About Jon Chaisson

Author, blogger, music collector, cat wrangler. May contain trace amounts of sugar and caffeine. Books available at Smashwords!

A Flock of Seagulls, Fortyish Years On

Posted on February 23, 2023 by Jon Chaisson

Yes, folks. I am old enough that I remember the iconic and extremely low-budget (most of it seemingly spent on tinfoil) video for A Flock of Seagulls’ song “I Ran (So Far Away)” being new on MTV and loving it to bits. Never mind that the non-instrument props are from whatever they had in the studio’s back closet, this was taking the idea of music video to another level. They were part of a British wave of, well, New Wave. Distinctly pop yet heavily steeped in fashion, science fiction and even a bit of doom-and-gloom. It took Cold War darkness and tension into unexpected and highly creative directions.

This past week, the band dropped a Deluxe edition of their first album, a three-disc collection of a new album remaster, single mixes and b-sides, several BBC radio sessions, and even a short live set. The remaster itself sounds amazing, given that it’s not always easy to give a synth-heavy sound a warm feeling. The remaster gives the album plenty of breathing room and clarity for each performer. And Paul Reynolds’ distinctive guitar work, similar to that of U2’s Edge with its soaring and extremely melodic qualities, sounds crisp and clear.

The rest of the album may have its filler moments, but it also contains some bangers such as the singles “Space Age Love Song” and “Telecommunication” as well great deep cuts “DNA” and album closer “Man Made”. I highly recommend giving it a spin!

Fly-by: brb, trying to get back to writing work

Posted on February 21, 2023 by Jon Chaisson

I’m not entirely sure if it’s my weird work schedule last week that threw me off, or that I’m just trying to avoid doing the hard work needed to get through this frustrating patch, but I’m having trouble focusing on MU4 again lately. And that needs to be fixed. I’ll hopefully have something up on Thursday!

More Songs from the Eden Cycle: Hammock, ‘Love in the Void’

Posted on February 16, 2023 by Jon Chaisson

I mean, with a song — and title — like “Absorbed in Light”, how could this album not be a perfect writing soundtrack for the Mendaihu Universe? I’ve been coming back to this one just about every time I sit down to work on MU4. It’s got everything I love: moody atmospherics, glistening reverb with the occasional wall of guitar drone, and minimal lyrics.

I’m quite thrilled that I’ve latched on to a couple of new albums so far this year, as I’ve been in need of musical inspiration for a while now. This one in particular is not only soothing but drops me right into the mindset I need to focus on this new project. Plus it’s just a lovely record overall, and I highly recommend giving it a spin.

More Sounds from the Eden Cycle: Sigur Rós, ( )

Posted on February 14, 2023 by Jon Chaisson

I knew about this band from my HMV years when their 1999 album Ágætis Byrjun came out as an import (it would get an American release a few months later). They were like an apocalyptic version of Cocteau Twins — both bands creating otherworldly music with curious and indecipherable lyrics, but while the Twins veered towards beauty, this band chose fragility instead. Their songs were always on the verge of not so much breaking apart as disintegrating before our eyes and ears.

In 2002 they released an album of eight untitled tracks simply entitled ( ) and sung entirely in lead singer Jonsi’s ‘Hopelandic’ conlang. I remember hearing an NPR review of it just before it came out, with the reviewer being utterly blown away by it. I picked it up pretty much on the drop date (one of my Newbury Comics runs after work, natch), and gave it a spin in the Belfry. It would end up getting some serious play during my writing sessions that year and into the next while I wrote The Persistence of Memories.

The band released a remastered version late last year and it sounds just as lovely as it did then, if not better. The album still feels just as fragile and cold, but that just adds to its beauty; this is an album of delicate sounds and moods that calls for contemplation and meditation.

