Another month almost near the end! Here’s the best of what was purchased over the first couple of weeks of this month, most of which I’m still listening to quite heavily. I say ‘purchased’ and not released, because these all had a drop date of the 2nd, and I had to keep an eye on my bank account!
The Breeders, All Nerve, released 2 March. A welcome return to the original Last Splash-era Breeders, with classic chunky riffs, noisy production, and the always off-kilter lyrics of Kim Deal. This one’s definitely going to be a summer listen for me.
Moby, Everything Was Fine, and Nothing Hurt, released 2 March. This one’s quite similar to his classic Play album from 1999, mixing twitchy upbeat songs with quiet mood pieces. There’s even a hint of trip-hop in there as well.
Lucy Dacus, Historian, released 2 March. She reminds me of Beth Orton in a way; not just a singer/songwriter but a sound sculptor. This album starts out soft and sedate but it features a lot of unexpected — and sometimes loud — turns, which keeps me coming back to it.
Moaning, Moaning, released 2 March. Apparently taking a page or three from Red Lorry Yellow Lorry, this Sub Pop band comes straight out of 1985 college radio and doesn’t give up with its walls of guitar and reverb. Which of course means this album is tailored just for me!
Lucius, Nudes, released 2 March. The first of a few ‘unplugged’ albums that show up this month, and it amazes me how well Lucius translates to alt-folk in the process. Especially the new track “Woman”, which is simply stunning with its dual-lead harmonies.
Buffalo Tom, Quiet and Peace, released 2 March. The Boston boys are back with another great record of brash alt-rock and excellent songwriting. There’s even a hint of Springsteen influence on this album, but I’m not complaining.
Tracey Thorn, Record, released 2 March. The vocal half of Everything But the Girl releases her first solo album in six years, and it’s a welcome return.
Andrew WK, You’re Not Alone, released 2 March. The professor of All Things Party releases an album that screams EPIC, but also talks honestly about life. Meat Loaf-esque hard rock bombast (but without the ten-minute operettas, thankfully) shares the same space as spoken-word interludes on being the best you can be at whatever you aim for. Noisy and uplifting, just how AWK wants your life to be lived.
Up Next: The rest of the month!