Listening In

dave grohl drumming

One of my new year’s resolutions was to change up my listening habits a bit.  It’s not really about any annoyance with stagnant playlist rotation, although that’s a bit part of it.

No, this time out it’s about wanting to check out new things.  I’d like to listen to more podcasts and audiobooks.  I’d also like to discover new stations that play unexpected things.  It’s the wayward listener in me, I guess?  Every couple of years I like to shake up my long-held habits and try new things, and that includes what I listen to.  Quite often, these new avenues inspire me creatively, in new and unexpected ways.

And hey, it’ll give me more to write about here at the blog, right?

I’m not sure where any of this will take me, and I know it’ll probably be a few weeks before radio sheds its post-holiday ennui and brings in new sounds, so for now I’ll keep my options open.  I also have a few free audio book points waiting for me over at Audible, so perhaps it’s high time I cash them in.

I’m curious to see where this goes…!

Jonc’s Best of 2017 List!

cosima to build a house

from Cosima’s “To Build a House” video

As always, it was tricky to figure out which albums to put on these lists, because I listened to a hell of a lot of music.  I decided this time out it wasn’t just about repeated listenings, but albums that made me stop and notice.  The list is quite varied this time out, featuring electronic sounds, punk, a heartbreaking soul ballad, a greatest hits album and a live album, quirky alternative pop, and more.  And yes, I do suggest you check them out if you haven’t already.

2015 Albums
15. Lydia Ainsworth, Darling of the Afterglow
14. The Jesus and Mary Chain, Damage and Joy
13. Minus the Bear, VOIDS
12. UNKLE, The Road: Part 1
11. Liam Gallagher, As You Were
10. Rainer Maria, S/T
9. Spoon, Hot Thoughts
8. Elbow, Little Fictions
7. Sylvan Esso, What Now
6. Jeff Lynne’s ELO, Wembley Or Bust
5. LCD Soundsystem, American Dream
4. Elbow, The Best of
3. U2, Sounds of Experience
2. The Sound of Arrows, Stay Free
1. The New Pornographers, Whiteout Conditions

2015 Singles
15. Rainer Maria, “Lower Worlds”
14. Alice Merton, “No Roots”
13. UNKLE, “The Road”
12. Lydia Ainsworth, “Ricochet”
11. Sylvan Esso, “Die Young”
10. Elbow, “Magnificent (She Says)”
9. Spoon, “Hot Thoughts”
8. U2, “You’re the Best Thing About Me”
7. Portugal. The Man, “Feel It Still”
6. Gang of Youths, “What Can I Do If the Fire Goes Out?”
5. The Sound of Arrows, “Stay Free”
4. The New Pornographers, “High Ticket Attractions”
3. LCD Soundsystem, “Tonite”
2. Japandroids, “Near to the Wild Heart of Life”
1. Cosima, “To Build a House”

Many Welcome Returns: New Releases from Classic Bands
Chuck Berry, Chuck
Paul Draper, Spooky Action
Dishwalla, Juniper Road
Living Colour, Shade
Rainer Maria, S/T
Ride, Weather Diaries
Slowdive, Slowdive
The Darling Buds, Evergreen EP
Roger Waters, Is This the Life We Really Want?

Best Reissues and Box Sets
The Beatles, Sgt Pepper’s Lonely Hearts Club Band Deluxe Edition
Lloyd Cole, In New York (Collected Recordings 1988-1996)
Curve, Doppelganger and Cuckoo
Golden Earring, Complete Studio Recordings
George Michael, Listen Without Prejudice/MTV Unplugged
Yoko Ono, Fly, Approximately Infinite Universe and Feeling the Space
Prince & the Revolution, Purple Rain Deluxe Expanded Edition
Radiohead, OK Computer OKNOTOK 1997 2017
The Smiths, The Queen Is Dead [Deluxe Edition]
The The, Radio Cinéola Trilogy
U2, The Joshua Tree Super Deluxe Edition
The Who, Maximum A’s & B’s

The Singles 2017

Entry #1…the 2017 best-of compilation! Same mix rules apply as per the last few years.

