Tag Archives: favorite albums

Twenty Years On: January 1998 in Review

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My recent ongoing blog series Thirty Years On, focusing on classic albums and singles that were released thirty years ago in 1988, has inspired me to do a sequel as well, Twenty Years On.  [I could say I have this fascination with music in years ending in 8; I’m even fascinated by the music history of 1968.  Still, I’m yet to take a good critical look at 1978 and 2008.  Maybe in the future…?]   This will be just like 30YO, in that it won’t be strictly scheduled, but will at least be consistent.

SO!  What happened in 1998, anyway?  Personally: entering year 2 of working at HMV, finally getting myself out of debt, and writing like a fiend.  But you already know all that. Musically, it was a critical year for many bands, because it was when the Big Six distributors (Universal, EMD, BMG, Sony, PolyGram, and Warners) shrank down to the Big Five (Universal and Polygram would merge and become UMG)…and a hell of a lot of good bands with potential being unceremoniously dropped like yesterday’s fashion.  Despite that, however, there were still a hell of a lot of great records released.

So without further ado…

Bowling for Soup, Rock On Honorable Ones!!, released January. BfS’ second studio album slipped under the radar for a hell of a lot of people, and they wouldn’t get much notice until a few years later. Irreverent, goofy, nerdy, and always fun. (This particular song is featured on at least three different albums of theirs, to my knowledge.)

Pearl Jam, “Given to Fly” single, released 6 January. The lead single from their upcoming album Yield, this felt like a much stronger and more cohesive band than their previous album, 1996’s abrasive No Code. Still no video from the band (yet), but this track was an excellent start in the right direction.

Great Expectations soundtrack, released 6 January. A hip and updated version of the Dickens novel as done by 90s pretty things Ethan Hawke and Gwyneth Paltrow, the movie itself had average success and was quickly forgotten, but the soundtrack features some excellent tracks by Mono, Chris Cornell, The Verve Pipe, Pulp, Duncan Sheik, Poe, and Tori Amos.  Well worth checking out.

Radiohead, “No Surprises” single, released 12 January. Third and last single from their stunning 1997 classic OK Computer, this was a curious selection for a single, and yet seemed to fit the entire theme of that record: discomfort and irritation beyond our control.

Air, Moon Safari, released 16 January. Every now and again, an album will come out that’s so unique, so different from everything else out there, that it’ll blow the minds of all the critics, and most likely yourself. The French duo’s debut is one such album, a magical downtempo record that sounds equally futuristic and retro at the same time. Highly recommended.

Propellerheads, Decksandrumsandrockandroll, released 26 January. This duo only released one album and a few singles and EPs, but it’s a hell of a great electronica album that’s worth checking out. They deftly mix jazz, hip-hop, techno and more into an album that’s perfect for both listening and grooving.  You may also remember their track “Spybreak!” from the ridiculously over-the-top (yet so awesome) shootout scene from The Matrix.

Catatonia, “Mulder and Scully” single, released 31 January. This quirky Welsh band hit it big on both sides of the Atlantic with this fun track about a relationship so strange it calls for The X-Files duo. It would be the second single from their upcoming second album, International Velvet.

Coming up soon: February 1998!

Thirty Years On: More February 1988

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In this episode of Thirty Years On…

She’s Having a Baby soundtrack, released 2 February. John Hughes once again shines with a brilliant mix for his movie about growing up and realizing you need to be an adult, even and especially when you don’t want to be one. Side one features the men (Dave Wakeling, XTC, Love and Rockets), and Side two features the women (Kate Bush, Kirsty MacColl, Everything But the Girl). It’s a solid mix and still one of my favorite soundtracks of his.

The Cure, “Hot Hot Hot!!!” single, released 9 February. The last single from 1987’s sugary, upbeat Kiss Me Kiss Me Kiss Me album, it features the lighter, sillier side of the Cure… and Robert Smith with short hair! They’d do a complete one-eighty a little over a year later with the dark and amazing Disintegration.

