Mixtape: ‘Does Truth Dance Does Truth Sing: The Singles 1988’

I’ve definitely talked and written a lot about 1988, considering it was a high point in my teen years socially and emotionally, as well as creatively. Everything just fell into place in a positive way. I knew this feeling wouldn’t last, but I chose to embrace it and let it lift me up while it lasted, and I’m glad I did. I used to return to those memories sometimes out of desperation, especially during my mid-90s slump, but nowadays I can return to them with fondness and maybe a bit of amazement. I really did have a lot more personal clarity then than I thought I did, and I sometimes use that as a reminder of how to live in the present.

I’d been making proto-mixtapes for years taping stuff off the radio, but 1988 was when I made the deep dive into the alchemical science of creating personal mixes. And since 1988 had been not just a personal high but a musical high as well, I was determined to celebrate that with a year-end mix. This was my first attempt at a multi-tape (non-radio tape) mix of this kind.

DTDDTS: The Singles 1988 is admittedly not my best mix work, as I was still feeling my way in making these things. It sort of rambles halfway through and drifts to a close with a sigh rather than a cheer…my mistake was overloading the first tape with so many great songs! (Whenever I listened to it I usually stuck with that first tape.) It does kind of redeem itself near the end, though, and in retrospect, I think it mirrors my mood at the time: once my friends left for college, the last couple of months of the year weren’t nearly as exciting or positive for me. Still: I do like this mix, and it contains so many songs that have remained personal favorites for years.

Side Notes:
–Most of these songs were sourced from original albums or singles, but several on Sides E and F were lifted from recent 120 Minutes episodes or taped off WAMH or WMDK. There are a lot of album cuts on this one, which really shows how closely I was listening to a lot of these albums.
–I made several “reissue” versions of this over the years, partly to fix the flow but also to add more songs that I’d left off or replace songs I no longer had in my collection. (I have in fact created digital versions of all of them.) This playlist is the original created 27 December 1988 during Christmas vacation.
–The title comes from the last song on Side B, “A Public Place” by Wire. Years later in 2013 I named a year-end mix ‘We Sing and Dance as We Go: The Singles’ after another Wire then-current lyric. Sort of a personal 25th anniversary thing, I suppose.
–This contains exactly one Flying Bohemians song which is thankfully not on Spotify as it is embarrassing as it is hilarious. Why I didn’t use “Night” or one of our better tracks, I’m not sure. “Nothing Spectacular” was me and Chris fucking around on guitars and making a hash out of a moody 80s riff, with Jim H scratching one of Natan’s Van Halen records while he was in the other room. Chris provides an amazingly torturous guitar solo.
–I put my favorite song ever at the time, The Church’s ‘Under the Milky Way’, on Side A Track 5. When I revived the year-end mixes in the 45-minutes-a-side format in 2013, I also revived that as well. My favorite song of that particular year will always have that spot.

SIDE A:

1. Morrissey, “Will Never Marry”
2. Nick Cave & the Bad Seeds, “The Mercy Seat”
3. Jane’s Addiction, “Jane Says”
4. Front 242, “Headhunter (Version 1.0)”
5. The Church, “Under the Milky Way”
6. The Primitives, “Crash”
7. The Godfathers, “When Am I Coming Down”
8. The Timelords, “Doctorin’ the Tardis”
9. The Smithereens, “Only a Memory”
10. Peter Murphy, “All Night Long”

SIDE B:

1. Siouxsie & the Banshees, “Peek-a-Boo”
2. The Sugarcubes, “Coldsweat”
3. Cocteau Twins, “Carolyn’s Fingers”
4. ‘Til Tuesday, “(Believed You Were) Lucky”
5. They Might Be Giants, “Ana Ng”
6. Camouflage, “The Great Commandment”
7. Erasure, “Chains of Love”
8. The Art of Noise feat. Tom Jones, “Kiss”
9. Information Society, “Running”
10. Wire, “A Public Place”

SIDE C:

1. Ministry, “Stigmata”
2. Grace Pool, “Out of the Wild”
3. The Jesus and Mary Chain, “Sidewalking”
4. Morrissey, “Everyday Is Like Sunday”
5. Shriekback, “Dust and a Shadow”
6. The Flying Bohemians, “Nothing Spectacular” *
7. A House, “Call Me Blue”
8. Information Society, “What’s On Your Mind (Pure Energy)”
9. REM, “Orange Crush”
10. Cocteau Twins, “Blue Bell Knoll”
11. Pet Shop Boys, “Always On My Mind”

SIDE D:

