Josh Stewart & Dan Snyder, 1850. One of the free albums I downloaded from NoiseTrade, it’s a spooky post-rock album with atmospherics that remind me of Global Communication and Boards of Canada.
Paper Lights, Great Escapes. Dan Snyder is also the man behind this band (I got one of his earlier EPs from NoiseTrade and bought this one when it dropped). I seem to really enjoy quirky one-man-band groups (Decomposure is another). This album’s quite relaxing; I often listen to it during my editing sessions.
Big Jesus, Oneiric Sampler EP. These young’uns have no right to rock this hard and melodic. Another NoiseTrade find, and I’m totes going to buy the album when it drops. They’ve got that fast grunge sound that reminds me of Helmet, balancing it with a bit of soaring guitar noodling reminiscent of POD. Expecting great things from this band.
The Avalanches, Wildflower. Apparently its de rigeur now to let a decade and a half go by between albums? Heh. A welcome return to a band that’s inventive, fun, and oftentimes a bit silly.
The Temper Trap, Thick as Thieves. A very strong third album from this Aussie band, it sounds much heavier and crunchier than their previous albums.
Garbage, Strange Little Birds. Been a fan since their first album, and this new one is just as excellent as the rest of them. I’ve been playing this one a lot during the day, but I’m sure it’ll get more play during my evening writing sessions soon enough.
Paul Draper, One EP. It’s been quite some time since we’ve heard from the former Mansun lead singer, but it’s well worth the wait. I’m really hoping he comes out with more tunes soon!
Minor Victories, Minor Victories. Rachel Goswell from Slowdive, Stuart Braithwaite from Mogwai, and Justin Lockey from Editors? A cat kaiju (nekaiju?) video? HOW COULD THIS POSSIBLY BE A BAD THING.
And one more, this from about nine years ago…
Blonde Redhead, 23. I’d been hearing the title track popping up on KSCU every now and again, and I kept forgetting how much I loved the song, so I put the album on my mp3 player. It ended up being my falling-asleep music on the plane out to Europe a few weeks back, and man, I couldn’t have picked a better album! A mix of 4AD moodiness and noise-rock hinting at Silversun Pickups. Totally worth having in your collection.
Next week will be the first of many entries for the Walk in Silence blog series…and of course, I’ll be letting you know all about that over the next week and a half.
But that’s not the plunge I’m talking about.
When I was first planning out the WiS project, I always had the timeframe in the back of my mind: should I focus just on my own personal connection with college radio (1986-1989)? Should I talk about its history (197? – 199?)? Or should I just come up with an arbitrary time? Eventually I chose the third entry, that way I could focus mostly on my own personal history, but also include the time before I connected with the genre, thus 1984 – 1989.
The plunge I’m thinking of now is the college and post-college years. They weren’t exactly the happiest years of my life, for various reasons, but they were interesting musically. College rock, at least with American radio, gave way to grunge and Britpop as it became more popular, and changed genre names numerous times before deciding on the all-encompassing ‘alternative rock’. A schism grew: those who felt alternative rock was selling out and followed the most obscure bands possible, and those who really didn’t mind either way, as long as the prefabricated crap currently in the charts went away.
I’ve been toying with the idea of doing a sequel to Walk in Silence for quite some time. There’s no name to it yet, nor is there any concrete schedule or plan for it at this time (all my focus is currently on posting WiS and publishing the Bridgetown trilogy), but I do have a few ideas floating around…it’ll focus mostly on the years from late 1989 (when I left for college) to late 1995 (when I left Boston and moved back home). And it will most likely continue the WiS theme of both personal story and music history.
Some albums from that era still get heavy airplay on the radio: you’ll still hear tracks from Nevermind and Blood Sugar Sex Magik and Loveless and Definitely Maybe and Achtung Baby and Violator and so on. But there are so many more albums I’ve ignored for one reason or another, forgotten about or couldn’t make myself listen to for personal reasons. Songs that radio let pass into history, even forgetting to play them on Throwback Thursday. But as with Walk in Silence and the 80s, it’s been nigh on twenty-plus years for most of these. It’s well past time to revisit them again.
So starting today I’m going to start listening to some of these albums in my collection, give them a once-over they haven’t had in quite some time, and see where I can go with it.