The Church, Starfish, released 16 February. You knew this would come eventually, right? Heh. Still, I’ll admit THIS SONG didn’t completely resonate with me right away. It was lovely and reminiscent of their reverb-drenched jangle of previous albums, and it only grew on me a month or so later when I’d hear it constantly on 120 Minutes and occasionally when MTV played it during the day. Anyway…this is their strongest and most commercially accessible album, but this was also their make-or-break album and was quite a laborious and tense recording project. On the plus side it would give them a template for their next few albums into the mid-90s, providing much airplay and sales for them, until they retreated back to their semi-psychedelic indie roots. This remains one of their best albums, highly suggested.

Morrissey, “Suedehead” single, released 27 February. Moz finally appears from the ashes of the Smiths after their acrimonious breakup months previous, with a lovely single from his forthcoming solo debut. It feels like the breeziness of the Smiths, as he’s working with their producer here (Stephen Street) and would continue to do so until the early 90s.

The Sisters of Mercy, “Dominion” single, released 29 February. The second single from the classic 1987 album Floodland (one of my favorite albums of that year), this continues his work with the always epic Jim Steinman; somehow he manages to create an intense and driven song using just three chords!

Robert Plant, Now and Zen, released 29 February. After a handful of great but meandering solo albums, Plant nails it here with a solid record full of wonderful, catchy tracks. I’ll even forgive him for that painful last line in the chorus of “Heaven Knows”…

The Fall, The Frenz Experiment, released 29 February. RIP Mark E Smith, who recently passed away at 60. This was one of their sort-of-breakthrough albums of the late 80s, which saw them finally catch on with a lot of US fans via college radio and 120 Minutes. Still confrontational, still abrasive, but always a fun listen.

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Coming up soon: Various March 1988 releases!

Recent Purchases, January 2018 Edition, Part Two

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Here’s the second half of last month’s purchases for your enjoyment!

They Might Be Giants, I Like Fun, released 17 January. Released as a ‘rock album’, TMBG is still writing the short, weird and catchy songs thirty-plus years on. They’re still doing their classic Dial-a-Song project as well, which is now available online!

Belle & Sebastian, How to Solve Our Human Problems (Part 2) EP, released 19 January. The second of three EPs to be released by the band, they’ve found themselves comfortable in their invigorated indie-pop sound but still retain their wonderful songwriting chops.

tUnE-yArDs, I can feel you creep into my private life, released 19 January. Merrill Garbus and co. are still playing off-kilter tunes infused with international beats and worldly lyrics. This one’s less abrasive than some of her earlier work, but no less confrontational when it needs to be.

The Go! Team, Semicircle, released 19 January. A band I’d heard of but not followed, and now I’m wondering why the hell I haven’t! A goofy fun mix of indie pop with funk beats and double-dutch chants.

Milck, This Is Not the End EP, released 19 January. Ages ago I probably would have filed this under ‘one of those singers you hear on Grey’s Anatomy‘ but I’ve come to like a lot of this kind of thing when it’s done really well.  This release is quite lovely.

The Spook School, Could It Be Different?, released 26 January. Scottish indie punk that manages to emulate the classic C86 sound perfectly. Lots of fun listening here.

Django Django, Marble Skies, released 26 January. This band has always been just a bit weird, but always catchy and great listening. This new album is a bit of a departure in that it feels less poppy/commercial than their previous albums and more adventurous, which is definitely not a bad thing. There’s even a few synthy tracks that kind of remind me of early Depeche Mode in there!

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Coming up soon enough: February releases!

Recent Purchases, January 2018 Edition, Part One

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Here we are, back again for another round of new tunage at the start of a new year!  Since I’m doing a lot more streaming than impulse buying this year to save money and get my collection under control, a lot of these were bought not on their drop date but week or three later.  These are the many of the titles that made the cut.