Tape 1, Side 1
1. Spoon, “Hot Thoughts”
2. The New Pornographers, “High Ticket Attractions”
3. Japandroids, “Near to the Wild Heart of Life”
4. Elbow, “Magnificent (She Says)”
5. Cosima, “To Build a House”
6. Arcade Fire, “Everything Now”
7. Grizzly Bear, “Mourning Sound”
8. Portugal. The Man, “Feel It Still”
9. St Vincent, “Los Ageless”
10. LCD Soundsystem, “Tonite”

Tape 1, Side 2
1. Minus the Bear, “Last Kiss”
2. Radwimps, “Zenzenzense [Movie Version]”
3. Beck, “Up All Night”
4. U2, “You’re the Best Thing About Me”
5. Nothing But Thieves, “Sorry”
6. Sylvan Esso, “Just Dancing”
7. UNKLE, “The Road”
8. Rainer Maria, “Lower Worlds”
9. Alvvays, “Plimsoll Punks”
10. The Sound of Arrows, “Stay Free”
11. Decomposure, “Cordillera: Let’s Go Back to the TV Screen”

Tape 2, Side 1
1. The Districts, “If Before I Wake”
2. Cold War Kids, “Love Is Mystical”
3. The Jesus and Mary Chain, “Amputation”
4. Spoon, “Can I Sit Next to You”
5. Dishwalla, “Give Me a Sign”
6. The Charlatans UK, “The Same House”
7. Depeche Mode, “Where’s the Revolution”
8. Slowdive, “Star Roving”
9. Gorillaz, “Saturnz Barz”
10. Future Islands, “Ran”
11. Weezer, “Feels Like Summer”
12. Arcade Fire feat. Mavis Staples, “I Give You Power”

Tape 2, Side 2
1. Lydia Ainsworth, “Ricochet”
2. Radiohead, “Lift”
3. Wire, “Short Elevated Period”
4. Sylvan Esso, “Die Young”
5. Broken Social Scene, “Halfway Home”
6. Alt-J, “In Cold Blood”
7. The War on Drugs, “Pain”
8. Grandaddy, “Way We Won’t”
9. Maxïmo Park, “Get High (No, I Don’t)”
10. The The, “We Can’t Stop What’s Coming”
11. The New Pornographers, “Whiteout Conditions”

Tape 3, Side 1
1. Gord Downie, “Introduce Yerself”
2. Colony House, “You & I”
3. Alice Merton, “No Roots”
4. Hollerado, “Born Yesterday”
5. The Beatles, “Penny Lane [Stereo Mix 2017]”
6. Minus the Bear, “Robotic Heart”
7. The National, “The System Only Dreams in Total Darkness”
8. Temples, “Certainty”
9. The Sound of Arrows, “Beautiful Life”
10. The New Pornographers, “Avalanche Alley”
11. LCD Soundsystem, “American Dream”

Tape 3, Side 2
1. Gang of Youths, “What Can I Do if the Fire Goes Out”
2. HAIM, “Want You Back”
3. Royal Blood, “Lights Out”
4. Wolf Alice, “Yuk Foo”
5. Tricky, “New Stole”
6. Jeff Lynne’s ELO, “Twilight [Live]”
7. Liam Gallagher, “Wall of Glass”
8. Death from Above, “Freeze Me”
9. Ride, “All I Want”
10. Slowdive, “Falling Ashes”
11. Gorillaz, “We Got the Power”

Coming up: Entry #2, the end-of-year favorites lists!

Time Keeps on Slippin’ Into the Future

I know, this time of year I always start writing one of my patented nostalgic ‘this time of year I…’ posts.  This one’s probably no different.  Maybe a little bit meta this time around.

Given that thirty years ago, we were going from 1987 into 1988 — two classic years of college rock containing some of my all-time favorite albums — I got to thinking not so much about the music of the time or what I was going through at the time (for once!) but the passage of time itself.

About this time thirty years ago, I was working my meager internship/job at WCAT, then an AM-only radio station, slogging through my junior year.  The station had a listen-at-work playlist, with Red Sox and local color on the weekends.  Kinda sorta current music, maybe a few years behind with a few recent lighter tracks dropped in.  Which meant that I still had a bit of a connection to the pop charts.  The fourth-quarter wave of new releases had quieted down to a trickle, as expected.  I spent most of December listening to the music I’d purchased so far, listened to the students on WAMH play their last shows for the semester, checked out some of the year-end countdowns.  I was still making the radio tapes but hadn’t yet started making the mixtapes in earnest yet (that wouldn’t happen for another few months).

I was listening primarily to my favorite releases from the last few months: Music for the Masses, Strangeways Here We Come, Happy?, Floodland, The Lion and the Cobra, Bête Noire, Savage, Earth Sun Moon.  I’d read Rolling Stone and Spin and watch 120 Minutes for release news, but for the most part I had no idea what else was coming out.

As far as I knew, I wasn’t going to expect anything too exciting.  I didn’t have too much access to more intensive music journals at the time.  I’d heard that Morrissey was working on a solo album, that The Cure were going on tour, but that was pretty much it.  So I went into 1988 in my usual teenage way, being the moody bastard and plugging away at my writing and all that.

