Which connection I should cut

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Yes, it’s come to that. I’ve finally admitted to myself that perhaps I should cull some of my digital music library, as it’s become unwieldy. As I’d recently mentioned to my friends on our Discord channel: I might keep the backups on the secondary external (which itself is getting a bit full), but I can definitely see where I have some tracks and albums that I haven’t listened to in way too long. I most likely downloaded some of this stuff because I’m a completist that’s obsessed with full discographies. Or I may have acquired it out of curiosity and it just never resonated with me. Or I heard a track on KEXP or elsewhere and thought I’d give the rest of the album a try.

Part of this was my lingering worry that the music on our Plex server is nigh on impossible to navigate because I have so much on there. But more importantly, I’ve long been at the point where music has stopped resonating so closely with me because I haven’t allowed it to get close. If I’m not listening to it more than a few times by next Friday when the new releases come out, some of it falls by the wayside to be forgotten. And that’s been happening for the last couple of years.

Mind you, it’s weird getting rid of things you no longer listen to when your music library is 100% digital. It’s not as if you can bring them to the local record store for cash or store credit. You just simply…select and delete. Like I said — I’m not completely deleting it, I’m just taking it off my main music external, so I’m not wasting money or anything. Just that I need to give myself time to become attached to the things I like and what resonates with me.

This is most likely going to be a long term culling project that I’ll do in increments over a long stretch of time. And hopefully out of all of this, I’ll reacquire that love for music that’s been eluding me for far too long.

Fly-by: where I’ve been and what I’ve been doing

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It’s been a busy couple of months here, and I suppose it’s finally time to reveal why I’ve been MIA here at the blogs. The short version? We’re moving!

The slightly longer version is that said moving has involved all sorts of paperwork, banking, thinning out of stuff we no longer want, packing stuff we want to keep, setting appointments to get utilities up and running, more paperwork, and shopping, all while working the Day Job, and that’s left me with not that much time to work on writing, let alone posting blog entries or even getting any daily stuff done on 750Words. [There’s also the fact that I just happened to pack away my journals as well, so those haven’t been updated for some time either.]

It’s going to take a bit longer before I’m back up and running again, alas. I’ve been sneaking in some editing of A Division of Souls when I can just so I don’t fall behind on my planned ‘remaster’ release schedule, but that’s about all I can muster at this point.

So yes, I’m still here! Hopefully within a few more weeks things will be back to normal. Thanks for your patience!

A day in the life

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It’s been a whirlwind of a morning between our internet completely crapping out for some reason and having to reboot it…and receiving some incredibly awesome personal news a short time later! So yeah, I’m a bit behind on things right now and it may stay that way for a few more weeks. More on that later!

In the meantime, the above song popped up on KEXP this morning and I still say that playing that final chord on one of the original pianos in Studio One at Abbey Road is one of the coolest and most mind-blowing things I’ve ever done in my life. Today comes close, but this still tops it. 😉

It’s that time of year again…plus recent listens

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Believe it or not I did not listen to Revolver this time out while I did our taxes! Just…didn’t feel in the mood, I guess. But yes, everything is done and away until next year. Who knows what they’re going to look like then?

In the meantime, I’ve been revisiting some music from 2001-2002 — the Belfry Years, specifically the albums that were on heavy rotation during the writing of A Division of Souls, which I’m currently ‘remastering’. [Long story short if you don’t follow my writing blog: It’s been ten years this September since I first self-published the book, so I thought I’d do a tenth anniversary special edition. I’m currently doing a bit of revision and clean-up where needed, fixing up the cover a bit, and perhaps adding some extra bonus things. And yes, I will most likely be doing this for The Persistence of Memories and The Balance of Light as well.]

So what’s popped up that I’m enjoying once more?

I’d forgotten how much I loved Zero 7’s Simple Things! It’s a lovely record that feels a bit like Morcheeba with a hint of Air and “Destiny” is just a wonderful track.

The Chameleons UK shows up on my playlists partly because I love the track “Swamp Thing” so much, but this 2001 album was an amazing return to form after a long hiatus for the group. Highly recommended.

Big Wreck has always been one of my unsung favorites. They’re one of those bands that are absolutely amazing yet have never had a huge following. Loud and extremely melodic, they’re definitely not alt-metal, but they’re not just another 90s alt-rock band either. I highly recommend checking out all their work.

I kinda sorta liked Coldplay’s “Yellow” when it came out, but I wasn’t completely sold on their lighter sound. I even passed up picking up their second album A Rush of Blood to the Head until I heard them do “Politik” live on the Grammys in early 2003. That’s when I realized just how amazing “God Put a Smile Upon Your Face” is, and how this band has a lot more going on than just radio friendly fare.

More to come!