It feels like this month was stronger than previous, with a lot of solid albums that I’ve been listening to on repeat.  So much so that I have to split it up into two posts!  We’ll see the follow-up next Tuesday.  So!  On with the show…

BØRNS, Blue Madonna, released 12 January. One of those albums where the more you listen to it, the more you love it. My initial listen was ambivalent but positive; I thought it was pretty good. Upon repeated listens, however, I found myself resonating with a lot of it. It kind of reminds me a bit of early New Order mixed with the atmosphere of M83.

Typhoon, Offerings, released 12 January. I’d never heard of this Salem, OR band before, but I love what I’m hearing. One of those bands with an indeterminate number of members, with a sound that could be inventive indie rock or lower-level math rock, I’m not sure. All I know is that they sound great and I’m most likely going to search out their other stuff soon enough.

Jaguwar, Ringthing, released 12 January. Shoegaze is alive and well! Jaguwar’s latest is a lovely, blissful run full of fast and fun songs and a lot of reverb. It’s quite enjoyable, especially during my Day Job hours!

Shame, Songs of Praise, released 12 January. What you get when you cross shoegaze with Art Brut-like punk silliness. Dreamlike but with sometimes shouty, sometimes surprising, and often not-quite-on-key vocals. I kept coming back to this one.

The Neighbourhood, To Imagine EP, released 12 January. This band has surprised me over the last few EP releases. They’ve been heading in interesting, experimental directions, leaving the rap-surf-pop of “Sweater Weather” far behind. I’m definitely liking what I’m hearing.

Black Rebel Motorcycle Club, Wrong Creatures, released 12 January. BRMC returns to a much darker, louder J&MC-esque sound that fits them like a glove. An album that’s just begging to be listened to at top volume.

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Stay tuned for more next week!

 

Thirty Years On: February 1988

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Welcome to another edition of TYO, with another batch of albums and singles released sometime in February of 1988 (as far as I can tell).  After the quiet calm that usually starts Q1, we’ll start hearing more classic tracks and albums, many of which still get played to this day.

Peter Murphy, “All Night Long” single. A teaser for his upcoming second album, Love Hysteria, this one definitely set the tone for Murphy’s new sound. Where his debut record (1986’s Should the World Fail to Fall Apart) was strange, angular and reminiscent of his last few years with Bauhaus, the new album was more mature, layered, and warmer in tone. This first single hit college radio and 120 Minutes and became a mainstay for months.

Jerry Harrison, Casual Gods. The Talking Heads drummer’s second solo album was a favorite on AOR stations and featured session greats such as Robbie McIntosh and Bernie Worrell.

Robyn Hitchcock & the Egyptians, Globe of Frogs. While Robyn had always maintained a strong following since his Soft Boys days, this particular album seemed to be the turning point, in part thanks to his signing to a major label, A&M. “Balloon Man” would get heavy play on AOR and college stations, and still gets played on alternative stations now and again.

Wire, “Kidney Bingos” single. Another teaser single, this time for Wire’s second comeback album A Bell Is a Cup Until It Is Struck. Many fans who’d missed out on Wire’s original late 70s post-punk run (like myself) jumped on the bandwagon with their 1987 comeback The Ideal Copy and this album, which the band themselves called their ‘beat combo’ era. Their songs are much more melodic and straightforward this time out, but they’ve retained their inherent arty weirdness with fascinating soundscapes and off-kilter lyrics.

The Wedding Present, “Nobody’s Twisting Your Arm” single. Released as a stand-alone single after their George Best album from 1987, this track is indicative of the Weddoe’s classic jangly pop-punk sound that gathered a small but loyal following.

Abecedarians, Resin. A southern California band with a unique sound that was equal parts goth, spaghetti western, and post-punk. Not too many had ever heard of this band, but those who did swore by them religiously. Highly recommended if you search long enough for their small but excellent discography.