As mentioned in my year-end overview, I was particularly enamored of the recent reissue of some early titles from The Comsat Angels. I hadn’t listened to them in ages (I used to have a few of their albums on vinyl oh so long ago) and was surprised at how well they’ve held up. Their first album, Waiting for a Miracle, was released in 1980, and it sounds fantastic. At this point they’re kind of a cross between 154-era Wire, a bit of Unknown Pleasures Joy Division, with a pinch of Chameleons and Abecedarians thrown in.
The above song, “Home Is the Range”, which wasn’t on the first album (it’s on the reissue) but a pre-album EP, has been stuck in my head for the past week and a half, and I can’t seem to get it to leave. Not that I’m complaining, mind you. It’s a hell of a great track.
…and as promised, here’s my 2015 Best of compilation! A quirky mix to be sure. Alternative, indie, pop, techno, and even alt-metal this time out. I stayed with the format I’ve been using for the past couple of years: playlists of roughly ninety minutes which can be split into two forty-five minute ‘sides’, just like the end of year compilations I used to make back in the day.
Hey Kids! Check it out: My favorite albums, tracks and other musical whatnot from 2015. This year’s grouping came radio stations in multiple corners of the country, terrestrial and digital, from RadioBDC to Sirius XM to KUSP to KSCU. And one band (Unknown Mortal Orchestra) discovered while in London! In the process, the list is all over the place, from obscure indie to commercial alternative. Enjoy!
2015 Songs
20: The King Khan & BBQ Show, “Alone Again”
19: Mikal Cronin, “Ready”
18: A Silent Film, “Paralysed”
17: Caspian, “Arcs of Command”
16: The Helio Sequence, “Stoic Remembrance”
15: Cayucas, “Hella”
14: Steven Wilson, “Perfect Life”
13: Noel Gallagher’s High Flying Birds, “In the Heat of the Moment”
12: Blur, “Go Out”
11: Public Service Broadcasting, “Go!”
10: Foals, “What Went Down”
9: Young Empires, “The Gates”
8: Jamie XX, “Loud Places”
7: Wolf Alice, “Moaning Lisa Smile”
6: Editors, “No Harm”
5: Failure, “Hot Traveler”
4: The Vaccines, “Handsome”
3: Beck, “Dreams”
2: Mark Ronson, “Uptown Funk”
1: Best Coast, “California Nights
2015 Albums
20: Death Cab for Cutie, Kintsugi
19: JR Richards, Honore et Amore
18: The Helio Sequence, The Helio Sequence
17: Foals, What Went Down
16: Public Service Broadcasting, The Race for Space
15: Wire, Wire
14: New Order, Music Complete
13: Veruca Salt, Ghost Notes
12: Dog Party, Vol 4
11: Noel Gallagher’s High Flying Birds, Chasing Yesterday
10: The Decemberists, What a Terrible World, What a Beautiful World
9: Chvrches, Every Open Eye
8: Sleater-Kinney, No Cities to Love
7: Editors, In Dream
6: Low, Ones and Sixes
5: Best Coast, California Nights
4: Failure, The Heart Is a Monster
3: Wolf Alice, My Love Is Cool
2: Unknown Mortal Orchestra, Multi-Love
1: Blur, The Magic Whip
Favorite Earworms: Songs most stuck in my head in 2015
The Vaccines, “Handsome”
The King Khan & BBQ Show, “Alone Again”
Jamie XX, “Loud Places”
The Arcs, “Outta My Mind”
Unexpected Delights: Albums I enjoyed a hell of a lot more than I expected to:
Alabama Shakes, Sound & Color
Mark Ronson, Uptown Special
Sleater-Kinney, No Cities to Love
Best Coast, California Nights
Courtney Barnett, Sometimes I Sit and Think, and Sometimes I Just Sit
Unknown Mortal Orchestra, Multi-Love
Many Welcome Returns: Great releases from bands we haven’t seen in quite some time
Failure, The Heart Is a Monster
Jeff Lynne’s ELO: Alone in the Universe
Swervedriver, I Wasn’t Born to Lose You
New Order, Music Complete
The Chills, Silver Bullets
Best Reissues: I have them already, but did I go and buy them again? Maaaaybe?
The Beatles, 1+
Garbage, Garbage (20th Anniversary Reissue)
The Specials, Specials/More Specials/In the Studio
Catatonia, Way Beyond Blue/International Velvet/Equally Cursed and Blessed/Paper Scissors Stone
The Comsat Angels, Waiting for a Miracle/Sleep No More/Fiction/Chasing Shadows/Fire On the Moon
Jellyfish, Bellybutton/Spilt Milk
Lush, Chorus
Local Color: Favorite 2015 songs about and/or by locals
Best Coast, “California Nights”
Cayucas, “Hella”
Geographer, “Age of Consent”
God’s Favorite, “(Hurry Hurry) Sunday” (not to be confused with God’s Favorite Band…different group entirely!)