Ghosts Again

Posted on February 9, 2023 by Jon Chaisson

Depeche Mode, one of the defining bands of my youth and later years, just dropped a new single this morning! It’s called “Ghosts Again” and it’s from their upcoming album, the fittingly titled Memento Mori. It’s their fifteenth studio album and their first with just the core of Martin Gore and Dave Gahan (Alan Wilder left in the mid-90s and Andy Fletcher passed away last year) and focuses not just on the pandemic but the passing of their bandmate and friend.

I’ve been a Depeche Mode fan since I first heard “People Are People” in 1984, a full two years before I even knew what college radio and alternative rock or post-punk was. That song was a surprise breakthrough hit for them in the US, making it all the way to number 13 on Billboard’s Top 100 chart. While it took them a few more years to return to such heights here, they’d hit their stride with a trio of albums: 1986’s Black Celebration, 1987’s Music for the Masses, and 1990’s Violator. They never quite hit the same heights after that, even despite strong records, but I don’t think they really needed to at that point: they’d already claimed their spot as a deeply influential and highly creative bands of the era. Many synth bands of the current generation owe a lot to this group.

This new song sounds a lot like their earlier pre-US-fame songs, perhaps something off of Construction Time Again or Some Great Reward, and now I’m curious about what the rest of the album will sound like. It’ll be out on March 24th, and I’m definitely looking forward to it!

What I’m Listening to Lately

Posted on February 7, 2023 by Jon Chaisson

Yes, believe it or not, I am not just listening to Belfry-era albums while writing! In fact, I’ve got a lot of relatively new tunes playing as well! Here’s a smattering of what’s on rotation here in Spare Oom…

The Tubs, Dead Meat, released 27 January. This is totally something I’d have listened to back in the late 80s-early 90s. It’s got that post-punk jangliness I loved at the time (The Church, IRS-era REM, and so on), plus its lyrics are very of that time (and very much similar to those of my band The Flying Bohemians). Thanks to KEXP — again — for introducing me to this great London band!

Belle & Sebastian, Late Developers, released 13 January. It’s essentially leftovers from the band’s 2022 album A Bit of Previous but they stand extremely well on their own. It’s a super fun listen and kind of sounds like a successful mix of their folkier early sound and their poppier later years.

Everything But the Girl, “Nothing Left to Lose” single, released 13 January. Tracey Thorn and Ben Watt are back as EBTG after far too many years and they haven’t missed a beat. This is a stellar song and I’m eagerly awaiting their new album Fuse, which should drop mid-April.

New Order, Low-Life (Definitive), released 27 January. For some reason I always skipped over this album when I listened to this band back in the day, preferring Brotherhood instead, but giving this one a new listen recently has made me realize just how flipping great it is! However, as I’d mentioned to a friend earlier, it occurred to me that this is a stellar album marred by songs being in the wrong key; not that Bernard Sumner is out of tune (he tends to waver sometimes, which I’m used to), but that these songs are so out of his range, as he really strains on some tunes like “Sunrise”. Still, great album!

파란노을 (Parannoul), After the Magic, released 28 January. Noisy shoegaze from South Korea? Of course I’ll give it a listen! You guessed it — another band introduced to me by KEXP. They’re definitely reminiscent of Ride, with songs that sound like light bursts and unassuming vocals that insert themselves perfectly into the melodies.

Dave Rowntree, Radio Songs, released 20 January. The debut from Blur’s drummer is intriguing in that it’s quite moody and mellow but also reveals who might have been behind some of Blur’s more quieter and more introspective songs as well.

Fly-by: Returning next week

Posted on February 2, 2023 by Jon Chaisson

Oh hi there! Don’t mind me, just listening to the new remaster/reissue of New Order’s 1985 album Low-Life while working out the second chapter of MU4. I’ve been creatively busy these last couple of weeks and I’m happy to report that things are going well so far, at least as far as scrappy first drafts of first chapters are concerned. Exactly where I need to be right now.

I’m planning on returning to the blogosphere next week, so I’ll see you then!

