Coming Soon: The Best of 2017

radiohead lift

Thom Yorke is waiting anxiously for my end of year lists

Yep, it’s that time of the year again, where I’m juggling the Day Job, Christmas present purchasing (and wrapping, and mailing), whatever writing project I happen to be working on, posting my year-end review at the writing blog, creating my Best of Year compilation, and posting my Best of Year lists here.

As usual, I’ll hold up until the last week or so of this month before I post those last two, because I like giving December releases a chance at impressing me.  (Like the new U2 album, for instance.)  I will say 2017 has been quite an interesting year musically; it seemed like Nearly Every Single Band Jonc Loves put out an album this year!  And lots of solid career retrospectives.  There were also a lot of new finds that blew my mind as well.  I’m not sure if I can call it a banner year, but it certainly was quite enjoyable tunage-wise.

If anything, listening to music was definitely a highly-welcomed and much-needed escape from the ups and downs of Real Life.  And I’m pretty sure you know what my biggest headache was; the Day Job was the least of my stresses.  I won’t say I’m a pessimist in general, though I know all too often I let myself fall down that rabbit hole.  I kept a distant eye on what was going on, and I had my tunes to keep me sane and slightly distracted so I could stay positive.  And for that I’m eternally grateful.

More to come!

Recent Purchases, November Edition

A slightly shorter list this month, but running the gamut between soft, loud, delicate and noisy. November had quite the eclectic mix!

Lost Horizons, Ojalá, released 3 November. Simon Raymonde from Cocteau Twins, and Richie Thomas from Dif Juz? What’s not to love? A laid back, sort of jazzy album that’s a relaxing treat.

Bibio, Phantom Brickworks, released 3 November. Even more relaxing than the above album, this one’s filled with lovely meandering instrumentals and makes a fine writing soundtrack.

Sleigh Bells, Kid Kruschev EP, released 10 November. A usually-loud band surprises us with a mid-tempo, sometimes even quiet mini-set that’s just as excellent as their ear-bleeding noise.

Seal, Standards, released 10 November. I got a chance to see him play tracks from this album with the San Francisco Symphony a few nights ago, and it was absolutely fantastic. He really nailed the Sinatra/Rat Pack vibe on this album. I particularly love this track, as it really reminds me of The Wrecking Crew.

Morrissey, Low in High School, released 17 November. Questionable commentary, wonky politics and untrustworthy touring aside, I’m still a fan of Moz’s music, and I think this is probably his strongest album in quite some time. A lot of his previous records were good but not memorable, but this one’s got a goodly amount of keepers.

Jeff Lynne’s ELO, Wembley Or Bust, released 17 November. I totally admit I’ve been obsessing over this album lately! Yeah, I’m almost 47 and this is the music of my youth. It’s an excellent live mix of classics (and “When I Was a Boy” from 2015’s Alone in the Universe) and a hell of a fun listen.

Elbow, Best of, released 24 November. Go buy this already! One of my favorite bands of the new millennium. Absolutely stellar songwriting with gorgeous melodies and amazing vocals.  I don’t obsess over this band so much as I let their music pull me in and take me places.  I love it when a band can do that.

Bjork, Utopia, released 24 November. Weirdly beautiful as always, Bjork’s new album is once again less about the melodies and more about the sensation of its sound. Delicate and fragile, but always great.

Noel Gallagher’s High Flying Birds,Who Built the Moon, released 24 November. The Other Gallagher Brother (the one wot wrote nearly all the Oasis songs) puts out an off-kilter yet surprisingly strong album that’s quite different from his previous two.

**

One more month of new releases to go!