How to Disappear Completely

I’ve been thinking lately about how the eternal on-ness of global connection has given way to the loss of self to some degree. Now, I’m not necessarily saying that the incredible ease in which I can go online and find something I’m looking for is inherently bad — just that I often remember and kind of miss that it wasn’t always this easy to fall down a rabbit hole. And I’m not necessarily saying that this global connection is breeding some kind of conformity, because if anything, it’s done the exact opposite and opened several social avenues for people who might not have had this access in the past.

I’m just saying that if I’m passive about this global connection, that I just let it wash over me with minimal reaction or emotional resonance, then all it’s ever been is a white noise distraction and a folly.

Right now as I’m writing this on late Sunday afternoon, I’m listening to Radiohead’s Kid A, an album released twenty-six years ago this month, and I recall buying it on cassette at Newbury Comics in downtown Amherst, and listening to it on the way home. Driving through the back woods of central Massachusetts on a cold afternoon, the New England foliage just reaching its peak. I’m looking forward to getting home to work on A Division of Souls on my PC in my parents’ basement. We had the internet back then of course — it was dial-up and the local phone lines wouldn’t upgrade for another year or so — but I was more focused on writing my new novel instead of futzing around online. I saved that for the late nights on weekends when I had time to kill and nobody to accidentally disconnect me.

I say this because I find it morbidly fascinating that I can listen to Kid A and am immediately connecting with the music on a deeper and closer level, as I hadn’t had as much distraction, nor was I fully plugged in and mainlining sounds from hither and yon. I’d given myself more time and patience to resonate with the music I surrounded myself with. And then I’ll put on, say, A Moon Shaped Pool from 2016, and it’s much harder for me to connect. I know what it is, and it’s not that I’ve lost interest in the band. It’s because in those ensuing ten years, I’ve ingested so much music, most of it passively or merely in passing, that that resonance isn’t nearly as strong.

Is it because my memory is almost full? Or is it because I’ve rewired my brain so much over the years that the connections aren’t as easy to revisit? I’ve been going through my library and ‘retiring’ a good portion of it — saving the secondary backup but deleting it from the main source drive — in order to rectify this. I think of it as selling my old physical copies at record stores back in the day, getting rid of the excess to lighten the load a bit and maybe get something back from it.

Why do I want to reinvest in this ‘resonance’, as I keep calling it? Well, it’s because that’s the primal reason for me loving music in the first place. A song that sings to me. A style or a genre that inspires or influences me in one way or another. It’s still there, I know it is, it’s just become so much harder to reach because of this passive intake and its ensuing clutter.

Walk in Silence…

It’s been quite a long time since I’ve listened to the music I grew up with. In fact I was kind of trying to avoid it on purpose. Not for any emotional reasons (not this time, at any rate), more that I wanted to distance myself from it for a bit.

You all know how obsessive I can get about listening to music, and sometimes I’ll get myself into a spiral of listening to certain albums (or years) on constant repeat. On the surface that’s not inherently bad. Sometimes you just want to listen to the music that resonated with you the most. Songs and albums that created a deep and lasting connection with your life and awakens memories both good and bad.

Thing is, I felt like I was doing this a little too often, to the detriment of any new music that came my way. I know I’m an outlier in this sort of thing: I’m just that kind of obsessive where I’m also constantly interested in new and fascinating things. [The new album by The Clockworks is amazing and they are so criminally underrated. I highly recommend all their work.] So I purposely distanced myself from the sounds of my past, at least for a little while. Just long enough where I felt I wouldn’t fall into another listening spiral.

It was the recent “forty years ago” meme that changed that, however. Several people on social media remembering music that dropped in 1986, and I of course thought oh man, this is a perfect Forty Years On series…maybe it’s time to return. Especially considering that was the year when I discovered college radio and my listening habits completely changed from classic rock and AT40 to alternative almost overnight.

So here I am now, thinking that maybe it’s time to allow myself a bit of reminiscence again. Thinking that maybe it’s finally time to work through that Walk in Silence book once and for all. I have the time and the spoons for it. And I’m starting to see even more books and articles about Gen-X 80s and 90s alternative rock these days, now that my generation is slowly trudging its way towards Elder status. And I realize that I still want to tell my side of that story: not about a scene or anything like that, but just a story about someone who’s listened to this stuff to the point of obsession and let it influence and inspire their life. A story about how alternative rock not only changed me for the better but connected me with a group of people that became lifelong friends.

Will it be any different from the outtakes and the 80s posts I put up here over the years? That’s a good question. I’ve told some of that story here of course, but I’ve left stuff out as well. Stuff that’s just a bit too personal, things I didn’t want to share online at the time, or things that were a bit too emotionally rough for me to revisit. And there are some things I’ve completely forgotten that come to light after a close listen to a certain song or album, well after the original posts. There’s also the fact that I’ve told and retold the story in different ways and never quite felt satisfied with it as a writer.

Let’s be honest here: I’ve also been thinking about returning to that era’s music here anyway. After all, this blog is named after the first line of Joy Division’s “Atmosphere”, and its original purpose was to talk about my obsessions with said era. I won’t be dismissing my interest in new music at all, and I’m sure that talking about it here on a regular schedule will continue; I’m just saying that it’s time for me to return to where I’m happiest: back when I used to call it “college rock”.

Show Me How

There are many different ways I could go about relearning how to listen to music that resonates with me, and I’ve been thinking that perhaps it’s to do it like I did before: one song, one resonance at a time.

My old-school style of finding writing inspiration in music used to be like this. A song that attracted my attention would then make me think okay, how can this song inspire a scene in the novel I’m writing? I haven’t done that in decades actually, but that’s how it used to work. It evolved in the 90s to ‘Belfry Soundtracks’ — the albums that would get heavy rotation during my writing sessions. They weren’t so much inspiration as they were setting moods, or simply pleasant to hear while working.

Life encroaches sometimes. I lack the time or the patience to pay attention. Or maybe the style or the genre evolves in a direction that doesn’t sing to me for a time. There are many reasons for that disconnect, and other reasons for trying to catch up afterwards.

Relearning sometimes requires unlearning. Stop focusing on the bulk of the chronology and the discography, and focus on the immediate that’s coming across. Discover something that passed me by, or be the first one in, it doesn’t matter, as long as we listen to the single song at that moment, and relate or react with the resonance. Pass it by if there’s nothing to feel, or hold onto it for a later time.

Just allow it to resonate, and that’s the most important and the most true emotional response.