, “You’re Not Always On My Mind”

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And of course, here’s my Singles 2019 mixtape for your pleasure…

Side A
1. DJ Shadow feat De La Soul, “Rocket Fuel”
2. Beck, “Saw Lightning”
3. Toro y Moi, “Freelance”
4. Jay Som, “Superbike”
5. The Quivers, “You’re Not Always On My Mind”
6. New Age Healers, “Satellites”
7. The New Pornographers, “Falling Down the Stairs of Your Smile”
8. Coldplay, “Orphans”
9. Honeyblood, “She’s a Nightmare”
10. Sharon Van Etten, “Seventeen”
11. The Beatles, “You Never Give Me Your Money”
12. Haelos, “End of World Party”

Side B
1. Rudy Willingham, “Pool Party”
2. Charly Bliss, “Chatroom”
3. Sampa the Great, “Final Form”
4. The Chemical Brothers, “MAH”
5. Elbow, “Dexter & Sinister”
6. White Lies, “Tokyo”
7. Drab Majesty, “The Other Side”
8. Foals, “The Runner”
9. Silversun Pickups, “It Doesn’t Matter Why”
10. True Damage, “GIANTS”

Side C
1. Billie Eilish, “Bury a Friend”
2. Big Wreck, “Locomotive”
3. The Chemical Brothers, “No Geography”
4. Drab Majesty, “Long Division”
5. American Football, “Uncomfortably Numb”
6. Fontaines DC, “Boys in the Better Land”
7. DJ Shadow, “Rosie”
8. Beck, “Uneventful Days”
9. Michael Kiwanuka, “You Ain’t the Problem”
10. White Lies, “Never Alone”
11. Angel Olsen, “All Mirrors”

Side D
1. Holy Ship, “Mind Safari”
2. Tallies, “Midnight”
3. Roosevelt, “Falling Back”
4. Mercury Rev feat. Margo Price, “Sermon”
5. Lamb, “Armageddon Waits”
6. Beck, “Tarantula”
7. Boy Harsher, “Face the Fire”
8. Idles, “I Dream Guillotine”
9. The HU, “Wolf Totem”
10. Trent Reznor & Atticus Ross, “Life On Mars?”

Side E
1. Sleater-Kinney, “The Future Is Here”
2. Hot Chip, “Melody of Love”
3. Haelos, “Kyoto”
4. Deserta, “Hide”
5. San Fermin, “The Hunger”
6. Sault, “Don’t Waste My Time”
7. Hatchie, “Without a Blush”
8. Underworld, “Listen to Their No”
9. Moon Duo, “Lost Heads”
10. Cosima, “Close to You (Moonlighting)”

Side F
1. The Black Keys, “Lo/Hi”
2. Lo! Peninsula, “Another Divine Joke”
3. Malibu Ken, “Tuesday”
4. 311, “Don’t You Worry”
5. Lemolo, “High Tide”
6. Elbow, “Empires”
7. Coldplay, “Trouble in Town”
8. Black Pumas, “Colors”
9. Mavis Staples, “Change”
10. Lucy Dacus, “La Vie en Rose”
11. Mint Royale, “Show Me [The 2019 KEXP Super Extended Version]”