I had no idea, probably not until maybe halfway through the year, that 1988 would end up being one of my favorite-ever years of college rock.  I knew then and I know now that part of this was due to the music being there at the same time as a cherished time with close friends.  But part of it was also me letting myself get totally immersed in the sound, even more so than ever before.

Years later, the same thing happens.  I never quite know if the upcoming year is going to be stellar, merely okay, or just plain dull until we’ve gotten almost halfway into it.  And whatever I happen to be doing in my life does play a part in it as well.  [I think of 2012 as a more recent example, which had a bevy of excellent releases, plus I was headlong into the Big Honkin’ Trilogy Revision Project for most of that year.  And 2006 is on the other end of the spectrum, as I had a lot going on in my life and I hardly remember any of its album drops.]

I’m looking forward to 2018, to be honest.  Despite what’s going on in the big wide world, I’m in a much more positive place emotionally and mentally, and I’ve got some exciting creative plans that I’m looking forward to.  I’m not about to put high expectations on whatever music comes my way next year, but if it ends up being stellar, I’m not going to complain!

 

The Inertia Variations

I don’t know how Matt Johnson does it, but he always manages to say what’s been on my mind.  In this case, thinking about what life gives and takes away…and our part in it.

The The hasn’t released any rock albums since 2000’s NakedSelf.  He’s slipped out three soundtracks (Tony, Hyena and Moonbug) in the last few years, and just this year he’s released a box set of sounds and commentary from his occasional shortwave radio show, Radio Cinéola.  It contains exactly one new The The song, “We Can’t Stop What’s Coming”, dedicated to his recently-deceased brother Andrew.

I think I need to give his early albums a spin again.  They’ve always been a hard listen; they’re not painful, but they pull no punches whatsoever.  They’ll pull the curtains down to reveal the shittiness of the world, but at the same time they’ll also reveal how beautiful and precious it is.

The Inertia Variations is a documentary made about his inability to release anything new over the last decade and a half other than his soundtracks.  I have not yet seen it (he’s currently touring it around the UK) but I’m hoping it’ll be available to us here in the US sometime next year.  It’s an interesting title and idea, really.  It’s about a man stuck in stasis, unsure of where he wants to go, or if he wants to go anywhere at all.  It’s not entirely laziness, it’s also an inability to find purchase on stable ground.

And I’m sure we’ve all felt that.  Whether we want to admit it or not.

Coming Soon: The Best of 2017

radiohead lift

Thom Yorke is waiting anxiously for my end of year lists

Yep, it’s that time of the year again, where I’m juggling the Day Job, Christmas present purchasing (and wrapping, and mailing), whatever writing project I happen to be working on, posting my year-end review at the writing blog, creating my Best of Year compilation, and posting my Best of Year lists here.

As usual, I’ll hold up until the last week or so of this month before I post those last two, because I like giving December releases a chance at impressing me.  (Like the new U2 album, for instance.)  I will say 2017 has been quite an interesting year musically; it seemed like Nearly Every Single Band Jonc Loves put out an album this year!  And lots of solid career retrospectives.  There were also a lot of new finds that blew my mind as well.  I’m not sure if I can call it a banner year, but it certainly was quite enjoyable tunage-wise.

If anything, listening to music was definitely a highly-welcomed and much-needed escape from the ups and downs of Real Life.  And I’m pretty sure you know what my biggest headache was; the Day Job was the least of my stresses.  I won’t say I’m a pessimist in general, though I know all too often I let myself fall down that rabbit hole.  I kept a distant eye on what was going on, and I had my tunes to keep me sane and slightly distracted so I could stay positive.  And for that I’m eternally grateful.

More to come!

Recent Purchases, November Edition

A slightly shorter list this month, but running the gamut between soft, loud, delicate and noisy. November had quite the eclectic mix!

Lost Horizons, Ojalá, released 3 November. Simon Raymonde from Cocteau Twins, and Richie Thomas from Dif Juz? What’s not to love? A laid back, sort of jazzy album that’s a relaxing treat.

Bibio, Phantom Brickworks, released 3 November. Even more relaxing than the above album, this one’s filled with lovely meandering instrumentals and makes a fine writing soundtrack.

Sleigh Bells, Kid Kruschev EP, released 10 November. A usually-loud band surprises us with a mid-tempo, sometimes even quiet mini-set that’s just as excellent as their ear-bleeding noise.

Seal, Standards, released 10 November. I got a chance to see him play tracks from this album with the San Francisco Symphony a few nights ago, and it was absolutely fantastic. He really nailed the Sinatra/Rat Pack vibe on this album. I particularly love this track, as it really reminds me of The Wrecking Crew.

