As I’ve mentioned before, I allowed myself a month to stew in anger and frustration. I was pissed off that all my plans to stay in Boston had crashed and burned in epic fashion, and that I had to completely start over. On the other hand, living at home would allow me a bit of leniency by chipping in on the family bills and errands instead of a large monthly rent-sized chunk coming out of my paycheck, which would definitely help me get out of debt. And while I might have been emotionally in a much better place than my immediate post-college years, mentally I still had a long way to go. This was the era of reading New Age books as a way to force myself to think in alternative ways, and the era of giving my creativity a bold rethink. I was obviously getting nowhere there, and it was time to send it in a different direction.
For now, though, it was time to give my head and heart a bit of a long overdue reprieve. At least for a little while. I borrowed my mom’s car and went on a lot of drives around the area, the start of a very long-standing habit of weekend roadtrips on the backroads of central Massachusetts and frequent visits to used record stores and book stores. It was time to find myself, outside of the rat race I’d fallen into.
And to figure out what my next steps would be creatively.
The Jesus and Mary Chain, Hate Rock ‘n’ Roll, released 1 September 1995. A third compilation of b-sides, standalone singles and rarities gets some minor play on WHMP, the Northampton station I’d latch onto now that I was out of range of WFNX and WBCN. The title track would get a bit of play now and again.
Seven Mary Three, American Standard, released 5 September 1995. “Cumbersome” was everywhere when it dropped; they were sort of an American countrified Nickelback in a way (no offense meant, really) with a lot of radio-ready alternative bar-band rock. This ended up a one-hit wonder for them but one that still gets play now and again.
Various Artists, Help: A Charity Project for the Children of Bosnia, released 9 September 1995. I picked this one up maybe a few days after it dropped, which is an amazing turnaround considering the songs had been recorded only four days previous! While some charity albums can be a bit of a disconnected mismatch of hits and filler, this one is solid from start to finish. Trivia: this is the first appearance of Radiohead’s “Lucky” which would show up two years later on OK Computer. I played this one a lot at the time.
Blur, The Great Escape, released 11 September 1995. I may have recently mentioned that I felt this album was a bit weak compared to their earlier work, but that’s not to say it’s not bad…just a bit light on the energy. Although there are several great songs on it like the lovely and peculiar “The Universal”.
Lenny Kravitz, Circus, released 12 September 1995. In between the ridiculously overplayed “Are You Gonna Go My Way” from the same-titled album in 1993 and the overplayed “Fly Away” from 1998’s 5 album, there was this high charting but largely forgotten fourth album with the killer single “Rock and Roll Is Dead”. It’s a bit of an angry album for him but it’s worth checking out.
Red Hot Chili Peppers, One Hot Minute, released 12 September 1995. This was also a largely forgotten album stuck in between two huge successes (1991’s Blood Sugar Sex Magik and 1999’s Californication) and during a highly unstable era for the band (musically and personally). This is the one with the light and airy “Aeroplane” and cheerful “My Friends” but it’s also got the whirling tempest of album opener “Warped”. The album is a bit of a mess but it’s still enjoyable.
Eve’s Plum, Cherry Alive, released 19 September 1995. The second and last album from this bouncy power pop band featuring Colleen Fitzpatrick (aka Vitamin C), it’s a super fun record worth checking out, just like their previous release. WHMP would play “Jesus Loves You (Not As Much As I Do)” and the title track quite often.
Son Volt, Trace, released 19 September 1995. The other half of Uncle Tupelo that didn’t join Wilco became this band that continued the excllent alt-country sound they’d perfected in their previous band. “Drown” was a hit on alternative radio and the rest of the album is just as good.
Skunk Anansie, Paranoid and Sunburnt, released 21 September 1995. I’d find out about this band via the movie Strange Days which would be released quite soon (they make a major appearance near the end of the film) and I fell in love with their chaotic and angry energy, an outlet that was sorely lacking at the time for me. Sadly they never got any airplay Stateside, but I’ve always recommended them to anyone who likes kickass hard rock and alt-metal.
David Bowie, Outside, released 26 September 1995. Bowie has always been the one to reinvent himself with pretty much every new project, and this one was definitely an unexpected turn from the classy and clean Black Tie White Noise and the curious Buddha of Suburbia soundtrack. This one’s a tense and dense futuristic concept album that caused quite a lot of headscratching, but still managed a minor hit with “The Hearts Filthy Lesson” (which at the time reminded me a lot of Wire at their most adventurous).
Lisa Loeb & Nine Stories, Tails, released 26 September 1995. Meanwhile, the ubiquitous “Stay (I Missed You)” which appeared on the Reality Bites soundtrack appears on Lisa’s first major label record here, and it’s a huge hit on both alternative and commercial radio, and still gets play to this day.
Sonic Youth, Washing Machine, released 26 September 1995. This album was a bit of a headscratcher as well, as it’s much longer and more meandering than their blistering earlier sound or their early-90s compactness. It feels a lot like they’re a jam band here, which they always were to some degree. Interestingly enough the twenty-minute closer “The Diamond Sea” was the song chosen as a single, chopped down to a much quicker five.
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Next up: More changes to come, whether I’m ready or not.