Various Artists, Salvation! soundtrack. A fascinating soundtrack to a rather bizarre cult movie about a skeezy televangelist that features multiple tracks from New Order, including the above. [Note: the ‘movie’ scenes in that video have nothing to do with Salvation!; in fact, the video director made the entire plot up just for the song.]

Various Artists, Sgt Pepper Knew My Father. British music mag NME created this interesting if sometimes questionable recreation of the classic Beatles album as done by numerous mostly-UK bands of the day, as a charity album for their runaway hotline Childline. For every fantastic cover (such as the above, The Wedding Present’s “Getting Better” and Billy Bragg’s “She’s Leaving Home”) there are a few stinkers in there (a half-assed rap take on the title song by The Three Wize Men and a weak “Lucy in the Sky with Diamonds” by The Christians). And then there’s the outright weird Frank Sidebottom doing “Mr Kite”. Still, it’s a curiosity worth checking out just to get a feel of what UK pop sounded like in the late 80s.

The Woodentops, Wooden Foot Cops On the Highway. A band that could conceivably be compared to Belle & Sebastian nowadays, this band played a mix of quirky folk and rock that began with the quiet but stellar Giant in 1986 and morphed into a more boisterous sound a few years later. This album sank without trace soon after, but the band has made a comeback with an excellent cd collection of their 80s output (2013’s Before During After) plus an album of new songs a year later (2014’s Granular Tales).

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More soon, including THAT PARTICULAR SONG. You know which one I’m talking about…!

Thirty Years On: January 1988

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Hello and welcome to another edition of Thirty Years On, in which we take a look at that year I have an unhealthy obsession with.  Heh.  This episode features the few albums I have solid release dates for!  Hope you enjoy!

The Godfathers, Birth, School, Work, Death, released 11 January. Much-needed Brit-punk in a season of American hardcore, these guys channeled the Clash and mixed it up with a bit of garage punk psychedelia, creating a fantastic blend of kick-ass rock and a solid album from start to finish. Highly recommended for your collection.

The Fall, “Victoria” single, released 11 January. The Fall’s mid-80s output was surprisingly upbeat and melodic, even despite singer Mark E Smith’s eternal crankiness. A wonderful cover of the classic by the Kinks, and a song that still pops into my head at the mention of that queen or the underground line.

The Pogues, If I Should Fall from Grace with God, released 18 January. The album that also features that perennial Christmas classic, The Pogues’ third album was a huge favorite for the AOR stations in New England. I believe I owned this as a dub from my British exchange student friend for a time before I finally owned it on digital many years later.

Recoil, Hydrology, released 25 January. Essentially a solo experimental project by Depeche Mode’s Alan Wilder, it’s an interesting album worth listening to, especially if you’re a big DM fan. Take all the cold industrial-synth sounds from that band’s mid-to-late 80s albums, take away Martin Gore’s lyrics, and this is what you’re left with.

George Harrison, “When We Was Fab” single, released 25 January. Okay, it’s not college rock, but it was an ex-Beatle! The second single from 1987’s comeback album Cloud Nine, this one’s an obvious and loving nod to his past.  I used to listen to this single repeatedly when it came out.

David Lee Roth, Skyscraper, released 26 January. DLR’s second post-Van Halen album was a surprisingly mature and experimental affair, focusing more on the rock and less on the flash. I particularly loved this wonderful ballad featuring some fantastic guitar work from Steve Vai.

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Next Up: February 1988!

Thirty Years On: Random January 1988

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One problem with going into a chronological overview like this is that sometimes it’s hard to pin down a release date. Quite often, before the Tuesday release date plan started up around 1988-89, labels would drop an album with minimal fanfare and a ‘soft release’…basically putting it out there whenever it just happened to be ready to go.  I’m sure someone at the label office has the date on record somewhere, but they’ve never made it known.

The downside to this is that sometimes one can only guess when it dropped. Sometimes the band will have a rough date (though that’s a big if — most bands will have little to no idea), but more often it relies on someone’s memories. I’ve managed to narrow down some dates due to my memories of listening to them during a specific timeframe, or that it was on the charts at a particular time, or that one of their songs appeared on a mixtape I’d made on a certain date.