1. Edie Brickell & New Bohemians, “What I Am”
2. Big Pig, “Breakaway”
3. The Mighty Lemon Drops, “Inside Out” *
4. In-D, “Virgin In-D Sky’s”
5. Peter Murphy, “Time Has Got Nothing to Do with It”
6. The Psychedelic Furs, “All That Money Wants”
7. Midnight Oil, “The Dead Heart”
8. Stump, “Charlton Heston”
9. Dr Calculus, “Full of Love” *
10. Sinéad O’Connor, “Never Get Old”
11. Shriekback, “Go Bang”

SIDE E:

1. Pixies, “Gigantic”
2. Graham Parker, “Get Started, Start a Fire”
3. Camper Van Beethoven, “Turquoise Jewelry” *
4. Crowded House, “Mansion in the Slums”
5. Living Colour, “Cult of Personality”
6. The Godfathers, “Birth, School, Work, Death”
7. Sonic Youth, “Within You, Without You”
8. The Church, “Reptile”
9. Joy Division, “Atmosphere”
10. The Primitives, “I’ll Stick with You”
11. Wire, “Kidney Bingos”

SIDE F:

1. New Order, “Fine Time”
2. Marc Almond, “Tears Run Rings”
3. The Fall, “New Big Prinz”
4. Cowboy Junkies, “Sweet Jane”
5. Lloyd Cole & the Commotions, “My Bag”
6. The Feelies, “Away” *
7. Hunters & Collectors, “Back On the Breadline”
8. Sparks, “So Important”
9. Hugh Cornwell, “Another Kind of Love” *
10. Ministry, “Flashback”
11. Morrissey, “Suedehead”
12. Information Society, “Make It Funky”

* — Not available on Spotify, but I’ve added the YouTube link if it’s available.

Mixtape: Songs for ‘Meet the Lidwells!’

I started writing Meet the Lidwells! A Rock n’ Roll Family Memoir during the summer of 2017, and like any other book project I’ve worked on, I created a mixtape for it. Surprisingly, for a novel that leans super heavily on music, there’s only one volume! Still, it’s not as if I could create a mix containing music that, y’know, doesn’t actually exist in real life.

Most of these songs are from the early 90s, which is when most of the book takes place, and are inspirations for songs written by the Lidwells in the book. I did choose to add a few then-recent songs as well just to balance it out, but for the most part these were all songs that I loved and listened to during my college and post-college years in Boston.

Some side notes:
–The prevalence of EMF hints at the poppiness of the early Lidwells releases, as they were more of an alternapop band at the start of the novel.
–A number of songs (and scenes) were actually pilfered from a trunked novel of mine called Two Thousand that I’d worked on in the 90s. The La’s track “Looking Glass” in particular was originally supposed to be part of the climax of that story but used instead as the “Listening” scene with Thomas talking about when they performed that song live. The remix of that Real People song (sadly not available online right now, it’s a banger) was also once part of that novel as a denouement scene.
–I added Belly and Veruca Salt to hint at what Amy and Hannah’s songs would sound like.
–The Stone Roses’ “I Am the Resurrection” is mentioned in the book as one of the main influences on The Lidwells’ first hit “Grapevine” with its stomping beat.

[SHAMELESS PLUG: The ebook is available at Smashwords for $2.99!]

SIDE A:

1. EMF, “Children”
2. REM, “Pop Song ’89”
3. The Real People, “Window Pane”
4. Belly, “Gepetto”
5. EMF, “Girl of an Age”
6. The Cure, “Friday I’m in Love”
7. The House of Love, “You Don’t Understand”
8. My Bloody Valentine, “Soon”
9. 9 Ways to Sunday, “Come Tell Me Now* *
10. Belly, “Now They’ll Sleep”
11. Matthew Sweet, “Time Capsule”

SIDE B:

1. Veruca Salt, “Seether”
2. The Black Keys, “Gold On the Ceiling”
3. Guster, “Barrel of a Gun”
4. Fenech-Soler, “Kaleidoscope”
5. Belly, “Super-Connected”
6. Matthew Sweet, “Girlfriend”
7. The La’s, “Looking Glass”
8. The Stone Roses, “I Am the Resurrection”
9. The Real People, “Window Pane [12″ Extended Remix]” *

* — Not available on Spotify

Mixtape: Listen in Silence…The Singles II

This one reminds me of Silver Lake Cemetery. In that short summer between graduating high school and entering college, I got a job at my home town’s Public Works department and spent the entire season mowing the several local cemeteries. Silver Lake had always been my favorite because it was the biggest and most varied in landscape and we could take our time with it. We could easily find a quiet spot and hide for an hour if we wanted. It gave me a lot of time to think. I went through cases of AA batteries listening to my Walkman that summer.