Well, this is certainly a surprise! This has been hiding on YouTube for almost a year and I never noticed until just this moment when I was doing a bit of Walk in Silence research. This little gem of a track was the first song I ever taped off a college radio station (WMUA 91.1 at UMass Amherst) — the same taping session on 11 November 1986 that introduced me to The Go Betweens, Felt, and This Mortal Coil.
I listened to that tape so many times I pretty much wore it out, and it wasn’t until about a year ago that I had Jeff Shelton play it on his KSCU show The 80s Underground and finally heard it again after what seemed like decades. I downloaded that particular podcast just so I could finally have the track in my collection again. I was never able to find the vinyl anywhere when it was out, and as I currently do not have a turntable (yes, I am a heretic!), I can’t go on Amazon and buy it.
I remember hearing this track and thinking the vocals were a little too earnest (in that 80s indie way we’ve all come to love in retrospect), but there was that gently sweeping melody that kind of reminded me of early REM, who I was getting into at the time. It also hinted at that pastoral walking-through-the-woods-in-autumn mood that I would get from a lot of the college rock I loved then.
Hey gang! Sorry to keep you waiting for another WiS blog update, but in the past few weeks I’ve given myself a ridiculously tight deadline: I will, with Best Laid Plans finally coming to fruition, be self-releasing Book I of the Bridgetown Trilogy in the Mendaihu Universe (aka A Division of Souls). I am doing nearly all the work myself: the final line edit, the e-book cover, the formatting, the uploading to the e-pub site, and so on. The deadline I’ve given myself is 8/20, with the drop date of the book being 3 September.
In other words, I’m going to be stupidly busy in the next couple of weeks. I’ll be scarce here, but once it’s released, I should have more time to entertain and educate you here at this here blog.
In the meantime, here’s some tunage that’s been on heavy rotation here in Joncworld to tide you over. See you soon!
Hey, every other blog is posting one of these, so I may as well join in the fun, amirite?
The year in music so far has actually been quite enjoyable, as many of the bands that had come out with great albums in or around 2012 are now releasing new titles that are equally as great, if not better.
In order of release date:
The Decemberists, What a Terrible World, What a Beautiful World (20 January)
Colin Meloy and Co have come up with another wonderful record of alternafolk the way I like it – full, strong vocals, original (and often quirky) song subjects, and wonderful performances. It’s hard not to like this band.
Dutch Uncles, O Shudder (24 February)
My wife came up with the phrase “in a totally different film” to describe a character or person (or in this case, a band) who doesn’t seem to fit anywhere within the context of everything else surrounding them, and yet somehow they fit in just nicely despite that. Dutch Uncles is like that for me–a band who seems to willingly bypass trying to fit into the indie scene by way of odd time signatures, intelligent (and sometimes purposely awkward) lyrics, and a complete lack of irony. This album is about childbirth, for instance.
Public Service Broadcasting, The Race for Space (24 February)
Another band from out of nowhere (and a band that consists of two people playing multiple instruments…that seems that’s a thing now) that popped up on my radar…um, how? I think YouTube suggested I check them out at one point. They kind of remind me of Emergency Broadcast Network from the 90s (remember them?), who melded media soundbites with danceable pop. PSB, on the other hand, mix public domain newsreels with instrumental rock and funk, and the end result is pretty damn fine. This latest release of theirs is, you guessed it, based on the Russian/US race for space in the 50s and 60s.
Noel Gallagher’s High Flying Birds, Chasing Yesterday (3 March)
I’d mentioned earlier that I felt Noel’s first HFB album was kind of hit or miss, and that this second album is miles stronger musically. The more I listen to it, it kind of reminds me of Oasis’ early 2000s work (Heathen Chemistry in particular), dialing back the Britpoppiness and the overt Beatle nods and really showing off his excellent songwriting skills.
Steven Wilson, Hand. Cannot. Erase. (3 March)
Wilson returns for a third solo album, this time a song cycle based on a harrowing story about a missing person who was found dead in her own apartment, having passed away there three years earlier. A haunting subject, but a beautiful album.