Fly-by: brb, starting a novel

Posted on January 17, 2023 by Jon Chaisson

Hey gang! Apologies for the lack of blog entries lately, as I’ve been a bit busy. As of 11 January at 7:04pm PT, I have officially started writing MU4! I’m focusing as much creative energy as I can on it for the time being which means that the blogs and the 750Words entries have gone by the wayside for a little bit.

Which is fine! The important thing is that I am writing a novel again.

The aim here is for me to ensure that I give myself enough time and space to work on this without putting more stress on it than necessary. As much as I love writing these blogs and working on the 750Words exercises, right now I think I’d be wearing myself a little thin by partitioning too much. Once I feel I can handle the extra work, then I will be back. I’ll still post here and at Welcome to Bridgetown now and again…I just won’t make it a priority until then.

See you again soon!

On Returning to Songs from the Eden Cycle

Posted on January 10, 2023 by Jon Chaisson

Technically, this next volume of Songs from the Eden Cycle would be volume nine, given that I’d started to make volume eight a few years ago but only got as far as nine tracks before abandoning it. But I digress.

As I start the actual writing of this new version of MU4, I’m thinking about what music I’d like to listen to this time out. As I’d mentioned previously, I’m trying to break out of the habit of hyperfocusing on new releases, so pretty much anything that catches my ear and/or gets me in the mood for the story is fair game. As you may have guessed, I’m currently writing this entry while listening to Wire’s 154, their third album from 1979 and my favorite of their Mark I era. “On Returning” is the first song to officially be added to the SftEC v8 mix.

It’s been quite a while since I’ve purposely done a deep dive into my music library to search for writing session music to this degree, so I’m sure two things will happen: one, I’ll default to some mainstays from the Belfry years (Blue Wonder Power Milk, Sea Change, And You Think You Know What Life’s About, and the usual 1997-2004 albums, soundtracks and compilations) when I can’t think of anything else to listen to…and two, I’ll rediscover some absolute bangers I’d completely forgotten about over the years. Add this to the new release which I promise I won’t obsess over, and I think that soon enough I’ll have myself another official soundtrack list. And maybe I’ll even post a few of them here as they surface…?

Listening Habits, 2023

Posted on January 5, 2023 by Jon Chaisson

I don’t necessarily hate it, but it’s annoying: the customer that comes up to the register with their earbuds on and completely ignores me when I say hi or ask if they need bags. It’s kind of rude, to be honest. [And yes, I will admit I was that same person back in my college years.] On the other hand, I am a bit curious as to what they’re listening to. I want to say it’s most likely a podcast or an audiobook, as those tend to be the most popular non-music thing people listen to with headphones. Still…at least pop one of those buds out so you can hear me, yeah?

Anyway…I’m trying to think of the last time I listened to music with headphones, and I’m pretty sure it was our flight to and from New England last year. We haven’t gone to the gym in months (although we have that on our 2023 resolution lists…), and I’m not counting the brief sessions in which I wanted to hear a new release in uninterrupted detail like the Revolver reissue. It’s been quite some time, really.

I mean, I could do what I used to do back in my high school days and listen to my mp3 player on the way to and from work (all of ten minutes) and during breaks, but again…kind of rude to anyone else that comes through the break room and I’m not up for that kind of short-session listening just yet. Maybe at a later time.

Still…I’ve been thinking about how to adjust my listening habits lately, and it’s a lot more to think about than I realize. Not just about headphones, but what I’m listening to (I mean, other than KEXP in the morning when I have a midshift). I’ve talked about missing out on listening deep-dives and connecting with music in general lately and wanting to fix that. And there is of course the fact that I’m about to embark on a Huge Writing Project that will demand a soundtrack mixtape or five.

I’m curious as to what will change in the coming months, if anything. Or if I’ll return to old habits that work. We shall see…

Walk In Silence

Jon Chaisson and His Obsessions with Music and Writing

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