I really love this one a lot; I played this one to the point of nearly wearing it out. It’s full of songs then getting airplay on 120 Minutes, WMDK, records picked up at Al Bum’s and Main Street Music, with a few oddities thrown in. I’d started it with the two first tracks on each side, requested from a friend’s music collection, and I built it up from there. The idea was for the first side to be upbeat and/or energetic, with the flipside being downbeat and/or moody. It wasn’t the last complete mixtape of my hometown teen years — the first Untitled gets that honor a few months later, which I’ll post here at a later time — but it does have that feeling of finality, which was deliberate, especially with that Smiths/Joy Division double-punch at the end. I was more than ready to escape this place and head out into the real world.

[Side notes: The Procol Harum song does stick out a bit, but the reason it’s there is because it was used prominently in the movie New York Stories which my friends and I had gone to see that summer. The GnR song sticks out a bit too, and that was because it had originally been added more as an add to my collection rather than an integral part of the mixtape, but it does kind of fit moodwise. The two Love and Rockets songs are in fact the very same song, played in completely different styles, fitting in perfectly with my upbeat/downbeat theme.]

Listen in Silence…The Singles II, created June 1989

Side A
1. That Petrol Emotion, “Creeping to the Cross”
2. Siouxsie & the Banshees, “The Killing Jar”
3. The Cure, “Babble”
4. The Smiths, “The Queen is Dead”
5. Soul Asylum, “Sometime to Return”
6. Love and Rockets, “Motorcycle”
7. The Cure, “Fascination Street [Extended Remix]”
8. Voice of the Beehive, “Beat of Love”
9. The Smiths, “Shoplifters of the World”
10. Camouflage, “That Smiling Face”

Side B:
1. Guns n’ Roses, “Patience”
2. Talk Talk, “Life’s What You Make It”
3. REM, “The One I Love”
4. Procol Harum, “A Whiter Shade of Pale”
5. Julian Cope, “Charlotte Anne”
6. Ultra Vivid Scene, “Mercy Seat”
7. Love and Rockets, “I Feel Speed”
8. The Cure, “Plainsong”
9. The Smiths, “Reel Around the Fountain”
10. Joy Division, “Atmosphere”

Mixtape: Untitled XII

Early 2002 was definitely a time for personal change. Considering we ended the previous year with a terrorist attack and the reactive political wargasms that inevitably followed, I’d started unplugging a bit and refocusing on what was important to me. Part of that was writing A Division of Souls and beginning The Persistence of Memories. I was reading a hell of a lot more, continuing my comic and cd run, and writing new songs on my guitar. Trying to live life a bit more positively.

Nearly all the songs from Untitled XII come from Newbury Comics runs. A lot of deep cuts with some radio songs sprinkled in between. So where did I hear about them? From CMJ sampler CDs and music magazines, mostly. I’d read the reviews and pick out the ones that sounded like they’d be in my wheelhouse. It worked out great 80-90% of the time, too! It’s also a return to form with my mixtapes, as I’d kind of run out of inspiration from around late 1999 onwards. There are a few good but not great mixes from that time. I’m sure it was partly due to my leaving HMV, partly a change in musical tastes, and other non-musical things (personal and otherwise) affecting me in one way or another. But I remember starting 2002 with the determination that I’d be in a much better place emotionally and mentally, and immersing myself in more great music definitely helped.

Side notes:
–I was introduced to Mistle Thrush by my former HMV manager Tom, who’d become a Newbury Comics manager. The singer was a good friend of his and, as it happens, part of NC’s upper management!
–Cornelius gets three tracks as Point was getting very heavy play in the Belfry. He’s been in the Olympics news lately for acting like an arse some years ago, but I still love this record.
–The Massive Attack song is a bit out of place being four years older than every other track here. Some cosmetics commercial used it as a backing track at the time and got me back into listening to Mezzanine during my writing sessions.