Swervedriver, I Wasn’t Born to Lose You (3 March)
Really, why had I not owned any Swervedriver before this? I loved “Rave Down” even when it came out back in the early 90s, but I never got around to buying any of their albums. That changed with their excellent comeback album, in which they haven’t missed a beat. Swirly and crunchy guitars and fantastic writing. Think a more melodic, rocking and understandable MBV.
Big Data, 2.0(24 March)
I’m sure most of you have heard “Dangerous” at some point (that song that kinda sorta steals the slappy bass line from Nine Inch Nails’ “Only”). The rest of this album is a lot of fun, combining both analog guitar melody and bloopy synth work in such a unique way it works perfectly. Bonus points for using overmodulation as a legit sound level on “The Business of Emotion”. More bonus points for getting away with using a broken image icon for an album cover!
Joywave, How Do You Feel Now? (21 April)
I’m convinced Big Data and Joywave are the same band, as they seem to be all over each other’s records. I heard these guys on Radio BDC near the end of last year via the track “Tongues”. It’s one of those songs that’s kinda doofy and not that good, but it gets under your skin to the point that you start to believe that it’s actually better than you thought. Their other single “Somebody New” shows their other side, a stronger rock track that hints at what they actually do sound like.
Wire, Wire (21 April)
WOO YAY NEW WIRE! Always happy to see a release from one of my favorite bands! While their Mark III era (from the Read & Burn EPs forward) has been louder and crunchier, they’ve begun infusing their music with less experimentation and more melody as they go on…in essence, combining the post-punk of the 70s Wire and the melody of 80s Wire to come up with something both hard and soft at the same time. With new a new guitarist in the mix (Bruce Gilbert having left a few years ago), they’ve got a fuller sound and seem much more confident this time out.
Blur, The Magic Whip (28 April)
I’ve admitted to being a shameless Blur fan, and that’s because I’ve always been a big Britpop fan for years. It’s great to see a new platter from this foursome (now a foursome again!), especially after that excellent single “Under the Westway” from a few years ago. They haven’t lost a bit of their quirkiness or their knack for being able to write an extremely fun song. Definitely a welcome return.
Best Coast, California Nights (4 May)
Okay, hands down, the title track from Best Coast’s new platter is totally my summer jam. I never thought I’d say that, but there we are. And the rest of the album is absolutely gorgeous. Possibly my top favorite of the year so far. Here, have a listen:
Dog Party, Vol 4 (16 June)
I was introduced to this band via Santa Clara University’s college station. These two sisters from Sacramento (one of which just graduated high school, I should add) are my favorite local band at the moment. Cute and punky in a style that reminds me of We’ve Got a Fuzzbox and We’re Gonna Use It!! (specifically their Bostin Steve Austin album), the album is perfect punk: chunky riffs, fun melodies, goofy lyrics, and totally jamming econo.
Failure, The Heart Is a Monster (30 June)
WOO YAY NEW FAILURE! Another one of my big favorite bands (Fantastic Planet still gets a shit ton of play here in Spare Oom and at the gym) put this one out via PledgeMusic, so how could I say no? A great band that makes excellent use of unexpected directions in melody, drop tuning and tasty, chunky riffs. Ken, Greg and Kellii came back with one hell of a great album.
So…what does the next half of 2015 have in store for us? A very brief look at my shopping list says new albums by Civil Twilight, Chemical Brothers, MS MR, Oberhofer, P.O.D., Duran Duran, Low, New Order, Veruca Salt, Frank Turner, Beach House, Foals, Ben Folds, Stereophonics, Metric, Robert DeLong…and maybe a new Editors (which I am pumped about, if their new single “No Harm” is any indication of what it’ll sound like).
All in all, an excellent year for music, I’m happy to report!
This week’s Rolling Stone has a cover story called “The Songs That Made Me” in which artists share six or eight songs that had outsize influence in their lives. They’re not always what you’d expect – Marilyn Manson with “Cry Me A River” by Justin Timberlake? I loved the little window into the artist’s soul, and as a writing prompt you can’t ask for much better. So here are the Songs That Made Me.
I’m quite certain I’ve done this at one point or another on my LiveJournal over the years, so some of you are not going to be the least bit surprised at some of these.