Goodbye Goodbye Goodbye

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It occurred to me the other day that it’s been twenty years since I’d moved away from my hometown in Massachusetts. For some people that might be just another life event, but for me it was something pretty big. Until that day in March 2005 (the 6th, to be exact) I’d always lived in MA, five years of them in Boston, then spending just shy of ten years back at the family house getting my affairs, finances and creativity in some semblance of order. All of that changed near the end of 2004 when I started going out with A. in a long distance relationship, then turning that into frequent road trips down to New Jersey (a little over two hundred miles one way) to spend the weekend. It was a three hour drive but it was totally worth it.

All of that changed in early 2005 when we finally made the decision for me to move down there with her and her roommates. We both felt it was something I’d needed to do, and a long time in coming. I was ready for it, and had been looking to moving on for quite some time. The plan was to move down to NJ and eventually find a place somewhere near her workplace, but that ended up going in an altogether different direction later that summer.

It was a year of a lot of major life changes for me, so I allowed my writing to fall by the wayside for a bit. To wit: moving out of my old hometown, moving away from family, moving in with said girlfriend, springing the question and eventually marrying said girlfriend shortly after, visiting another country (that was not Canada, and which included acquiring a passport and flying on a commercial airline for the first time), doing office work instead of warehouse or retail for the Day Job, and eventually moving to the west coast where we’ve been ever since.

I made the above mixtape the night before I left, even though I dated it to the day I got in the car and drove away. I listened to it a few times on the way down to Jersey along with the other mixes I’d made around that time. The themes of the mix were moving out, moving on, escaping, feeling free, and looking toward the future. Little did I know just how much my life would change in just a few months, but I wasn’t going to complain.

You burrowed like a summer tick

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I was just thinking earlier yesterday about how some of my music listening habits tend to be on the fleeting side these days, and how that sometimes bothers me as it feels like don’t allow myself to resonate with these songs as I once did.

It’s definitely not that I’m just not into anything new these days, far from it. My obsessive listening to KEXP (both online and its local terrestrial outlets) has me latching onto new bands and songs all the damn time. No, it’s the sheer volume of it all that distracts me from letting it burrow deep and stay in my head for months at a time. My music brain can only work one way or the other, it seems.

During my ongoing review of my Bridgetown Trilogy playlist, I noticed that may just be the case, especially when it comes to the mixtapes I made at the time. Many of the songs on those tapes from nearly a quarter century ago still play crystal clear in my mind. And why is that? Because this was stuff that got a high amount of repeat play.

It wasn’t just during my writing sessions in the Belfry, either. It was also on my commutes to and from work at Yankee Candle — an almost exact thirty-minute drive from driveway to parking lot meaning I could listen to most of side one of a mixtape or a full album on cassette. It was also during my weekend road trips around New England, whether it was my weekly visits to Boston, local bookstores, or just driving around the back roads in central Massachusetts.

Alas, this is something I haven’t really been able to do all that much these days. Mind you, I am certainly not complaining that my current commute is ten minutes/eight blocks on foot (and shorter if I take the car or bus), but that doesn’t leave me time to listen to my mixtapes or albums I want to listen to.

Instead I’ve been trying to retrain myself to latch onto songs that capture my attention and keep them there for a while. I’m essentially relearning how to listen to the music I love so much, and it’s turning into an interesting experience, to be honest. Not everything completely clicks, but a lot of it is starting to burrow in there like I hope it will.

Music Is My Radar

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I’ve been listening to a lot of music from 2000-2001 lately, and this song popped up on my playlist. Blur can be kind of odd at times, but this one’s strange even by their standards. It was a new track to sell up their Best of album that dropped on 30 October 2000, but it pretty much sounds like an extended jam session set in a single key, feedback and all. It might be filler, but it’s also infectious and demands to be cranked up.

Still, one of my favorite songs of theirs, and I absolutely love the oddball video they made for it.

A weekly visit

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In going through the early years of ‘the Bridgetown soundtrack’ (as I’ve been calling it), specifically from 2000 onwards after I’d left HMV, I’ve been of course thinking of the Newbury Comics that used to be in downtown Amherst, just off the common and across the street from the town hall.

I’d been going there off and on since 1995 or so, but this one became my go-to on Wednesdays when I did my comic book/new music release runs after work once I started working at Yankee Candle. It became one of my favorite things to do: drive down 116 from Deerfield to the Hampshire Mall in Hadley, stop at Showcase Comics to pick up my subscriptions and check out some new titles, then drive up to Amherst Common to spend an hour or so at Newbury and pick up new releases there. I remember my old HMV boss, Tom, had become a district manager for the chain and I’d run into him every now and again. I set a weekly budget of $70 to spend there, which quite often ended up being around five CDs, given the store’s ridiculously low sale prices, often hovering around eight to nine dollars per title.