Morrissey, Low in High School, released 17 November. Questionable commentary, wonky politics and untrustworthy touring aside, I’m still a fan of Moz’s music, and I think this is probably his strongest album in quite some time. A lot of his previous records were good but not memorable, but this one’s got a goodly amount of keepers.

Jeff Lynne’s ELO, Wembley Or Bust, released 17 November. I totally admit I’ve been obsessing over this album lately! Yeah, I’m almost 47 and this is the music of my youth. It’s an excellent live mix of classics (and “When I Was a Boy” from 2015’s Alone in the Universe) and a hell of a fun listen.

Elbow, Best of, released 24 November. Go buy this already! One of my favorite bands of the new millennium. Absolutely stellar songwriting with gorgeous melodies and amazing vocals.  I don’t obsess over this band so much as I let their music pull me in and take me places.  I love it when a band can do that.

Bjork, Utopia, released 24 November. Weirdly beautiful as always, Bjork’s new album is once again less about the melodies and more about the sensation of its sound. Delicate and fragile, but always great.

Noel Gallagher’s High Flying Birds,Who Built the Moon, released 24 November. The Other Gallagher Brother (the one wot wrote nearly all the Oasis songs) puts out an off-kilter yet surprisingly strong album that’s quite different from his previous two.

**

One more month of new releases to go!

Meanwhile, 1985

Personal:  Eighth grade into ninth grade, going from Junior High to High School.  A long-awaited, much-needed change of pace, setting, and mood.  After nearly fucking up my educational track by getting an F — in English, of all things, thanks to boredom, inattention and distraction — I get my shit together and become a middling student for the rest of my school years. Not nearly as inept socially as I was in junior high; I embrace the fact that I’m a nerd and a weirdo.

Writing:  Headlong into the Infamous War Novel project.  Still finding my way through it, with multiple false starts, outtakes, and notebooks.  Somewhere along the line I come up with the brilliant idea of creating an outline via a set list of music, and it all starts coming together.  Eventually I’ll start a draft that will take me about two years to finish, in between music listening, homework and social life.  A few unrelated snippets written at this time that don’t really go anywhere.

Music:  Listening to a lot of Top 40 countdowns on the weekends while listening to rock radio during the week.  Music collection still small but expanding thanks to used record stores and trips to the mall.  Creating mixtapes from stuff off the radio in high gear now.  I start cataloging these mixtapes on a steno pad.  [Decades later I use this same list to recreate the mixtapes on mp3.]  Probably one of my favorite eras of pop music in the 80s…a lot of really great stuff came out between 1985 and 1986.

Recent Purchases, October Edition

October was a somewhat quieter release month (and my wallet thanks the record industry for that), but these releases were no less awesome. Here’s a few albums I picked up…

Liam Gallagher, As You Were, released 6 October. Yes, I am still willing to admit I’m an Oasis fan (as well as a Blur fan, but that’s another post entirely), and I’ve followed both Gallagher brothers post-breakup. Liam, the snotty kid brother, is no longer recording under the Beady Eye moniker, and it seems he’s finally shed his Beatles/Jam hippie-mod hybrid leanings. The new solo album is strong and confident, much like post-Be Here Now Oasis.

Hans Zimmer, Blade Runner 2049 score, released 6 October. I’ve been getting into scores lately, which is kind of a new thing for me as an avid listener. Zimmer does a fantastic job updating the sound originated by the classic 1982 SF film, providing a bit of warmth to an otherwise dark setting. [For the record, I had a few issues with the film scriptwise but overall I quite enjoyed it.]

The Church, man woman life death infinity, released 6 October. One of my favorite bands from the 80s is still going strong, and still fiercely independent in their sound. This is one of their spookier albums by far.

Beck, Colors, released 13 October. I can always count on Beck to release one of two kinds of albums: either a beautiful heartbreaking serious album (like Sea Change and Morning Phase or an off-kilter weirdo album (like Odelay and this one). I’ve come to really appreciate his musicianship over the years, and “Dreams” is definitely one of my favorite recent singles of his.

St Vincent, Masseduction, released 13 October. St Vincent finally returns with a new album, and it’s even weirder than her last. This one took me a few listens to get into for that reason, but it’s just as solid as her previous work.

Stars, There Is No Love in Fluorescent Light, released 13 October. I can always count on Stars to come out with a laid back alt-rock album with no pretension or bombast, and they write such lovely melodies. One of my favorite albums of this month.

The Sound of Arrows, Stay Free, released 27 October. This Swedish electronic band is a new find for me, but I love them already. They’ve been described as a mix of Pet Shop Boys and M83, and I think that’s spot on. About halfway through my initial listen I realized this could very well be the style of music to listen to for my next writing project.

…More releases coming soon! 🙂