Untitled XII, created 14 February 2002

Side A:
1. Cornelius, “Point of View Point”
2. Massive Attack, “Inertia Creeps”
3. Mistle Thrush, “Enginehead”
4. Pulp, “The Night That Minnie Timperley Died”
5. Rufus Wainwright, “Across the Universe”
6. POD, “Youth of the Nation”
7. Stephin Merritt, “This Little Ukulele”
8. Elbow, “Little Beast”
9. Starsailor, “Tie Up My Hands”
10. Foo Fighters, “The One”
11. Bis, “Two Million”

Side B:
1. Sigur Ros, “Svefn-g-Englar”
2. Turin Brakes, “The Door”
3. Cornelius, “Smoke”
4. Ben and Jason, “The Wild Things”
5. The Strokes, “Last Nite”
6. Puddle of Mudd, “Blurry”
7. The Church, “Radiance”
8. Mistle Thrush, “3 Girls Walking”
9. Cornelius, “Brazil”
10. Stephin Merritt, “Tiny Flying Player Pianos”

Mixtape: Untitled VI

This one was made during my last summer living in Boston. I was living in a two-bedroom apartment with a Berklee piano student on Brighton Avenue in Allston and working full time at the old Sony Theater that used to be up near Assembly Square Mall in Somerville. (A half-hour commute by the T, so of course I listened to a lot of tunage there and back.)

A lot of this mix came from different places: used CDs from Nuggets in Kenmore Square, album dubs from friends, a few Columbia House purchases, and a lot of taping off the radio, mostly WFNX. [I know, I know. I should have saved my money for things I needed, but I somehow made it work.] The title Untitled comes from a mix I’d made back in 1989, where I’d made a really great tape but could not for the life of me come up with a decent title. Calling it such seemed to fit somehow, and that particular series became one of my favorites to make. [I am currently on Untitled XXV, made last October. I need to catch up and make another one.]

There’s a lot of peak 90s bands here, and many songs that were highly popular with the alt-rock crowds. It was what got the most play on Boston radio at the time, plus there were some great tracks dropped then. I’d been listening heavily to Alice in Chains’ Jar of Flies, Soundgarden’s Superunknown, Stone Temple Pilots’ Purple and Nine Inch Nails’ The Downward Spiral at the time (among other things) and they’d pretty much become my personal soundtrack for the 1994-95 season.

I really like how this mixtape worked out, and I still listen to it from time to time. It’s not as adventurous as some of my other mixes, but it’s solid from start to finish and has some of my all-time favorite mid-90s songs on it. It also has a sense of humor to it; silly and lighthearted songs bump up against gloomy and angry songs, and each side ends in extremely short and funny filler. And in early 2003 I’d make a two-cd “reissue” of this mix featuring nine extra songs from the era that I’d loved but couldn’t fit on the original.

Bonus: That U2 song, which would be featuring on the Batman Forever soundtrack later that summer, had been recorded off WBCN in early April when it was world-premiered by DJ Carter Alan, a close friend of the band.

Untitled VI, June 1995

Side A:
1. Bad Religion, “Stranger Than Fiction”
2. Green Day, “Basket Case”
3. Live, “I Alone”
4. Pizzicato Five, “Twiggy Twiggy/Twiggy vs James Bond”*
5. Nine Inch Nails, “Closer”
6. Frank Black, “Headache”
7. Dig, “Believe”
8. The Flaming Lips, “She Don’t Use Jelly”
9. Alice in Chains, “I Stay Away”
10. Grant Lee Buffalo, “Mockingbirds”
11. Jeff Buckley, “Last Goodbye”
12. They Might Be Giants, “Spider”

Side B:
1. Blur, “Girls & Boys”
2. Danzig, “Cantspeak”
3. Ween, “Voodoo Lady”
4. The Afghan Whigs, “Gentlemen”
5. The Smashing Pumpkins, “Never Let Me Down Again”
6. Soundgarden, “Black Hole Sun”
7. Nirvana, “All Apologies”
8. Stone Temple Pilots, “Interstate Love Song”
9. Blur, “Parklife”
10. U2, “Hold Me, Thrill Me, Kiss Me, Kill Me”
11. Bjork, “Army of Me”
12. Pearl Jam, “Bugs”

* – Not available on Spotify

Mixtapes: Music from the Waystation

I’ve been meaning to do this for ages, and I may as well start it now: I’ve been making mixtapes since I was a wee lad in the early 80s, well before I even knew what mixtapes were other than songs I taped off MTV and the radio that I liked. I usually average about six or so mp3 mixtapes per year nowadays, but back in the late 80s it would be upwards of maybe twice or even three times that.

Anyway, I’ve been wanting to share my mixtape playlists with y’all for ages because I’ve always gotten a positive reaction from them. In previous posts I’ve posted them as YouTube links, but now I’ve finally started getting around to building them as Spotify playlists. [I’m still annoyed that musicians’ earnings on the site are laughable, but I’ve come around to thinking that maybe pushing these mixtapes will help put a penny or two more on their paycheck.]

