Get off your ass and jam

So apparently I did have a slice or two of P-Funk in my collection….just not the originals.


(samples “(Not Just) Knee Deep”)


(samples “Pumpin’ It Up”)


(samples “Let’s Play House”)


(samples “Man’s Best Friend”)


(samples “Mothership Connection”)


(samples “Come in Out of the Rain”)


(samples “Atomic Dog”)


(samples “Get Off Your Ass and Jam”)

Giving some of those early Funkadelic albums a listen and OH MAN are they tight. I have no idea why I didn’t get to them sooner.

It’s half past four and I’m shifting gears

 

So I ended up buying the new Golden Earring box set, The Complete Studio Recordings, (at a pretty sweet deal — 28 cds for a little over $100, coming out to about $4 a cd) and I’m quite looking forward to giving it a listen.

They’re a band I’ve always wanted to hear more of, especially since their history reaches way back to the early 60s.  Most of you know them from their two US hits “Radar Love” (one of the best 70s bass lines ever) and “Twilight Zone” (one of the most memorable early 80s MTV videos).   I owned their Cut album for a long time and absolutely loved it as a kid.  I never got around to picking up more of their albums though, as they were often hard to find and were never a big draw in the US.

Still, they’re considered the Netherlands’ biggest rock band and what I have heard of their early stuff I quite enjoy.  Including their amazingly ridiculous yet fascinating seventeen-minute prog cover of The Byrds’ “Eight Miles High”.

It’s going to take me a while to sift through this collection, but I’m looking forward to it!

Do I really listen to that much music?

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The new 4TB external doing its thing on top of my dusty PC

So yesterday I started to move my mp3 collection to my new external hard drive.  Originally I thought, hey, why not just do a block copy-and-paste all at once? and tried copying bands A through M.  After about twenty minutes the status said ‘5% done; time remaining, 11 hours.’  That lasted until Depeche Mode, when the PC went to sleep last night.  That was easily rectified of course, and I’m now going via small blocks of letters (it just finished N through P a few seconds ago).

So why am I doing this?  Well, I think my externals are just getting worn out.  Currently the collection is on two smaller 1TB externals and I’m starting to have issues with the PC reading one of them.  It’ll work, but if the PC happens to go into sleep mode for any reason, the connection will get all wonky.  No fear, though!  Every mp3 is also copied to a third 2TB external whose sole purpose is to simply be backup storage.  Nothing has been lost!

But seriously, though…why 4 terabytes?  Isn’t that a bit excessive?  Well, no.  It’s a very comfortable amount of space for a collection that’s slowly been expanding for almost forty years.  It gives me space for what I have already and an equal amount of space for any future purchases, rips, or downloads.  [Especially now that I rip my cds at the max bitrate of 320 kbps.  I’m not too snobbish about bitrate, but the higher it is, the better, clearer and louder the sound quality.  And I usually stick with mp3 format instead of FLAC or anything else, simply because it’s space saving and I don’t hear too much of a difference.]

But that still begs the question: do I really listen to that much music?

Well, I don’t listen to every single song in my collection on a daily basis, no.  That would be impossible.  It’s more of a library than just a collection, anyway.  I use it not just for entertainment but for background while I’m writing.  I use it for reference with my music-related writing.  And I share it with a few people on my Plex server so they get to listen and enjoy my tunage as well.  A. likes to listen to stuff occasionally via that route while she’s working.  Not everything gets heavy rotation play, but my library is big enough where I can shift that rotation and keep it fresh.

But yeah. I really do listen to that much music.  If I don’t have a streaming radio station going, I’m probably listening to a certain batch of albums.  Currently I’m going through a bunch of the 2016 albums in preparation for my eventual Best Of list next month.

Some people love vintage cars.  Some love special edition books.  Some love collectible figurines.

Me?  I love music.

Streaming: Amazon Music

anime-record-playing

Believe it or not, I’ve tried numerous streaming apps and sites, and I’ve pretty much found them all wanting.

I know, I know…I’m picky about what I listen to if it’s not my own music collection.  I’m not including streaming radio stations here, like those provided by Sirius XM or the numerous terrestrial stations out there that offer the ‘listen live!’ button at their website.  I’m talking about sites and apps that are built for streaming music: Spotify, Groove Music, Tidal, and so on.  I mean, they’re just fine for what they do best, and they have their own fans, but they’re not for me.