Given my work schedule by that time — 6am to 2pm — I could get this shopping out of the way and get home in time to chill for a bit, have dinner with the family, then start my nightly writing session around 6pm, where I’d work for about two hours. It was a perfect schedule for me, one I’d keep for the next several years. When I started working at my current store here in SF, I’d offered to be an opener for this exact reason: getting off shift by early afternoon provides me not only with recharge time but also enough for a productive writing session.

When I moved away from Massachusetts in March of 2005, this Newbury Comics was the last place I stopped on my way out. I figured one more time for old times’ sake was worth it. I bought cd copies of two favorite titles I’d owned on vinyl for years: Blood Sweat & Tears’ 1969 self-titled record (the one with “Spinning Wheel” on it) and Boston’s classic 1976 debut. I also bought some snacks and Pocky (that store had been my source of the addictive chocolate sticks for years) and headed out one last time on my way down to New Jersey.

The store moved to downtown Northampton a few years later if I recall, and it’s still there to this day. We’ll stop in every now and again during our visits back east, and although I don’t buy nearly as much physical music as I used to, I’ll still surf through the bins to look for interesting things.

Dividing Lines: When the Trilogy Soundtrack Really Started

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I’ve been going through my music library for the year 2000 to revisit what I would be listening to in the Belfry, and I think I’ve figured out the point where I knew the HMV days were truly over and when the Belfry days kicked into high gear. It’s actually a surprisingly stark line that jives with when I was given the quit-or-be-fired ultimatum from my terrible boss. It’s August of 2000, and by the end of the month I’d be gone.

The Dandy Warhols, Thirteen Tales from Urban Bohemia, 1 August 2000. Although I’m almost certain I bought this in my final days at HMV and listened to it around that time, I want to say this was an album I spent more time listening to in the Belfry. I wasn’t even the biggest DW fan; by this point I’d heard their earlier hit “Not if You Were the Last Junkie On Earth” for the zillionth time on WFNX and did not like it to begin with, hearing “Godless” turned the tables for me. I remember listening to this one a lot during the summer evenings and weekends while figuring out what I wanted to do with The Phoenix Effect.

Between then and the end of the month, I did pick up a handful of CDs both from the record store and from Newbury Comics — by then my weekly comic book run had started to include a quick stop there to look for things my own store might not carry (or sell cheaper).

Goldfrapp, Felt Mountain, 11 September 2000. I’d left the record store by this point and was just starting at Yankee Candle — a westerly commute instead of an easterly one, and twenty miles shorter at that — but I really didn’t want to disconnect from my weekly accumulation of music. I could just as easily buy copies of my favorite music magazines, CMJ (College Music Journal) and ICE (an industry magazine featuring news on new releases) at Newbury Comics. I think this was one of the first that I bought there after starting the new job.

VAST, Music for People, 12 September 2000. I know I bought this one the same day as the Goldfrapp album (and the Barenaked Ladies album Maroon as well). I’d been a big fan of Jon Crosby’s first album under the VAST moniker and while this one felt slightly more upbeat and less steeped in Nine Inch Nails-esque gloom, it featured some amazing tracks that got a lot of play in the Belfry.

*

I actually wouldn’t start writing A Division of Souls for another year and a half, maybe early 2002 after the frustrations brought about by The Phoenix Effect and its sequel The Mihari, which I was writing at the time. The two books do have a lot of similarities to A Division of Souls, however, and it was simply a decision to stop work on both TPE and TM and completely start over from scratch. [Very similar to what I’d done recently with Theadia, actually.]

The music that inspired the project, however, started around this time when I switched day jobs. It wasn’t a clean switch of course, as I actually worked second shift for my first couple of months (3 – 11pm or thereabouts) and wouldn’t move to first shift until sometime in November. It would be around that time when my writing sessions would truly become more stable and frequent, as would my weekly trips to Newbury to pick up new music.

Lippy kids on the corner begin settling like crows

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I’ve been a long-time fan of the Manchester band Elbow. They’re high on my ‘I will buy anything they release’ list of bands. Guy Garvey has a distinctive voice, slightly tired yet sonorous, and his use of wordplay is absolutely wonderful and I wish I could write like he does.

Every now and again I think of the series of videos they’d dropped during the height of the COVID pandemic, which they cleverly named elbowrooms, featuring the band (and sometimes guest musicians and vocalists) performing some of their beloved songs via shared video. By far my favorite is their take on “Lippy Kids” from their 2011 album Build a Rocket Boys!, featuring not only four of the five band members but a full choral section!

When I think of the pandemic years, I often think of these videos, because they were part of a time when the world was going in a strange direction and somehow communities came together, locally and otherwise, if just for a little while to remind us all that we’re in this together.

I’ll return to those elbowrooms videos every now and again, just to lift my spirits.