That said…here’s a few releases that, to the best of my knowledge, came out in January of 1988.

Hugo Largo, Drum. Predating the quiet minimalism of early Belle & Sebastian and the off-kilter melodies of later Bjork, Hugo Largo’s strange alt-folk was embraced fully by the college crowds. Some of it might seem a bit too twee or precious now, but it’s still a fascinating listen. They were championed by Michael Stipe, who definitely helped them gain a following. Also: check out a fantastic cover of the Kinks’ “Fancy” from the same album.

Two Men, a Drum Machine and a Trumpet, “I’m Tired of Getting Pushed Around”. A band with a longer name than their discography — this one single. Essentially Andy Cox and David Steele (formerly of The Beat, and at the time part of Fine Young Cannibals), they dropped this one house track that found its way through dance clubs and even a music bed for Entertainment Tonight segments. It’s a silly throwaway track, but it’s a classic one.

The Other Ones, Learning to Walk. You may remember this band from their late-1986 self-titled album and the minor radio favorites “We Are What We Are” and “Holiday”…or not. They were a bit of an obscure pop favorite on the US shores, and alas, this second album was never released here. I only recently found it online, and I’m kind of surprised at how good it actually is. It’s definitely of its time, but it holds up quite nicely to the first album.

Lowlife, Swirl, It Swings EP. If that bass sounds familiar, it’s because it’s Will Heggie, the original bassist for Cocteau Twins. They’re kind of similar to The Comsat Angels or Joy Division.

Moev,Yeah Whatever. One of those bands on the Nettwerk label I always had a hard time locating back in the day, they were sort of an EBM-goth hybrid that reminded me of a less aggro Front 242.  They’d get a lot of college radio airplay thanks to “Yeah Whatever” and “Crucify Me”. Definitely an album to have in your collection.

Next Up: More January releases, this time with actual release dates!

Thirty Years On

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Yeah, I’m pretty sure y’all saw this coming some time ago.  My unhealthy obsession with the music of 1988 deems it necessary that I do the occasional thirty-years-on post this year.  But hey!  This time I’ll focus only on the music and spare you the personal stories you’ve heard enough times already.  This’ll be like my Blogging the Beatles posts from a few years back, taking my favorite music from my favorite year specifically from a listener’s point of view.  I don’t have any set schedule or plan for this series , so it’ll most likely be sporadic, depending on the release dates and so on.

I decided to use the classic Guns n’ Roses “Welcome to the Jungle” (or as my friend Chris once call it back then, “Welcome to my Uncle’s”) as my header video for this introduction for a few reasons.  Even though the track had been released back in July of 1987, it was still getting heavy airplay alongside their other classic single “Sweet Child o’ Mine”.  Originally I was not a GnR fan at all, lumping them in with all the other hair metal bands of the day.  But on the same token, they were essentially the hardest-sounding band out there at the time.  A quick look at the early January pop charts and you’ll notice that pop music was leaning perilously towards the ‘lite’ side.  It was refreshingly inclusive and included multiple genres and performers, sure, but you’ve got to admit that there wasn’t much of a spine to many of those songs.  GnR was the much-needed exception to that rule.

It was time to look a bit deeper into the independents if I was going to satiate my need for exciting music.

Recent Purchases, December Edition

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There usually aren’t that many new releases in the last month of the year; December is usually reserved for titles aimed at gift-giving…the box set, the greatest hits mix, the best-of-year compilations, and so on.  New albums don’t usually do so well this time out unless they’re either from big-name bands.  I usually use this month to pick up whatever few new albums there are and catch up on some of the older releases I hadn’t gotten around to.