I know exactly why: my tastes and listening habits tend to vary widely, and most of these places just don’t offer enough music that would capture my interest.  I’ve tried many, and with each of them I find myself constantly hitting the ‘next track’ button.  [And even worse, if I have the low-end or free subscription, I have to wade through commercials every five or six songs.  Don’t get me wrong — I grew up with terrestrial radio on every waking moment of my youth, so I’m used to the ads.  It’s just that getting them after skipping too many songs pretty makes me like the app or site even less.]

Recently, however, I signed onto Amazon Music, and I think I finally found what I’ve been looking for.  It’s essentially a rebooted, much more refined version of Amazon Prime’s music streaming, and it’s well worth it.  It features streams of numerous complete albums available digitally at Amazon’s website (and where I buy most of my mp3s nowadays), across numerous labels and distributors.  I get to listen to the entire album before deciding if I want to download it.  It also offers curated playlists if I’m so inclined.  I’m not one for listening to a randomly generated playlist — for that I can just listen to a regular radio station — so this really works out well for me.

The price isn’t that bad, either.  It’s $9.99 a month ($7.99 for those already signed up for Amazon Prime), about the same as most streaming apps and sites.

Yes, yes, I know…giving more money to The Man by signing up with Amazon, but when the product provides exactly what I’ve been looking for and wanting, it does feel kind of silly to not use it on principle.  [Noted, I’m a frequent visitor of local brick and mortar stores for all kinds of things, enough that I rarely use Amazon for ordering things on the regular.  I also use other music downloading sites for my collecting.  So I don’t necessarily feel guilty for using Amazon for this sort of thing.]

Has anyone else used it yet?  What do you think?

Any Day is Record Store Day

high-fidelity_2739428k

John Cusack in ‘High Fidelity’

 

As you’ve probably figured out (or remembered from last year’s LJ missive), I’ve decided to give Record Store Day a pass from here on in, as it’s pretty much become the antithesis of what I feel about record stores.  I bring this up because it’s about that time of year, and the online music blogs are starting to talk about it again.

Back in the late 00’s, RSD was conceived as a way to celebrate the then-struggling record industry, a day for everyone to head over to their local shop, peruse the aisles and come home with some nifty deals and some sweet music.  I was on board for that, considering my own spending habits.  [Hell, just recently I was going through some old bank paperwork and found my checkbook register from 2003-4 — the number of times I hit Newbury Comics during that time was astounding.]  You can still find my 2008 comment in the Public Quotes section of the website (I’m the third quote down here).

Nowadays, I feel this celebration is less about remembering how cool record stores are, and more about that really cool collector’s edition 7″ (only 1000 printed!) of songs I have already but DUDE IT’S RED VINYL.  Really, I’m not kidding — check out the ‘special releases’ for this year.  And that’s just the US listing…other participating countries have even more, sometimes bigger lists.  Not to mention that it’s no secret that many of these end up on eBay at inflated prices before the sun goes down.

Now, I really hate to be cynical about this, I really do.  But last year when I went over to Amoeba to enjoy perusing the bins like I always do, I realized there was no way in hell I’d be able to do so.  The reason was that many of the outer aisles were blocked by an insanely long line of about four hundred people, arms full to bursting with the same collector’s edition purchases and not a single item from the bins. Others not in line were blocking the inner aisles, chatting away and comparing collector’s edition finds and other rarities they’d found over the years.  I gave it about twenty minutes before I walked out of the store, pissed off and emptyhanded.

I never do that.  Not at a record store.  I’ll at least have one or two items in hand when I leave.

SO.  I submit this:  Any day can be Record Store Day if you want it.

Heading to the local shop shouldn’t just be about getting the collector’s edition…not that I’m dismissing those, but I’m of the mind that music shopping isn’t just about getting that rare item.  It’s about finding that cd in the dollar bin that you’d completely forgotten about for a decade or so, with all the memories of that release flooding back to you from out of nowhere.  It’s about seeing what’s hot and what’s not.  It’s about putting those beat-up headphones over your ears to sample a few songs before you buy.  It’s about finding a nifty present for your sister or your husband or your mom or whoever.  It’s even about buying that tee-shirt of that band you’ve just fallen in love with.

