It’s been a while…

Shocking revelation: I haven’t made a mixtape since the year-end collection back in December.

To be honest, part of it was due to prepping and packing and moving and unpacking and banking and settling in and everything else that goes along with buying a home while still juggling the Day Job. I put my mixtapes (and in effect, this blog) aside for a little bit while I got my life back in order once more.

I’d been tempted multiple times, but I just didn’t have the time or the inclination. Similar to my putting aside the journaling and the word counting and the whiteboard schedule, I felt it was time to properly step away for a bit to recharge. Aside from the book-centric mixes I’d been creating for my writing, I hadn’t been listening to the ones I’d made over the last couple of years, and that started to annoy me. They’re good mixes, they’re just not getting played, and that’s because I needed the brainspace.

We’ve been living here for at least three months now, and that itch to make mixtapes is returning. Sometimes I think about where and when I’d actually listen to them, considering I can’t really do that at my Day Job, and my commute is a seven-minute, sixteen-block drive. Days off and during writing sessions, then. And it occurs to me — that kind of thinking is exactly what’s turning me away from it instead of towards it. Mixtape listening isn’t about setting aside a specific time to put in that latest volume of Walk in Silence or Untitled or Re:Defined. One of the main reasons I chose to disconnect from mixtape-making was the same reason I’d stopped the whiteboard schedule: I was making myself too regimented, and that was taking all the fun and the spontaneity out of it.

As expected, the time away has given me time to connect (or reconnect) a bit closer to my music library, especially now that I’ve managed to back away from the mad frenzy of discography completism and obsessive listening to KEXP (which I still do, just to a lesser degree). I’m relearning how to just enjoy the music I hear, and I’m glad about that. I’m feeling a lot more connected in the right ways once again.

Interestingly, the outcome of this is that making any mixtapes now feels a bit like when I started making them in earnest back in May-June of 1988. I’d made a ton of mixes before that of course — what I refer to as my ‘radio tapes’ era for obvious reasons — but I hadn’t made any personal sourced-from-records/tapes mixes before, at least none made with any seriousness, up until that point. Those original first mixtapes were not about making seasonal mixes at all — they were about collecting my favorite songs at the time, songs I didn’t have in my collection that I could borrow from others, and most of all, they were mixes I could enjoy at any time.

And I think I’m finally getting to that point once again, for the first time in years.

I’ll take hip-hop with a side of punk rock and some country-western to go

I’ve told many already that I am absolutely thrilled that the independent station that I’ve been listening to religiously online for the last six or seven years, KEXP, is now on the air here in the Bay Area, having snagged the 92.7 FM frequency in a bankruptcy deal and gone live last Tuesday. They truly are independent, relying not on commercial breaks but fund drives and listener donations. [I’ve been ‘powering’ the station since at least 2019.] Their playlist remains the same for the moment, though they’ve already made plans to add some shows focused on the local scene in the near future.

What’s the appeal? Good question. Several of the daily shows come very close to free-form radio, a sadly now-rare style that does not rely on numbers and algorithms or rotation schedules. DJs like the Morning Show’s John Richards (pictured above, who is also currently the station’s associate program director) connect with their listeners on a personal level, whether it’s in celebration like their International Clash Day, or in mourning like their Death and Music talks. These DJs aren’t putting on an act, they’re simply music nerds that love what they play and want you to share it with you.

My tastes in music have definitely changed in those past six or seven years, having gone from the very commercial Live 105 to the indie KEXP. [I’ll listen to Live 105 now and the difference is extremely telling, to be honest.] Several bands I’ve seen at Outside Lands are bands I heard first on that station. Pretty much most of my music library over the last several years comes from their playlist.

From what I’ve heard, the response to their Bay Area presence is overwhelmingly positive. They’ve always had a strong fan base thanks to their online streaming, and their base is already global. And yes, I’ve already added them as a preset in the car, heh.

Check ’em out here! —> https://kexp.org/