SO! Without further ado, I’m going to start off with a triple-play (heh) of mixtapes curated as soundtracks for one of my current novel WIPs. I’ve been listening to these quite a bit lately, so hope you enjoy them too!

Theadia: Music from the Waystation
1. Secret Machines, “3,4,5, Let’s Stay Alive”
2. Haelos, “End of World Party”
3. Bob Moses, “Love We Found”
4. Sault, “I Just Want to Dance”
5. Pretenders, “Message of Love”
6. Throwing Muses, “Dark Blue”
7. Billie Eilish, “My Future”
8. Bob Mould, “Everything to You”
9. PVRIS, “Good to Be Alive”
10. Algiers, “Dispossession”
11. We’ve Got a Fuzzbox and We’re Gonna Use It!!, “Versatile for Discos and Parties”
12. Doves, “Carousels”
13. Bob Moses, “Hold Me Up”
14. Secret Machines, “Everything’s Under”
15. Haelos, “Hold On”
16. Cut Copy, “Love Is All We Share”
17. Doves, “Universal Want”
18. Secret Machines, “Everything Starts”
19. BRONSON, “Dawn [feat. Totally Enormous Extinct Dinosaurs]”

Theadia 2: More Music from the Waystation
1. Annie, “The Countdown to the End of the World””
2. Hatchie, “Sleep”
3. Pearl Jam, “Alright”
4. Georgia, “Started Out”
5. Shadow Show, “Glass Eye”
6. Field Music, “Money Is a Memory”
7. Låpsley, “Bonfire”
8. Hayley Williams, “Simmer”
9. Stone Temple Pilots, “Three Wishes”
10. Spectres, “The Head and the Heart”
11. The Cinematic Orchestra, “A Caged Bird/Imitations of Life [James Heather Rework]”
12. Phantogram, “Ceremony”
13. Georgia, “About Work the Dancefloor”
14. ADULT., “Why Always Why”
15. Caspian, “Flowers of Light”
16. Soccer Mommy, “Yellow Is the Color of Her Eyes”
17. Ultraísta, “Mariella”
18. Nicolas Godin, “What Makes Me Think About You”
19. San Fermin, “The Hunger”
20. Bob Mould, “Next Generation”
21. K/DA, “I’ll Show You”

Theadia 3: Waystation Blues
1. Grandbrothers, “Silver”
2. Roosevelt, “Echoes”
3. Flyying Colours, “Goodtimes”
4. Girlfriends and Boyfriends, “Your Touch”
5. Jane Weaver, “The Revolution of Super Visions”
6. Middle Kids, “I Don’t Care”
7. Anna Schulze, “A New Way”
8. Brian Vander Ark, “In Your Eyes”
9. Jeremiah Fraites, “Maggie”
10. Miss Grit, “Blonde”
11. Shame, “Human, for a Minute”
12. Field Music, “Orion from the Street”
13. Siamese Youth, “So Far from Home”
14. Anna Schulze, “Satisfied”
15. Grandbrothers, “Unrest”
16. Sorry, “Heather”
17. Jane Weaver, “Modern Reputation”
18. Flyying Colorus, “White Knuckles”
19. Roosevelt, “See You Again”
20. Quivers, “You’re Not Always On My Mind”

Keep Coming Back

I mentioned over at Welcome to Bridgetown that I find myself once again returning to the 80s (surprise surprise), via an old story I started my senior year in high school and attempted to revive numerous times over the ensuing decades. This is the story that went through so many different titles, versions and mutations that it has its own report binder here in the file department of Spare Oom.

And here I am, half-seriously coming back to it. Again.

I mean, this is the same story that also inspired my much more recent nonfic book idea that shares the name of this blog, Walk in Silence. The college rock era of the late 80s will always be near and dear to my heart for many reasons.

So why bring up this old story again, you ask? To answer that, I’d need to explain why it failed so many times in the past, and it’s called roman à clef. Each time I resurrected it, I made the mistake of wanting to write it as a self-insert piece of fiction, and therein lies the problem: my life back then wasn’t nearly as exciting as I often make it out to be. A lot of silliness and a lot of gloominess and everything in between, but not enough to make it an excitable read. So what’s different now? Well, thirty years on I’ve learned a thing or two about how to write fiction and realized roman à clef is not what was needed here. I knew what I wanted to write, but real life self-inserting wasn’t the way to go.