And you can do that any time.  Hell, even if you don’t have a local record store you can get to (which, in all honesty needs to be rectified STAT!), head to the band’s or the label’s website and order the cd direct.  Donate to a PledgeMusic or a Kickstarter or a Patreon event, watch the band in the process of recording that album, and get a copy in your hands when it’s all done.  Check out some of the great no-label indie releases on BandCamp.  There’s a shitload of great sounds out there, if you’re willing to search for them.

Because really–it’s about the bands, when you get down to it.  The record store is where they sell their wares.  It’s where you’ll find what you want and need.  And you can do that any day of the week.

 

Collecting: The Black Hole of the Dollar Bins

 

This past weekend A. and I headed over to the Haight to stop at Amoeba Records.  Her motive for going there has been to search for older Doctor Who serials and other BBC television series, while mine (as always) has been to scour the bins for music.

This time out I was looking for albums by Sinéad O’Connor and Saint Etienne to bulk up my collection, and I knew I’d find both in the dusty dollar bins hidden way in the back western quadrant of the giant store.  I wasn’t let down, either–I found three of O’Connor’s albums I needed (a fourth was found used in her regular bin for $7), and I found a lot more Saint Etienne than expected (plus grabbed two further albums for $4 each in their regular bin).  Further browsing in the store brought up a few more ‘why do I not have this yet?’ albums.  All told, I must have spent about $30 on 14 cds, which is not bad at all.

I have two days off surrounding my birthday in a few weeks.  There’s a good chance I may head there for a second round.

I’m a sucker for dollar bins, I’ll be the first to admit it.  I don’t mind if the jewel case is scuffed up or slightly cracked, or if the cd is a bit worn–as long as it sounds good.  It’s about the music for me.  I’m well-versed in digging for gold in these bins, and I have no problem with spending a good two or three hours getting dirty and dusty doing it.  Back in my nearly-broke days in early 90s Boston, I was a regular at Nuggets, Planet, In Your Ear and Looney Tunes, and back then my finds were all cassettes and albums.  I could buy a dozen full length albums for less than twenty dollars.  And in the late 90s and early 00s, I’d continue to make monthly runs to Boston to find sweet deals.  My record collection was age-worn and scratchy, but it was also damned huge and well-rounded.

Here’s the trick:  the dollar bins are often full of albums that are at least ten to twenty years old, so if you’re in need of that classic album from 1993 that you never got around to buying, chances are it’s in there, the original versions given away now that their former owner ripped them to their computer or bought the remastered-with-extra-tracks editions.  This was the same when I used to do the Boston runs:  in the early 90s, I could easily build up my 70s classic rock collection; in the late 90s it was the 80s pop; in the 00s it was all the Britpop I was too broke to buy first time out.

At this point I’m realizing things have come full circle, as I’m now finding all the albums from my tenure at HMV in the late 90s.  I see titles I once owned either as promo copies or bought at a discount, but I also see many that I’d completely forgotten existed.  On multiple occasions I’ve pulled out a cd and stared at it for a second, that memory connection suddenly refreshed and clear.  And they’d get dropped into my basket.

Yeah, I’m well aware that dollar bin diving is pretty much a lost art now, considering the current state of music downloading, streaming and sharing, but think of it this way–that copy of Boston that you used to have on vinyl and never got around to picking up on cd?  You could either download it from Amazon or iTunes for the midline price it usually goes for (as of this writing it’s one of Amazon’s monthly $5 titles)…or you could buy the dollar bin copy for $1.99.  If you’re a compulsive music collector like I am, this was, is, and shall always be one of your favorite sections in the store.

[Okay, I’ll add this as well: I’m not out to cheat the musician, far from it.  I know they don’t get diddly from used sales, obviously.  My point here is Buying On a Budget, whether you’re a completist and buy in bulk like me, or have limited cash flow.  By all means, if you have the funds to pay the bands, please do so, and they will thank you.  And they’ll be able to stay together and record more neat stuff for your waiting ears.]

So this April, when you’re heading to whatever shop for Record Store Day, spend a little more time than that ten minutes grabbing your RSD Collectible goodies and that hour waiting in line to pay for them.  Spend more time in the regular bins, reacquainting yourself with your favorite bands and others you’ve never quite gotten around to listening to.  And spend a good three or four hours in those dusty dollar bins (and provide your own Wet-Naps).  You’ll be surprised what you might find.