So without further ado, a much shorter list to provide…

Cindy Wilson, Change, released 1 December. This was quite a surprise to a lot of people, as Cindy’s vocals are usually loud and up front, right next to Kate Pierson’s when they’re singing B-52s tracks. She’s much more subdued and adventurous here. The album feels like a mix of Tom Tom Club with a bit of less-noisy Sonic Youth thrown in.

Steven Wilson, Last Day of June OST, released 1 December. This one almost snuck by me! Steven quickly follows up his To the Bone with the soundtrack to a video game based on one of his songs. Much of it is instrumental, but that’s not a problem here, as he’s always had a gift for lovely and often haunting melodies.

New Order, NOMC15, released 1 December. I’ve always felt this band was a little boring live, as they never really had much stage presence at all (per Peter Hook, it was usually because they were either wasted or putting on an attitude, or both), but apparently they’ve lightened up and put on a much more entertaining show over the last few years. This is a great mix of New Order songs both new and old, and they do almost all of them justice. [I say almost, because I feel they really do “Atmosphere” a disservice, as Bernard can’t hit Ian’s low notes and it ends up like he’s singing the words but to the tune of “Ceremony” instead. Other than that, it’s quite excellent.]

U2, Songs of Experience, released 1 December. An excellent follow-up to 2014’s Songs of Innocence, and just as solid and strong. Just like the previous album, they’ve recaptured the power and focus that had been lacking in the last few releases. One of my favorites of the year.

Belle and Sebastian, How to Solve Our Human Problems (Part 1) EP, released 8 December. The first of three planned EPs from a poppier version of a band formerly known for their lo-fi murblings in the 90s and 00s. It took me a few songs to get used to their new direction, but it works well for them.

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Coming up Thursday: the year-end compilation and best-of lists! 🙂

Recent Purchases, November Edition

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A slightly shorter list this month, but running the gamut between soft, loud, delicate and noisy. November had quite the eclectic mix!

Lost Horizons, Ojalá, released 3 November. Simon Raymonde from Cocteau Twins, and Richie Thomas from Dif Juz? What’s not to love? A laid back, sort of jazzy album that’s a relaxing treat.

Bibio, Phantom Brickworks, released 3 November. Even more relaxing than the above album, this one’s filled with lovely meandering instrumentals and makes a fine writing soundtrack.

Sleigh Bells, Kid Kruschev EP, released 10 November. A usually-loud band surprises us with a mid-tempo, sometimes even quiet mini-set that’s just as excellent as their ear-bleeding noise.

Seal, Standards, released 10 November. I got a chance to see him play tracks from this album with the San Francisco Symphony a few nights ago, and it was absolutely fantastic. He really nailed the Sinatra/Rat Pack vibe on this album. I particularly love this track, as it really reminds me of The Wrecking Crew.

Morrissey, Low in High School, released 17 November. Questionable commentary, wonky politics and untrustworthy touring aside, I’m still a fan of Moz’s music, and I think this is probably his strongest album in quite some time. A lot of his previous records were good but not memorable, but this one’s got a goodly amount of keepers.

Jeff Lynne’s ELO, Wembley Or Bust, released 17 November. I totally admit I’ve been obsessing over this album lately! Yeah, I’m almost 47 and this is the music of my youth. It’s an excellent live mix of classics (and “When I Was a Boy” from 2015’s Alone in the Universe) and a hell of a fun listen.

Elbow, Best of, released 24 November. Go buy this already! One of my favorite bands of the new millennium. Absolutely stellar songwriting with gorgeous melodies and amazing vocals.  I don’t obsess over this band so much as I let their music pull me in and take me places.  I love it when a band can do that.

Bjork, Utopia, released 24 November. Weirdly beautiful as always, Bjork’s new album is once again less about the melodies and more about the sensation of its sound. Delicate and fragile, but always great.

Noel Gallagher’s High Flying Birds,Who Built the Moon, released 24 November. The Other Gallagher Brother (the one wot wrote nearly all the Oasis songs) puts out an off-kilter yet surprisingly strong album that’s quite different from his previous two.

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One more month of new releases to go!