I’m not taking this project too seriously at the moment, as I’m already focusing on a few other things, but I’m letting myself devote an hour or two a day for it anyway, making notes and revisiting mixtapes and looking at discographies and chronologies. I’m also resurrecting a writing style I haven’t used since those same 80s days: using music to inspire and influence certain scenes, Michael Mann style. The difference here is that I’m not leaning heavy on memory here. I’m taking ideas from the songs I loved and expanding on what images and thoughts they inspire and evoke in me. Sure, there’ll be a few self-inserts in there — there always are in my books — but it won’t be as obvious this time out. And I’m making an expanded mixtape that’ll have both the obvious (say, “Under the Milky Way”) and the deep cut (such as the below Love Tractor song). That, of course, is the most fun part of this project so far.

I have no deadline for this particular story, but I am looking forward to spending more time on it if and when I can!

Walk in Silence – Beginnings

The first Walk in Silence mixtape, made October 1988 at the start of my senior year, and the Sony CFS-300 boombox (aka the Jonzbox) it was made with.

Walk in Silence, the mixtape series I’d started in 1988, was not the first mix I’d created (that goes to an unnamed multi-cassette collection from late 1982, taping songs off the radio and MTV), nor is it the first of the thematic mixes (that would be the noisy Stentorian Music from May 1988), but it’s the first one I’d made specifically to fit the mood I’d found myself in at the time. It was sort of a sibling thematic mix to the Listen in Silence mix I’d made in August, which was essentially “my favorite college radio tunes of the moment”. Walk in Silence, named of course after the first line in Joy Division’s “Atmosphere”, was meant to be more about dealing with my darker side. I was still feeling the sting of nearly all my closest friends having escaped our small town for college and the bigger world out there, and I’d made this to deal with that.

College radio was indeed my oasis during my senior year, alongside those Sunday episodes of 120 Minutes. I was doing my damnedest to deal with the frustration of still being stuck in a small town. The sources of these mixtapes were equally from the records I’d bought from Main Street Music and Al Bum’s, vinyl borrowed from the local radio station I’d worked at, taped off WAMH 89.3 (Amherst College), or second-hand dubs of albums I’d borrowed from that same group of friends. I wanted to start making more of these mixtapes, now that I understood how to create a smooth mix, and more importantly, fit as many songs onto each side of a 90-minute tape with minimal leftover blank space.

I still remember opening up a new cassette from its wrapper and smelling that fresh slightly plastic scent. I was super careful with the boxes they came in and would buy empties whenever I found them. I treated these tapes just like I treated my purchased albums: I made sure they were wound correctly, had a readable label, and didn’t get worn out or erased. I rarely bought the fancy expensive hi-def brands — I usually stuck with the affordable and reliable Memorex dBS 90s — because I didn’t care so much about the quality as much as I just wanted the music itself as part of my growing library.

I cataloged these mixes in notebooks primarily so my friends could see what was on them if they wanted to borrow them. It’s only because of this that I was able to successfully recreate nearly 99% of my mixtape library digitally, missing maybe only four or five lost and unavailable songs total. I used the Walk in Silence theme off and on, and currently I make at least two of them a year alongside two Listen in Silence and end-of-year mixes.

I bring this up to personally thank Lou Ottens, who helped invent the compact cassette tape, who recently passed away at age 94. I used so many blank tapes over the years for so many things: mixtapes, recordings of jam sessions for jeb! and The Flying Bohemians, live shows, soundtracks for my novels, dubbed albums, and maybe even a few class lectures now and again. I completed then hard-to-find discographies of favorite bands. I will totally admit to spending food and lunch money on blank tapes. I’ve put scotch tape over those holes on the top to use actual albums nobody wanted as fresh blanks. I came across a blank or two recently while cleaning out and rearranging things here in Spare Oom. I have a storage box full of my mixtapes, a few I’d remade around 2000 but many of them still the originals.

And now I see that cassettes are making a comeback, believe it or not. Indie bands are selling them on Bandcamp. And Amoeba Records has a nifty little corner full of cassettes new and old.

Thanks, Lou. Your invention was a huge and important part of my life.

Best of 2020 and Singles Mix

Source: cover of ‘Ultra Mono’ by Idles. The image seems to fit this year’s events quite accurately.

What a weirdass year. Yeah? Let’s not do that again. Or if we have to, let’s do it without so much of the drama, okay?

ANYWAY. Here it is, the last day of the year, and I’m squeezing this post in during the last few remaining hours of the day/month/year. I don’t use Spotify that much at all so I don’t have any “this is what you listened to most” (or, to follow the recent meme, the “your playlist sucks because…”). I know I listened to KEXP the most, with the rest of my mp3 collection coming a close second. The station kept me sane, somewhat distracted, and in a calm mood for the most part, for which I thank them, especially morning DJ John Richards and midday DJ Cheryl Waters.

