Sorry for the lack of update today, folks. Need to focus on my writing and other projects right now. Hopefully I’ll have something next week!
Just listening to a few albums by bands that dropped one album and then…who knows what happened? But they’re great albums!
TKTTSM, TKTTSM, released 16 October 2012
Shaï nO Shaï, Human Condition, released 26 August 1997
LHOOQ, LHOOQ, released 3 August 1998
Skindive, Skindive, released 3 April 2001
…and of course one of my all-time favorites:
The La’s, The La’s, released 1 October 1990
Part II of June’s playlist is just as solid, and I had to leave a few out so I wouldn’t overburden you with far too many videos! Heh. Enjoy!
Danny Elfman, Big Mess, released 11 June. Elfman returns not with yet another soundtrack or a classical album but an actual rock album, his first one since 1984’s So-Lo. And just as you’d expect from him, it’s weird, off-kilter, and absolutely brilliant.
King Gizzard & the Lizard Wizard, Butterfly 3000, released 11 June. It took me several albums to get into this weird psych rock band, but thanks to constant airplay on KEXP, I’ve grown to really enjoy them.
Quivers, Golden Doubt, released 11 June. I’ve been waiting for this record for months now, and it was so worth the wait. Full of their wonderful light jangle pop and intelligent songwriting that hints quite heavily on a Go-Betweens influence. It’s a sweet album you should definitely check out.
Garbage, No Gods No Monsters, released 11 June. Every time I listen to this record I think this is the Version 2.0 that I would have liked better. There’s a lot of synth and tech going on with these songs that’s similar to that second album from the late 90s, but they’re bolstered by the trademark heavy guitar crunch they’re known for. It’s kind of a weird, off-kilter record but it’s fascinating.
Eve 6, Grim Value EP, released 25 June. The last we saw this band was their 2012 album Speak in Code, so it was a surprise to see them resurface with a newer, grittier sound that shifts further away from what we’re used to. The tracks here are grittier, sometimes even leaning towards industrial in places, but they pull it off perfectly.
Lucy Dacus, Home Video, released 25 June. So glad to see her return! Historian was an amazing album and this one is just as great. She’s an amazing songwriter and she rarely ever holds back in subject matter (fan favorite “Thumbs” is…well, you just have to hear it.). I highly recommend pretty much anything she releases, including her work with boygenius.
Sault, NINE, released 25 June. Better hurry up and snag this from their bandcamp site, as this one’s only available for a limited time! (It’s only available for 99 days, which means you have until 10/2 to get it.) Still no idea who is in this band, but they’ve once again dropped a brilliant record of bluesy riffs and dancy beats.
Hope you enjoyed those! And by the looks of it, there’s some great stuff coming out this month as well that’s already getting some repeat play here in Spare Oom. See you then!
Back again with another edition of new tunage popping up on my PC, and this time it’s a two-parter. June was absolutely chock full of fantastic singles and albums. There’s quite the mix here, some recorded pre-pandemic and some post (and some during it all!), and a lot of it feels refreshing, vibrant, and worth the long wait.
CHVRCHES featuring Robert Smith, “How Not to Drown” single, released 4 June. The band itself sounds refreshed, strong and confident. Really looking forward to the rest of this album!
James, All the Colours of You, released 4 June. This feels like a surprisingly cheerful album, more so than some of their previous records. It’s also much quieter than previous as well, but that just adds to a pleasurable listen.
Wolf Alice, Blue Weekend, released 4 June. The band returns after a four year wait with an album that sounds so unlike their previous two records…and yet retains their signature powerful sound. At times it’s dark and echoey like a Cocteau Twins album, only to follow up with a gritty, grungey pop anthem or two. It’s weird, it’s moody, and it’s a hell of a lot of fun.
Crowded House, Dreamers Are Waiting, released 4 June. Neil Finn and Co are back with a new CH album that interestingly sounds a lot like a Split Enz album! While there are many wonderful Aussie pop tunes here that Finn is known for, the record is tempered with a quirkiness that hints at his old 80s band. Still an amazing songwriter after all these years!
Japanese Breakfast, Jubilee, released 4 June. Michelle Zauner has been having a hell of a great summer, what with her memoir Crying in H Mart fast becoming a critic and reader favorite, and dropping her third record as JB right around the same time. It’s full of wonderful catchy pop, and “Be Sweet” has definitely been an earworm here in Spare Oom. Well worth checking out!
New Candys, Vyvyd, released 4 June. A gritty alternative band from Venice, Italy, they channel the groovier parts of Black Rebel Motorcycle Club with their bluesy riffs and echoey vocals and come up with something that’s equal parts gritty and psychedelic. I may have thrown this record on repeat once or twice during my writing sessions, and that doesn’t happen that often!
….and that was just the first week!! We’ll return again on Thursday for Part II!
Still adjusting to getting back into my daily schedule after spending a week and a half away from it! Our vacation was very relaxing and I even managed to get some great photography in as well. The drive there and back was a bit exhausting (150 miles north, about half of it on extremely twisty roads) but everything else was totally worth it.
I’m focusing mostly on my novels at the moment so the blogs have slipped into secondary position for the moment. Pretty sure I should be back to normal by next week. See you then!