Walk in Silence…

It’s been quite a long time since I’ve listened to the music I grew up with. In fact I was kind of trying to avoid it on purpose. Not for any emotional reasons (not this time, at any rate), more that I wanted to distance myself from it for a bit.

You all know how obsessive I can get about listening to music, and sometimes I’ll get myself into a spiral of listening to certain albums (or years) on constant repeat. On the surface that’s not inherently bad. Sometimes you just want to listen to the music that resonated with you the most. Songs and albums that created a deep and lasting connection with your life and awakens memories both good and bad.

Thing is, I felt like I was doing this a little too often, to the detriment of any new music that came my way. I know I’m an outlier in this sort of thing: I’m just that kind of obsessive where I’m also constantly interested in new and fascinating things. [The new album by The Clockworks is amazing and they are so criminally underrated. I highly recommend all their work.] So I purposely distanced myself from the sounds of my past, at least for a little while. Just long enough where I felt I wouldn’t fall into another listening spiral.

It was the recent “forty years ago” meme that changed that, however. Several people on social media remembering music that dropped in 1986, and I of course thought oh man, this is a perfect Forty Years On series…maybe it’s time to return. Especially considering that was the year when I discovered college radio and my listening habits completely changed from classic rock and AT40 to alternative almost overnight.

So here I am now, thinking that maybe it’s time to allow myself a bit of reminiscence again. Thinking that maybe it’s finally time to work through that Walk in Silence book once and for all. I have the time and the spoons for it. And I’m starting to see even more books and articles about Gen-X 80s and 90s alternative rock these days, now that my generation is slowly trudging its way towards Elder status. And I realize that I still want to tell my side of that story: not about a scene or anything like that, but just a story about someone who’s listened to this stuff to the point of obsession and let it influence and inspire their life. A story about how alternative rock not only changed me for the better but connected me with a group of people that became lifelong friends.

Will it be any different from the outtakes and the 80s posts I put up here over the years? That’s a good question. I’ve told some of that story here of course, but I’ve left stuff out as well. Stuff that’s just a bit too personal, things I didn’t want to share online at the time, or things that were a bit too emotionally rough for me to revisit. And there are some things I’ve completely forgotten that come to light after a close listen to a certain song or album, well after the original posts. There’s also the fact that I’ve told and retold the story in different ways and never quite felt satisfied with it as a writer.

Let’s be honest here: I’ve also been thinking about returning to that era’s music here anyway. After all, this blog is named after the first line of Joy Division’s “Atmosphere”, and its original purpose was to talk about my obsessions with said era. I won’t be dismissing my interest in new music at all, and I’m sure that talking about it here on a regular schedule will continue; I’m just saying that it’s time for me to return to where I’m happiest: back when I used to call it “college rock”.

It’s been a while…

Shocking revelation: I haven’t made a mixtape since the year-end collection back in December.

To be honest, part of it was due to prepping and packing and moving and unpacking and banking and settling in and everything else that goes along with buying a home while still juggling the Day Job. I put my mixtapes (and in effect, this blog) aside for a little bit while I got my life back in order once more.

I’d been tempted multiple times, but I just didn’t have the time or the inclination. Similar to my putting aside the journaling and the word counting and the whiteboard schedule, I felt it was time to properly step away for a bit to recharge. Aside from the book-centric mixes I’d been creating for my writing, I hadn’t been listening to the ones I’d made over the last couple of years, and that started to annoy me. They’re good mixes, they’re just not getting played, and that’s because I needed the brainspace.

We’ve been living here for at least three months now, and that itch to make mixtapes is returning. Sometimes I think about where and when I’d actually listen to them, considering I can’t really do that at my Day Job, and my commute is a seven-minute, sixteen-block drive. Days off and during writing sessions, then. And it occurs to me — that kind of thinking is exactly what’s turning me away from it instead of towards it. Mixtape listening isn’t about setting aside a specific time to put in that latest volume of Walk in Silence or Untitled or Re:Defined. One of the main reasons I chose to disconnect from mixtape-making was the same reason I’d stopped the whiteboard schedule: I was making myself too regimented, and that was taking all the fun and the spontaneity out of it.

As expected, the time away has given me time to connect (or reconnect) a bit closer to my music library, especially now that I’ve managed to back away from the mad frenzy of discography completism and obsessive listening to KEXP (which I still do, just to a lesser degree). I’m relearning how to just enjoy the music I hear, and I’m glad about that. I’m feeling a lot more connected in the right ways once again.

Interestingly, the outcome of this is that making any mixtapes now feels a bit like when I started making them in earnest back in May-June of 1988. I’d made a ton of mixes before that of course — what I refer to as my ‘radio tapes’ era for obvious reasons — but I hadn’t made any personal sourced-from-records/tapes mixes before, at least none made with any seriousness, up until that point. Those original first mixtapes were not about making seasonal mixes at all — they were about collecting my favorite songs at the time, songs I didn’t have in my collection that I could borrow from others, and most of all, they were mixes I could enjoy at any time.

And I think I’m finally getting to that point once again, for the first time in years.