Do I have anything left to say about 2020? Not really. It was a year of difference and change for me and I’ve already talked about it over at Welcome to Bridgetown. Other than that…I just want to keep moving forward.

So! Here’s the top albums, songs, and a few other bits of enjoyment that kept me going this past year. Enjoy! (NOTE: I left off the YouTube links on the mixtape on the second half here, but I may edit them in at a later date.)

TOP ALBUMS:
20. Hum, Inlet
19. PVRIS, Use Me
18. Indigo Girls, Look Long
17. Phish, Sigma Oasis
16. Nation of Language, Introduction, Presence
15. Hayley Williams, Petals for Armor
14. HAIM, Women in Music Pt III
13. Taylor Swift, Folklore/Evermore
12. Sault, Untitled (Rise)
11. Pearl Jam, Gigaton
10. Idles, Ultra Mono
9. Prince, Sign o’ the Times (Super Deluxe Edition)
8. Secret Machines, Awake in the Brain Chamber
7. The Beths, Jump Rope Gazers
6. Bob Moses, Desire EP
5. BRONSON, BRONSON
4. K-DA, All Out EP
3. EoB, Earth
2. Deserta, Black Aura My Sun
1. Doves, The Universal Want

TOP SINGLES
20. Deserta, “Monica”
19. Green Day, “Father of All…”
18. EoB, “Olympik”
17. HAIM, “The Steps”
16. Sault, “I Just Want to Dance”
15. Secret Machines, “3, 4, 5, Let’s Stay Alive”
14. The Psychedelic Furs, “You’ll Be Mine”
13. Sault, “Free”
12. Bombay Bicycle Club, “Everything Else Has Gone Wrong”
11. Bob Mould, “American Crisis”
10. The Weeknd, “Blinding Lights”
9. Hayley Williams, “Simmer”
8. K-DA, “The Baddest”
7. BRONSON, “Dawn”
6. The Beths, “I’m Not Getting Excited”
5. K-DA, “More”
4. Fontaines DC, “Televised Mind”
3. Bob Moses & ZHU, “Desire”
2. Doves, “Carousels”
1. Idles, “Grounds”

….and more Best-Ofs…

Welcome Returns: Bands Reformed/Reactivated and Newly Recorded
Stabbing Westaward, Dead and Gone EP
Stone Temple Pilots, Perdida
The Boomtown Rats, Citizens of Boomtown
X, Alphabetland
Badly Drawn Boy, Banana Skin Shoes
Hum, Inlet
Secret Machines, Awake in the Brain Chamber
Semisonic, You’re Not Alone EP
Michael Penn, “A Revival”
Midnight Oil, The Makarrata Project EP
The Network, Money Money 2020 Pt II: We Told Ya So!

Surviving the Pandemic: What Kept Me Going
Elbow, #elbowrooms videos
Crowded House, Live from Home videos
Seatbelts, Session Starducks videos
KEXP, Live from the Front Yard series

Box Sets, Reissues, and Remasters
Depeche Mode, MODE
Supergrass, The Strange Ones 1994-2008
Porcupine Tree, In Absentia (Deluxe Edition)
The Primitives, Bloom! The Full Syory 1985-1992
Paul McCartney, Flaming Pie (Archive Collection)
Prince, Sign o’ the Times (Super Deluxe Edition)
John Lennon, Gimme Some Truth (Deluxe)

***

THE SINGLES 2020

SIDE A
1. Secret Machines, “3, 4, 5, Let’s Stay Alive”
2. The Beths, “I’m Not Getting Excited”
3. Bob Moses & ZHU, “Desire”
4. Fontaines DC, “Televised Mind”
5. Idles, “Grounds”
6. Bob Mould, “American Crisis”
7. Pearl Jam, “Dance of the Clairvoyants”
8. Bombay Bicycle Club, “Everything Else Has Gone Wrong”
9. K-DA, “More”
10. Deserta, “Monica”
11. Cut Copy, “Love Is All We Share”

SIDE B
1. Doves, “Carousels”
2. The Psychedelic Furs, “You’ll Be Mine”
3. Green Day, “Father of All…”
4. Pet Shop Boys, “Will-O-the-Wisp”
5. Sault, “Free”
6. Hayley Williams, “Simmer”
7. HAIM, “The Steps”
8. Run the Jewels, “Ooh LA LA”
9. Nation of Language, “The Wall & I”
10. BRONSON, “Dawn”