1. The Church, “Under the Milky Way”.
OH HEY BIG SURPRISE THERE. Heh. I’ve contemplated as to why this is my all-time favorite song, and I realize it’s because it was one of those songs that hit me right at the perfect moment, at the perfect time. Spring 1988, when my closest high school friends, nearly all of whom were a year ahead of me, were graduating that next month. I was torn between excitement that I too would be leaving my small town (albeit a year down the road), frustration that my closest circle of friends was vanishing way too quickly, and determination that I’d try to spend as much time as I could with them before they left. This song fit the mood perfectly: a sadness for things ending, a wishful thinking for things yet started, and the stasis of waiting in between.
2. Ned’s Atomic Dustbin, “All I Ask of Myself Is That I Hold Together”.
Note: This song must be listened to as loud as possible. Summer 1995, in which I’ve got a day off from my job at the multiplex up on Somerville. Earlier that year I decide that, despite my lingering emotional and financial depression, I’m going to kick my own ass and get this writing thing started already. I’m switching between WFNX and WBCN on the radio dial during those summer afternoons, windows open, while I hammer away on my girlfriend’s low-end PC (running on Windows 3.1!). A lot of transcription of old work, but also many words on completely new projects as well. A consistent writing habit is formed.
3. Led Zeppelin, “How Many More Times”.
Late 1987, In which I hear this song and realize I need to buy myself a bass. I soon find a very cheap Arbor Stiletto for $50 at the local music store, which stays with me until I finally retire it in early 2012. I teach myself how to play it by listening to Led Zeppellin’s first album, and expanding to Cocteau Twins, Wire, New Order and Joy Division, and going on from there.
4. Takako Shirai & Crazy Boys, “Cosmic Child”.
The ending theme for the anime OAV Gall Force 2: Destruction. Late 1993, watching anime because I’m too broke to do anything else. The anime that changed my writing from feeble attempts at straight fiction to science fiction and fantasy, and the series that partly inspired the Mendaihu Universe in the first place. I later use the lead singer’s name for a pivotal character as a gesture of thanks. [The video here is a great rip, but I really dislike the English dub. I started it a little before the song to set the scene. Unfortunately the subtitles aren’t coming up…the lyrics to the song are basically a ‘thank you for giving us (spiritual) life’.]
5. Semisonic, “She’s Got My Number”.
Sometime in 2004, in which I get hints from various people that a certain someone might be interested in me. That certain someone later informs me that one of her favorite bands is Semisonic, and puts this particular song on a mixtape (ok, a mix cd) for me. Ten happily married years later and I’m pretty sure she was trying to tell me something there. She knows me better than I know myself sometimes.
6. Gerry Rafferty, “Baker Street”.
Considering I was a little kid in the 70s, that decade is a bit of a jumbled mess for me in terms of music and memory. However, I distinctly remember hearing this song on the scratchy AM radio during our family roadtrips. If we had a bag of Bugles in the car, my sisters and I would grab a few and imitate the sax solos. Decades later in 2014, and I’m winding my way down Baker Street in London, this song firmly stuck in my head.
7. Bugs Bunny/Road Runner Show theme song, “This Is It”.
Yeah, I was totally a diehard Looney Tunes fan as a kid. I’ve finally warmed to Disney to some degree, but I’m still a dedicated WB fan. To this day, whenever A. and I head to the opera or the symphony, my recognition of the pieces will still often be “Oh, that piece. The one where Elmer and Bugs…”
8. The Beatles, “Hey Jude”.
It was hard to pin down exactly which Beatles song to put here, but I chose this one. My mom introduced me to this song when I was first getting into the band. This is the video I shot while in the middle of the crowd — and let me tell you, turning around and watching a football stadium-sized crowd sing along to the last half was pretty damn epic.
9. Phil Collins, “In the Air Tonight”.
Okay, I’ll totally cop to stealing Michael Mann’s ‘music video treatment’ method for Miami Vice when I first started writing seriously in my teens. My first complete novel (aka the Infamous War Novel) was outlined using a specific playlist, each chapter inspired by music, including this track. The IWN is rather painful to read now, but on the other hand I’d like to think it was a successful exercise in long-form storytelling for me.
10. Pretty much any given new release date.
It’s probably no coincidence that I didn’t see this meme until today…New Release Tuesday. I used to passively follow release dates until late 1996 when I started working at HMV…and I’ve been faithfully keeping track (and purchasing on or near drop date) ever since. For the record, today’s purchases included the new albums from Hot Chip, Tanlines, The Helio Sequence, Faith No More, and Brandon Flowers!
Walk In Silence 