SIDE C
1. Annie, “The Countdown to the End of the World”
2. EoB, “Shangri-La”
3. Hinds, “Good Bad Times”
4. The Weeknd, “Blinding Lights”
5. Green Day, “Oh Yeah!”
6. Semisonic, “You’re Not Alone”
7. beabadoobee, “Worth It”
8. Billie Eilish, “My Future”
9. Bruce Springsteen, “Letter to You”
10. Hum, “Step Into You”
11. Cults, “Spit You Out”
12. Paul McCartney, “Find My Way”

SIDE D
1. BRONSON, “Heart Attack”
2. Secret Machines, “Everything Starts”
3. Pearl Jam, “Superblood Wolfmoon”
4. Gorillaz, “Désolé”
5. GoGo Penguin, “Atomised”
6. Hotels, “Queens (West African Peanut Soup)”
7. Idles, “A Hymn”
8. Phoebe Bridgers, “Kyoto”
9. Working Men’s Club, “John Cooper Clarke”
10. The Avalanches, “Interstellar Love”

SIDE E
1. Gorillaz, “Strange Timez”
2. Billie Joe Armstrong, “Kids in America”
3. Throwing Muses, “Dark Blue”
4. Hayley Williams, “Roses/Lotus/Violet/Iris”
5. Glass Animals, “Your Love (Déjà Vu)”
6. Phantogram, “Ceremony”
7. Doves, “Universal Want””
8. Deserta, “Save Me”
9. EoB, “Olympik”

SIDE F
1. Gerogia, “About Work the Dancefloor”
2. K-DA, “The Baddest”
3. I DONT KNOW HOW BUT THEY FOUND ME, “Leave Me Alone”
4. Holy Fuck, “Luxe”
5. The Naked and Famous, “Recover”
6. Future Islands, “For Sure”
7. Michael Penn, “A Revival”
8. Kestrels, “Don’t Dream”
9. Soccer Mommy, “Yellow Is the Color of Her Eyes”
10. Supercrush, “Be Kind to Me”
11. Wire, “Cactused”

SIDE G
1. I DONT KNOW HOW BUT THEY FOUND ME, “Nobody Likes the Opening Band”
2. Secret Machines, “Everything’s Under”
3. Gorillaz, “Aries”
4. PVRIS, “Use Me”
5. Tunde Adebimpe, “People”
6. Semisonic, “Basement Tapes”
7. Destroyer, “Crimson Tide”
8. Pearl Jam, “Alright”
9. Annie, “The Streets Where I Belong”
10. Ty Segall, “Jump Into the Fire”
11. BRONSON, “Keep Moving”

SIDE H
1. Indigo Girls, “Look Long”
2. Khruangbin & Leon Bridges, “Texas Sun”
3. Hinds, “Spanish Bombs”
4. The Avalanches, “Running Red Lights”
5. Sault, “I Just Want to Dance”
6. Idles, “Mr. Motivator”
7. Bob Mould, “Next Generation”
8. Stone Temple Pilots, “Perdida”
9. Phish, “Leaves”
10. Jónsi & Elizabeth Fraser, “Cannibal”
11. Death Cab for Cutie, “Fall On Me”

***

See ya on the flip side, y’all.

Mixtape: Listen in Silence XXIV

Yes, the current volume of Listen In Silence is number twenty-four.  Not bad for a mixtape series I started back in 1988, yeah?  Missed a few years in between, but I’m glad to say after I resurrected it, it’s still going strong.  The links are for the YouTube videos because I can’t be arsed to attempt to build a Spotify playlist right now.  Enjoy!

Side 1
1. John Hardy, “Hidden Title Theme”
2. Gorillaz feat. George Benson, “Humility”
3. Bob Moses, “Heaven Only Knows”
4. Mitski, “Nobody”
5. Death Cab for Cutie, “Gold Rush”
6. The Kooks, “No Pressure”
7. Eric Bachmann, “Daylight”
8. tunng, “Crow”
9. Metric, “Dark Saturday”
10. James, “Many Faces”
11. Lucy Dacus, “Night Shift”

Side 2
1. Death Cab for Cutie, “I Dreamt We Spoke Again”
2. Gorillaz, “Tranz”
3. tunng, “Dark Heart”
4. Dog Party, “Operator”
5. Nothing, “Us/We/Are”
6. Paul McCartney, “Fuh You”
7. The Neighbourhood, “Softcore”
8. Jungle, “Happy Man”
9. Failure, “Heavy and Blind”
10. Art Brut, “Wham! Bang! Pow! Let’s Rock Out!”
11. The London Suede, “The Invisibles”
12. ShadowParty, “Celebrate”
13. Mogwai, “We’re Not Done (End Title)”